Product Description

"Twelve times a week," answered Uta Hagen, when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? Like her, neither audiences nor critics could get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art-an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."

Product Details

• Amazon Sales Rank: #39353 in Books
• Published on: 2006-08-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 272 pages

Features

• ISBN13: 9780451218599
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
Albee can...be placed high among the important dramatists of the contemporary world theatre. -- New York Post

Play in three acts by Edward Albee, published and produced in 1962. The action takes place in the living room of a middle-aged couple, George and Martha, who have come home from a faculty party drunk and quarrelsome. When Nick, a young biology professor, and his strange wife Honey stop by for a nightcap, they are enlisted as fellow fighters, and the battle begins. A long night of malicious games, insults, humiliations, betrayals, painful confrontations, and savage witticisms ensues. The secrets of both couples are laid bare and illusions are viciously exposed. When, in a climactic moment, George decides to "kill" the son they have invented to compensate for their childlessness, George and Martha finally face the truth and, in a quiet ending to a noisy play, stand together against the world, sharing their sorrow. -- The Merriam-Webster Encyclopedia of Literature

Towers over the common run of contemporary plays. -- New York Times

About the Author
Edward Albee has received three Pulitzer Prizes for drama, 1980's Gold Medal in Drama, 1996's Kennedy Center Honors, 1996's National Medal of Arts, the 1961 and 2000 Tony Awards for best play, and 2005's Tony Award for Lifetime Achievement.

Customer Reviews

one of the best modern plays
A play in three acts, a very simple setting, and only four characters who live in a small, university town in America: a middle-aged couple, Martha and George. And a "young and innocent" couple, Nick and Honey. They all meet in a room, in Martha and George's house, very late one night, for a nightcap. And then...all hell breaks lose.

The play tears apart both marriages: the middle aged couple, who seem to hate each other and in the end turn out to be much more devoted to each other as it would seem. The young, seemingly perfect couple, who turn out to have lots of problems of their own. In three heart-breaking scenes, using dialogue that cuts like a knife, Edward Albee has written a masterpiece. He manages to give a clear-cut, honest picture of the reality of marriage, the reality of love, and the fears that go hand in hand with love and intimacy. At some point, in act three, Martha talks about her husband- and it's probably one of the best pieces of literature I've read:

"...George who is out somewhere there in the dark...George who is good to me, and whom I revile; who understands me, and whom I push off; who can make me laugh, and I choke it back in my throat; who can hold me, at night, so that it's warm, and whom I will bite so there's blood; who keeps learning the games we play as quickly as I can change the rules; who can make me happy and I do not wish to be happy, and yes I do wish to be happy, George and Martha: sad, sad, sad."

What more can I say? just read the play, and if you get the chance, watch it performed in the theatre, too.

Communication Problem
Edward Albee truly explores and humiliates the human fallacy of communication and insecurity in Who's Afraid of Virginia Woolf? with the use of repetition and a critical and satirical tone. In the play, Albee creates a tension between the two main characters of George and Martha. Throughout the play, Martha repeatedly sings "Who's Afraid of Virginia Woolf?" Although this song correlates to the title of the play, it also contains a deeper and more stylistic purpose to it. It basically means "Who's Afraid of life without false illusions?" according to Albee. When Martha sings George this very song, she is really asking him if he can continue life without lying to himself, but rather be honest with himself and live with the truth. This repetition of questioning with the song creates the feeling of insecurity within the characters. It arrives to the question if they can really handle the situation. In another example of repetition, Albee repeatedly has the characters of George and Martha suspiciously talk of and mention about their son. The repetition of this illusion by these characters creates the fantasy, which they live by, and how they carry on with this fantasy to fulfill their happiness. This correlates to the problem of insecurity Albee wishes to create through the use of the characters. Not only does Albee use this repetition to carry out his philosophical views on human existence, but he also validates the communicable issues with the satirical and critical tone throughout the play. The satirical tones of the sick games the couples fancy during the play spark a disturbing appearance toward the characters and their disgusting communication. Albee truly makes a disturbing communication problem when Martha plays "Humiliate the Host". She picks and edges at George's weakest aspects and embarrassments. This satirical tone demeans the couple's communication as Martha humiliates her husband in front of the guests. These disturbing game shows the true disgust of the American society as Albee demonstrates. Not only does his writing open a new door for us to look in to, but it also helps to pinpoint our nation's problems. The use of the character's insecurities not only relate to Albee's purpose of demonstrating a couple's in ability to cope and deal with life, but it also deals with society's problems. The stylistic strategies of Albee aid in our discovery of his purpose in the play but also in society.

The Most Beautiful Modern Drama
Looking past the rough language and the slew of verbal insults, one can see a sheer literary masterpiece. It wonderfully shows the struggle of George and Martha trying to come to terms with the reality they have created for themselves. When George discloses the secret of their son's nonexistence, he is forcing he and his wife to forfeit their mind games and live as functional human beings. By the way, in rebuttal, the title is absolutely perfect. Anyone with literary knowledge knows that Virginia Woolf was a realist who tried to present life as it truly is. Martha, at the end, is afraid of Woolf, or the symbol of life without pretenses.