Product Description

Two of Conrad’s BEST-KNOWN works—in a single volume

In this pair of literary voyages into the inner self, Joseph Conrad has written two of the most chilling, disturbing, and noteworthy pieces of fiction of the twentieth century.

Product Details

• Amazon Sales Rank: #15744 in Books
• Published on: 2008-08-05
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

From the Publisher
Heart Of Darkness. The story of the civilized, enlightened Mr. Kurtz who embarks on a harrowing "night journey" into the savage heart of Africa, only to find his dark and evil soul. The Secret Sharer. The saga of a young, inexperienced skipper forced to decide the fate of a fugitive sailor who killed a man in self-defense. As he faces his first moral test the skipper discovers a terrifying truth -- and comes face to face with the secret itself. Heart Of Darkness and The Secret Sharer draw on actual events and people that Conrad met or heard about during his many far-flung travels. In portraying men whose incredible journeys on land and at sea are also symbolic voyages into their own mysterious depths, these two masterful works give credence to Conrad's acclaim as a major psychological writer.

From the Inside Flap
Heart Of Darkness. The story of the civilized, enlightened Mr. Kurtz who embarks on a harrowing "night journey" into the savage heart of Africa, only to find his dark and evil soul. The Secret Sharer. The saga of a young, inexperienced skipper forced to decide the fate of a fugitive sailor who killed a man in self-defense. As he faces his first moral test the skipper discovers a terrifying truth -- and comes face to face with the secret itself. Heart Of Darkness and The Secret Sharer draw on actual events and people that Conrad met or heard about during his many far-flung travels. In portraying men whose incredible journeys on land and at sea are also symbolic voyages into their own mysterious depths, these two masterful works give credence to Conrad's acclaim as a major psychological writer.

About the Author
Conrad was born on 12/3/1857, in a part of Russia that had once belonged to Poland. His parents were members of the landed gentry, but as ardent Polish patriots they suffered considerably for their political views. Orphaned at 11, Conrad attended school in Cracow but concluded that there was no future for him in occupied Poland, and at 16 he left forever. The sea was Conrad's love and career for the next 20 years; in the British merchant navy, he rose finally to captain, sailing to Australia and Borneo and surviving at least one shipwreck. In 1890 he became captain of a Congo River steamer, but this led only to disillusionment and ill health and this would become the basis for Conrad's masterpiece, Heart of Darkness. Reluctantly leaving the merchant service, he settled in England and completed his first novel, Almayer's Folly, already begun at sea. His subsequent works, many of which drew upon his sea experiences, include The Nigger of the "Narcissus" (1897), Lord Jim (1900), Nostromo (1904), The Secret Agent (1907), The Secret Sharer (1910), and Chance (1913). The man who was 21 before he spoke a word of English is now regarded as one of the superb English stylists of all time. Conrad died at his desk in 1924.

Customer Reviews

A Classic of British Literature
Joseph Conrad's Heart of Darkness is a classic of British literature. Although Conrad was born in Russia-controlled Poland and did not become fluent in English until he was 21 years old, he demonstrates a tremendous mastery of the English language. Like many of his stories, Heart of Darkness is based on one of Conrad's own adventures (when he captained a steamboat down the Congo River).

Heart of Darkness chronicles the adventures of Charlie Marlow, a sailor and wanderer whose adventures lead him into the Congo Free State (under the control of Belgium) during the height of African Imperialism. As Marlow progressed further and further into the Congo, he confronts the growing darkness of mankind. The novel is often mistakenly taught in schools as a great anti-Imperialism novel, but this is not quite accurate. Almost every aspect of Heart of Darkness is ambiguous. Although Conrad clearly criticizes the false claims of humanitarian motives in imperialism, he does not condemn the act of imperialism. It is not even clear whether Conrad considers the Africans to be human.

Despite all its ambiguities, the Heart of Darkness is an important novel. At the very least, it paints a stunning and painful portrait of the cruelty and inhumanity of imperialist activities. If Conrad is not condemning imperialism, which is likely the case, then the novel ably portrays the underlying racism (and sexism, incidentally) in European thought during the time period.

The Secret Sharer is a short-story included with some copies of Heart of Darkness. The story follows a ship captain who rescues someone from the waters and allows him to stay on his ship, hidden from the ships' crew. The man turns out to have been a sailor on another ship who killed a crew-member during a storm. The captain protects the killer and eventually allows him to escape. Like the Heart of Darkness, the Secret Sharer is an ambiguous tale open to myriad interpretations.

Conrad's writing style is, admittedly, difficult at times. Although both stories are short, it takes a considerable amount of time to finish each one. The Heart of Darkness is told almost entirely through narrative which, at times, can become confusing and force the reader to go back and re-read some of the previous passages. Some readers are turned off by Conrad's writing style, while others find it very appealing. Whether you find it challenging or not, however, it is important to read the Heart of Darkness. It is difficult to find a better portrait of the horrors of imperialism.

A Difficult Story of Imperial Colonialism and the Individual
It should be noted immediately that "Heart of Darkness" is not an action packed morality tale like its cinematic cousin "Apocalypse Now", but an excursion into literary techniques such as symbolism and metaphor. As a result, many high school students and English under-grads are put to task to decode Conrad's frequently splendid, but occasionally arcane, use of English. Even if you are like me, (i.e. not a big fan of heavy symbolism, who prefers more literal writing) you will still enjoy this book with a little work.

Heart of Darkness takes place sometime around the turn of the 19th Century. The story is narrated by a worldly and morally ambiguous seafarer named Marlow. Marlow tells us, in great detail, about a voyage he took up the Congo River and his observations and tribulations thereof.

*Some Spoilers Follow*

A main theme to think about is Conrad's repeated thrashing of 19th Century Imperial Colonialism. There are numerous references throughout the book, including the title, of the moral ambiguity, discovery, and tension between "civilized" nations and "primitive" ones and, more importantly, applying this idea allegorically to an individual's internal struggle with his/her own individuality and moral compass.

On the negative side, this book is often over-analyzed to incomprehensibility as eager students and teachers find dubious meanings in admittedly confusing areas. I tend to chalk this up to unfortunate paragraph structure and disappointing anticlimaxes such as Marlow's visits with Kurtz.

Regardless, Conrad wrote a fine tale with historical relevance and personal insight. The trip up the river is especially brilliant. However, do not expect an action packed tale of heroes and villains, but rather think about what the "Heart of Darkness" means.

4/5

"Mistah Kurtz--he dead." An influential work on five 20th century seminal works
I read this book for a graduate Humanities course. Joseph Conrad's Heart of Darkness, written in 1899 is a seminal work about the ills of colonialism, as well as a postmodern look at the subject of mankind. Conrad's book had a crucial influence on five important works of the twentieth century: J. G. Frazier's book The Golden Bough. Jessie L. Weston's book From Ritual to Romance, T. S. Elliott's poem the Waste Land, Joseph Campbell's Hero with a Thousand Faces, and Francis Ford Coppolla's movie Apocalypse Now, screenplay by John Milius, was based on Conrad's book. Another interesting fact is that this work was read by Orson Welle's Mercury Theater Players on the radio and was to be his first movie. After doing some work on it he abandoned the project to do Citizen Kane! I would have loved to of seen what Welles could have done with this story. Conrad's story is so riveting in part, because he himself served as a riverboat captain. High school teachers and college professors who have discussed this book in thousands of classrooms over the years tend to do so in terms of Freud, Jung, and Nietzsche; of classical myth, Victorian innocence, and original sin; of postmodernism, postcolonialism, and poststructuralism.

Just a taste of the plot reels you in! Marlow, the narrator of Heart of Darkness and Conrad's alter ego, is hired by an ivory-trading company to sail a steamboat up an unnamed river whose shape on the map resembles "an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land" (8). His destination is a post where the company's brilliant, ambitious star agent, Mr. Kurtz, is stationed. Kurtz has collected legendary quantities of ivory, but, Marlow learns along the way, is also rumored to have sunk into unspecified savagery. Marlow's steamer survives an attack by blacks and picks up a load of ivory and the ill Kurtz; Kurtz, talking of his grandiose plans, dies on board as they travel, downstream.

Sketched with only a few bold strokes, Kurtz's image has nonetheless remained in the memories of millions of readers: the lone white agent far up the great river, with his dreams of grandeur,his great store of precious ivory, and his fiefdom carved out of the African jungle. Perhaps more than anything, we remember Marlow, on the steamboat, looking through binoculars at what he thinks are ornamental knobs atop the fence posts in front of Kurtz's house and then finding that each is "black, dried, sunken, with closed eyelids-a head that seemed to sleep at the top of that pole, and with the shrunken dry lips showing a narrow white line of the teeth" (57).

I especially became interested in Joseph Conrad's Heart of Darkness from the movie Apocalypse Now. There is a scene in the movie that shows Colonel Kurtz's nightstand in his cave. T. S. Elliott's poem the Waste Land is one of three books on the nightstand. The other two are Jessie L. Weston's book From Ritual to Romance, and J. G. Frazier's book The Golden Bough. Anyone wanting to understand the movie Apocalypse Now, especially the character of Colonel Kurtz, and what Milius and Copolla are trying to tell their audience need to read these three books as well as Conrad's Heart of Darkness!

As a graduate student reading in philosophy and history I recommend this book for anyone interested in literature, myth, history, philosophy, religion and fans of Apocalypse Now.