Product Description

HarperCollins UK Audio Classics presents abridged and unabridged readings of the world's favorite literary masterpieces. Among the distinguished readers are Christopher Lee, Derek Jacobi, Simon Callow, Linus Roache, Elizabeth McGovern, Terry Jones, Peter Firth, and Rufus Sewell. Each package of cassettes in the Audio Classics series is beautifully packaged and shrink-wrapped.

Product Details

• Amazon Sales Rank: #3266673 in Books
• Published on: 1972-01-25
• Original language: English
• Binding: Paperback
• 442 pages

Review
Librarians will dispute Miss White's contention that "boys and girls no longer read Uncle Tom's Cabin;" what cannot be disputed is the dismay with which they regard it, the difficulty they have in understanding it. To overcome the difficulties and "to heighten the effect," she has cut references to terms "outside a young reader's knowledge and understanding" which she interprets to mean "vocabulary beyond the ten-to-fourteen level;" she has substituted indirect for direct discourse in some instances to achieve "a change of pace;" she has removed "old fashioned punctuation" ("they don't understand the semicolon at all"); she has eliminated some explanation of characters and description of surroundings, and "unessential religious commentary and interpolation;" she has simplified the opening of the story "with the object of capturing the reader from the start." All this results in a version which is twenty percent shorter than the original and which is unquestionably easier to read. It is still the story of Uncle Tom (and Eliza and Topsy,) and it still is a moving document, but it is not Mrs. Stowe's book. Hopefully, librarians will have both on their shelves and offer readers an informed choice between the two. (Kirkus Reviews)

Review
"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."
—Alfred Kazin


From the Trade Paperback edition.

From the Publisher
Library of Liberal Arts title.

Customer Reviews

Read it and judge for yourself
Uncle Tom's cabin is frequently criticized by people who have never read the work, myself included. I decided I finally needed to read it and judge it for myself. And I have to say, that for all its shortcomings (and it does have them), it is really a remarkable book. The standout characteristics of this book are the narrative drive (it's a very exciting, hard to put down book), the vivid characters (I don't know what other reviewers were reading, but I found the characters extremely vivid and mostly believable - exceptions to follow), the sprawling cast, the several completely different worlds that were masterfully portrayed, and the strong female characters in the book. The portrayal of slavery and its effects on families and on individuals is gut-wrenching - when Uncle Tom has to leave his family, and when Eliza may lose little Harry, one feels utterly desolate.

As for flaws, yes, Mrs. Stowe does sermonize a fair bit, and her sentences and pronouncements can be smug. Yes, if you're not a Christian, you may find all her Christian references a bit much. (But the majority of her readers claimed to be Christian, and it was her appeal to the spirit of Christ that was her most powerful tug at the emotions of her readers). Yes, she still had some stereotypical views of African-Americans (frankly, I think most people have stereotypical views of races other than their own, they just don't state them as clearly today). But in her time, she went far beyond the efforts of most of her contemporaries to both see and portray her African-American brothers and sisters are equal to her. The best way she did this was in her multi-dimensional portrayal of her Negro characters -- they are, in fact, more believable and more diverse than her white characters. Yes, at times her portrayal of Little Eva and Uncle Tom is overdone at times -- they are a little cardboard in places -- but both, Uncle Tom especially, are overall believable, and very inspiring. The rest of the Negro characters - George Harris, Eliza, Topsy, Cassie, Emmeline, Chloe, Jane and Sara, Mammy, Alphonse, Prue, and others, span the whole spectrum of humanity -- they are vivid and real.

The comments of a previous reviewer that the book actually justifies slavery (because "it says it's no worse than capitalism") and that it shows that Christianity defends slavery are due to sloppy reading of the book. No one reading the book could possibly come to the conclusion that it does anything but condemn slavery in the strongest and most indubitable terms. This was the point of the book. The aside about capitalism was just that, an aside on the evils of capitalism. It did not and does not negate the attack on slavery. Secondly, another major point of the book is that TRUE Christianity does not and could not ever support slavery. Stowe points out the Biblical references used to claim that Christianity defended slavery merely to show how the Bible can be misused by those who wish to defend their own indefensible viewpoint. It's ridiculous to say that the book "shows that Christianity supported slavery". It shows that some misguided preachers abused certain Bible passages and ignored other ones to support their view of slavery.

There is an overlay of the tired "Victorian women's novel" to this piece - that must be granted. For literary perfection, it will never take its place beside Tolstoy, Dickens and Austen. But it is a piece entirely of its own category. Nothing before or after it has been anything like it, and it IS a great, if flawed, novel. I highly recommend it. I give it 5 stars despite its flaws because it's utterly unique, and its greatness is in some ways is related to its flaws.

Yet another surprised reader
I too was surprised by "Uncle Tom's Cabin." I'd expected a poorly written melodrama with (at best) a tepid commitment to abolition and a strong undercurrent of racism. I was wrong. As a novel, I consider it to be better than many of its rough contemporaries (including "A Tale of Two Cities," "Vanity Fair," and "Sartor Resartus"). As an attack on slavery, it is uncompromising, well informed, logically sophisticated, and morally unassailable. It's also exciting, educational, and often funny.

The book has flaws, of course. The quality of the writing is variable, as it is in the works of many greater talents than Stowe. Herman Melville is one of my favorite writers, but I'd be hard-pressed to defend some of his sentences--or even some of his books--on purely literary grounds! There are indeed sentimental passages in "UTC." So what? There are plenty in Hawthorne, Dickens, Ruskin, and the Brontes, too...and lord knows our age has its own garish pieties. There are also a couple (only a couple!) of unfortunate remarks on the "childlike" character of slaves, but nothing so offensive as to render suspect Stowe's passionate belief that blacks are equal to whites in the eyes of God and must not be enslaved. (She also says that differences between blacks and whites do not result from a difference in innate ability, and argues that a white person raised to be a slave would show all the characteristics of one). By contrast, Plato wrote reams in defense of slavery and racialism, and yet people who point this out are considered spoilsports, if not philistines.

The reviewer who claimed to have learned from Stowe that "slavery is no worse than capitalism" has totally misunderstood Stowe, who says that slavery is AS terrible as capitalism. To be precise, Stowe equates the horrors of wage slavery under Victorian Britain's capitalist system of production with those of chattel slavery in the American South. Her definition of capitalism agrees perfectly with that of Karl Marx, who was a pro-abolitionist correspondent for the New York Daily Tribune (and was familiar enough with Stowe to have written a piece on her). Marx said that true capitalism is defined by "the annihilation of self-earned private property; in other words, the expropriation of the labourer." Marx did not consider America a capitalist state, because American workers had at least theoretical upward mobility and could acquire property. This was not at all true of the British working class when "Uncle Tom's Cabin" was written, as Stowe well knew. And there was nothing idiosyncratic about her opinion; contemporaneous books such as "The White Slaves of England" made the same connection between American chattel slavery and British wage slavery. The cruelty of both systems is what led Stowe to claim in an essay that the Civil War was not merely a war against slavery, but "a war for the rights of the working class of society as against the usurpation of privileged aristocracies."

As for the claim that Stowe says Christianity justifies slavery, this is either willful misreading or wishful thinking...she says the opposite so many times, and at such length, that to remove every expression of it would probably shorten the book by half (to the delight, apparently, of most of our nation's English students).

Not sure who to believe? If you're interested enough in "Uncle Tom's Cabin" to have slogged through this meandering review, why not read it and see for yourself what Stowe does, and doesn't, say?

A Review of Uncle Tom's Cabin
Set during the period of great inequality in America, the main characters of Uncle Tom's Cabin, by Harriet Beecher Stowe, struggle for their freedom. As slaves, they had no rights to lead their own lives, and were forced into hard labor on the farm of a white man. Many of the powerful characters of the novel fight for their freedom, attempting to escape through the Underground Railroad to Canada for equality. When caught in the flight from the plantations, the slaves are forced to flee through many hardships including rough terrain, bounty hunters and racist onlookers. The book is a tale of adversity in the struggle for freedom, a look into human cruelty as well as human compassion, and one man's loyalty to those he is indentured to. The novel is set in a period just before the Civil War; during the time when the black people of America were not citizens, and had no rights. In the south during this time, the blacks were forced to work hard labor on plantations and were required to live in small dorms outside of their owner's homes. However, the novel is more than just a narrative of slaves, but of human emotion rising up in the face of adversity. It is a story of the fight for freedom, and an account of the history of America. The author brings out the humanity in the slaves, and describes the great injustices that took place during the time. The characters of this book are strong, resourceful, and respectable. These characters defy the contemporary stereotypes for slaves of the time. To get the full effect of reading this book, one must have an interest in American history and not mind hearing of the inhumanities that went on during the time. The story never becomes too boring or feels drug out, as it skips from family to family, accounting for each character's role in the story. It is filled with highs in lows of emotion, skipping from happy scene to sad scene, maintaining compassion for the characters. The powerful characters show how people can triumph even in the worst circumstances. It also contains historical information involving the Underground Railroad and the business of the slave trade, adding a non-fictional background to the story. A sense of compassion is developed for the characters and a new understanding of the immoral treatment of the black people can be obtained from reading this book.