Product Details
Drawing: A Creative Process

Drawing: A Creative Process
By Francis D. Ching

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Product Description

The intriguing interplay among seeing, visualization, and expression through drawing is demonstrated in this book. Emphasizing the use of freehand drawing, it presents a series of examples, exercises and techniques that show how to quickly transfer images both seen and unseen into clear representational forms on paper.


Product Details

  • Amazon Sales Rank: #66971 in Books
  • Published on: 1989-09-15
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 208 pages

Editorial Reviews

From the Back Cover
"Drawing relies on a clear vision. It also requires thought which, in, turn, builds understanding. Drawing cannot be detached from seeing and thinking about the fundamental nature of the subject matter being represented. The knowledge and understanding gained through drawing from life directly enhances our ability to draw from the imagination. Just as thought can be put into words, ideas can be made visible in a drawing to promote visual thinking and further stimulate the imagination. Once what is seen or imagined is made visible in a drawing, the image takes on a life of its own and communicates graphically. However eloquently or crudely, all drawings, speak to the eye." From the Preface … Francis D.K. Ching


Customer Reviews

Drawing: A Creative Process5
Like the rest of Ching's books, this one is great as well. I use it as a resource for Drawing and illustration classes in college. It covers all the basics of sketching and drawing that are important to build a foundation for free-hand drawing. It covers everything from basic shapes and textures to gesture drawing and proportion. I also recomend the book "Design Drawing" by F. Ching.

On of the best basic drawing texts I have seen5
Drawing: A Creative Process is my favorite guide and textbook for basic drawing. It covers, in an accessible way, basic concepts behind visually expressing ideas through drawing. Ching's section on perspective is especially good and is, like the rest of the book, clearly illustrated with Ching's own pencil drawings. The book does not contain examples of master drawings or lessons in art history, but it does provide an access point for someone wanting to learn how to visualize their observations and ideas.