Product Description

One of the world’s oldest novels and the greatest single work of Japanese literature, this 11th-century romance centers on the lives and loves of an emperor’s son. It offers a vast tapestry of the intrigues and rivalries of court life, as well as an exquisitely detailed portrayal of a decaying aristocracy. Rich in poetry and wordplay in addition to subtle social and psychological observations, this splendid translation of the first part of a tremendously influential masterpiece provides Western readers with a memorable taste of one of the world’s first and greatest novels.

Product Details

• Amazon Sales Rank: #311703 in Books
• Published on: 2000-08-24
• Format: Abridged
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Features

• ISBN13: 9780486414157
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Widely recognized as the world's first novel, as well as one of its best, the 11th-century tale of Genji the shining prince has been painstakingly and tenderly translated by Tyler, a retired professor of Japanese language and literature. Genji, the son of an emperor by one of his "Intimates" and preternaturally blessed with beauty and charm, is the center of this two-volume opus though he and his heroine die some two-thirds into the book which details both his political fortunes and his many amorous adventures. Chronicling some 75 years of court life with a dizzyingly large cast of characters, it is an epic narrative; it is also minutely attentive to particulars of character, setting, emotion even costume. While two complete English translations exist (Arthur Waley's of 1933 and Edward Seidensticker's of 1976), Tyler clearly intends his to be the definitive one. It is richer, fuller and more complicated than the others indeed, Tyler's fidelity to the bygone Japanese custom of not writing proper names can sometimes make it difficult, for example, to determine which of Genji's myriad lovers he is thinking about. Unlike Waley's translation, Tyler's is unexpurgated; unlike Seidensticker's, his is heavily annotated. New line drawings of Japanese architecture and activity complement the text, while character lists at chapter beginnings, a plot summary at the conclusion and two glossaries one of offices and titles, the other of general terms orient the reader in a multigenerational and unfamiliar world. Tyler's formality of tone (contrast Seidensticker's anachronistic "He could see her point" to Tyler's simple "He sympathized") offers readers a more graceful, convincing rendering of this 1,000-year-old masterpiece. Scholars and novices alike should be pleased. 6-city translator tour. (Oct. 15)Forecast: This massive project involved a whole team at Viking (see PW Interview with editor Wendy Wolf, Aug. 20). The 20,000-copy first printing may seem ambitious, but the attractive boxed edition and landmark translation effort should convince a substantial number of readers to finally add this classic to their collections.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Written in the 11th century, Lady Murasaki's account of court life in Heian Japan stands as one of the undisputed monuments of world literature and one of the first novels in the modern sense of the term. Stretching over several generations, it focuses on the Shining Prince, his defendants, and their shifting fortunes. Much of the substance of the novel resides in the layers and subtle nuances of etiquette, gesture, and ritual. There are two previous English translations available in both full and abridged forms, Arthur Waley's (1933) and Edward Seidensticker's (1976). Waley's efforts are groundbreaking, though they distort the work's form and make Genji into an Edwardian gentleman. Seidensticker's translation is solid, though it often simplifies the syntax. Tyler, who taught Japanese language and literature for many years at the Australian National University, offers a version that effectively captures the indirection and shades of Murasaki's court language. Tyler also includes a series of appendixes, explaining clothing, colors, and poetic allusions, as well as a general glossary. A major contribution to our understanding of world literature; highly recommended. T.L. Cooksey, Armstrong Atlantic State Univ., Savannah, GA
Copyright 2001 Reed Business Information, Inc.

Review
The Tale of Genji has had many lives since its creation; this is surely one of the loveliest now available to us. -- The Washington Post, December 23, 2001

Reader-friendly at every turn, with generous footnotes, character lists, and illustrations..." -- Newsweek

Customer Reviews

A Tale of Three Genjis
A longtime admirer of Murasaki Shikibu's exceptional work, I fell in love with Genji first through Arthur Waley's translation, which made this admittedly exotic novel accessible to non-Japanese readers. Curious to know more about the Heian period and culture, I acquired Ivan Morris's tremendously helpful and readable "The World of the Shining Prince." Then I discovered Edward Seidensticker's superb rendering of "The Tale of Genji," and have read and re-read that version with deepening understanding and enjoyment. Seidensticker, while presumably adhering closer to the language of the original (which even modern Japanese find difficult to read), gave us a translation which is perfumed by the sensuous beauty of what must have been a truly refined and special time and place (albeit a very limited one).

Now comes Royall Tyler's superb effort, which comes with myriad and very helpful details: each chapter starts with an explanation of the chapter title, how the section relates to previous chapters and the cast of characters. There are also generous appendices including a chronology of events in the novel and a glossary. Line drawings throughout the two volumes (also present in Seidensticker) provide helpful visual clues as to dress and architecture. Tyler's effort seems even closer to the original language, and thereby lies the problem.

This version unnecessarily burdens the reader with ever-changing nomenclature. Since in the original characters are known by their rank-names, and Tyler (mostly) adheres to this usage, the reader is challenged to keep up with the changes. Put the book down for a day or two and you will feel quite lost for several minutes when you restart. As an aide, the translator does provide footnotes to clue you in, but this just makes things more awkward and tedious. For example, at the start of Chapter 43, "Red Plum Blossom" in Tyler's version: "There was in those days a gentleman known as the Inspector Grand Counselor, the late Chancellor's second son, hence the younger brother of the Intendant of the Watch (1)" This same sentence in Seidensticker reads: "Kobai, the oldest surviving son of the late To no Chujo, was now Lord Inspector." How much more to the point!

To conclude, while Tyler's translation is awesome in its scholarship and abundant detail (including sources of the poetry), it is also much less readable. To my mind, the scholarship gets in the way of the story telling. I found myself longing for my Seidensticker at many turns as I went dutifully through the Tyler. Aside from providing a more continuous flow to the story, I also found that Seidensticker's translation of the many poems in the tale more comprehensible and lyrical.

If you are new to this literary masterpiece, you will find the Waley translation the most accessible. If you get hooked on the work, you will probably want the other two. If you must have only one version, however, go with Seidensticker.

Is this the greatest novel of all time?
If you are reading this it is probably because you have enjoyed Liza Dalby's "Tale of Murasaki" and are wondering if you can handle something of this size. Or perhaps you are already familiar with the scintillating Waley or Seidensticker translations (also worth acquiring and reading) and curious as to why Tyler has even bothered to produce another one. In fact, even in Japan there have been several recent attempts to render the obscure language of the Heian Court into modern Japanese. Junichiro Tanizaki, for example, managed the feat twice. With such a precedent Tyler therefore, perhaps, needs no justification. Anyway, what you need to know is that the new translation surpasses Seidensticker's in being faithful to the poetic economy of Murasaki's prose (though "economy" here still leaves room for some marvellously glutinous, clause-laden sentences) and even succeeds in maintaining the shifting identities of the characters (which change when they receive promotion within the court) without leaving the reader lost. There are also some wonderful and irreverent moments, such as when Tyler has the libidinous Genji complain "I'm not out for hanky panky; all I want to do is sit for a while on her creaky veranda." But the main thing is that this translation is utterly absorbing, wonderfully readable, and as difficult to put down as many a bestselling novel I have come across. It will guarantee around two months of enjoyment to those who like a good psychological story and therefore represents excellent value, even in hardback. For me personally it is simply the best novel I have read and I recommend this translation without any reservations.

Very nice indeed
The strength of this translation is the introductory information that provides necessary background of both the text and the world that Genji inhabits. Much more than either the Waley and the Seidensticker versions and the footnotes are copious as well. Which makes this translation good for students and classroom study. I would still recommend Ivan Morris' book, _The World of the Shining Prince_ as supplemental inforamtion about Heian Japan but Tyler has provided a very good start with his work including very useful genealogical charts.

The illustrations are generous and found throughout both volumes. Seidensticker had larger illustrations but slightyly less of them whereas Tyler has opted for smaller. One of the flaws of this particular version is the fact that the illustrations are not done as well as the Seidensticker 2 volume set or even the one volume Knopf version. This flaw I place more due to the publisher who has not printed the text as cleanly e.g., ink blots and slight blurring of illustrations and incomplete pressing, as I would have expected.

The more useful study volume is definitely Tyler's with his chronology, geneaology charts, informative introduction, footnotes, clothing and color background, offices and titles, and summary of poetic allusions. It is also beautiful in its red plum cloth cover with end pages of lavender (how self referential) and ink line drawings.

It is a very good addition to the collection but do give a swing through both the Waley and the Seidensticker translations as well.