Product Description

NATURE, a major compendium of May Swenson's poems, including ten that appeared first in this collection, draws on nearly fifty years of work. "Surely no one, scientist or poet," wrote former U.S. poet laureate Howard Nemerov, "has seen things . . . so clearly as she, and surely no one has made seeing and saying so nearly one."

Product Details

• Amazon Sales Rank: #504167 in Books
• Published on: 2000-04-19
• Original language: English
• Number of items: 1
• Binding: Paperback
• 240 pages

From Publishers Weekly
Swenson (1913-1989) hasn't received the recognition her writing merits. In this new compendium of her work, she observes nature, and her generous technical resources transform it, inviting us to see it again, as well as to appreciate the unpredictable act of perception. The poet glimpses and ponders planets, oceans, storms, "trees embracing," "October textures," and their kin; the "vegetable oath" of a plant and "the lit hut" of a star. To borrow from one of her titles, Swenson wants to "look closer," whether at the "stuffed pink stocking" of a flamingo or the exposed interstices between observed and observer. But what comes of the closer look is far more than description. Though fashioned to evoke things seen, the poems are so cannily constructed that their world becomes independent, a new thing for us to watch with wonder. The poetry thinks, feels, examines; it's patiently, meticulously sensuous, and adventurously varied in form, much as nature is. Frost, Dickinson, Bishop and Hopkins appear to have been Swenson's companions or progenitors. Now she's ours. The collection includes nine previously unpublished poems, 20 previously uncollected poems, and work drawn from earlier volumes.
Copyright 1994 Reed Business Information, Inc.

From School Library Journal
When the world loses a major writer, there is a profound sense of finality; there will be nothing new of this creative energy to discover. But not in Swenson's case. The incredibly prolific Swenson, winner of the Rockefeller, Guggenheim, and Ford fellowships and many other literary honors, died in 1989 at the age of 76. Now, five years later, we have a new collection of her poetry that brings together poems from several earlier books, as well as poems published only in magazines, and introduces us to nine splendid poems published here for the first time. This collection, with a thoughtful foreword by Susan Mitchell, is brought together with special attention to poems describing the environment; poems of tides and the sea, of birds and gardens, of moods and seasons, of self and others. These are poems of keen observation; Swenson is an intensely present poet, fully in the moment. Writing of falling snow in one of the newly published poems, Swenson is immediate, gentle, lyrical: "There sprouts a mat/of white grass. Tips of pickets on the fence/get mittens." This is a collection to be treasured; it belongs in all libraries with even a modest selection of poetry.
Judy Clarence, California State Univ. Lib., Hayward
Copyright 1994 Reed Business Information, Inc.

From Booklist
This is a dazzling posthumous collection of nature poems by a poet who epitomized the art of awareness. For Swenson (1913-89), the cosmos was a whirl of activity, of orbiting planets and galloping weather, of flickering birds and unfurling blooms, of bears, apples, and oceans. Swenson is erotic, describing landscapes as "bodyscapes" and vice versa; she is clever, blessed with a gift for stunning metaphor that allowed her to see mallards, for example, as "sunny baskets;/ they bear ripe light." And daffodils as "yellow telephones." The editors of this scintillating volume have organized Swenson's nature poems, many never before published, thematically so that one section contains a flock of bird poems, and another showcases poems about the heavens or water or "selves," "days," "makings," or "instincts." This chronological jumble is intriguing, and when readers check the title index for the dates of their favorite poems, they may discover they have a favorite time period during Swenson's five decades of attentive, pithy poetry writing. Swenson's poems are lenses: microscopes, binoculars, telescopes, or even just good old corrective lenses that bring life into welcome focus. Donna Seaman

Customer Reviews

May Swenson
My introduction to May Swenson came when I recently met the person to whom all of her work has been bequeathed. I found May Swenson's work to be very accessible, which is not the "vogue" in poetry at the moment. Anyone can understand and be touched. Her childlike humor mixed with her sometimes profound subject matter makes this book a treasure trove of sweet, funny, heart-wrenching, fascinating poems that you'll want to flip in and out of over and over again. It has made me interested in the rest of her work and life.

As Bountiful As Nature Itself
Swenson is a master at pithy telling of the heart and the natural world. Her poetry is so open, so enjoyable to eat. You feel how much heart and insight she has, while reveling in her brevity and images.

Tim Siegel
Friends Wilderness (Retreat) Center
www.friendswilderness.org

A voluptuous vision
May Swenson weaves surprising humor, vivid detail, and startling imagery into her poetry. It's always alive with fresh ways of describing the familiar, and held together by a subtle but strong philosophical thread. She has the knack of writing immediately accessible poetry that's never watered down, never less than rigorous & precise -- yet she never lets the reader see the intricate structure behind the brilliance of the image. There's always the sense of a fiercely intelligent spirit at play in her work.

The poetry gathered here is about Nature ... but we're not talking about a vague, bland, greeting card version of Nature. This is the world both harsh & beautiful, bleak & transcendant, often astonishingly erotic & intimate. Reading her poetry is like drinking a particularly rich & sparkling wine, tinged with rare spices. And in reading, all your senses will be dizzy & dazzled before you know it. Most highly recommended!