Product Description

Written by the author of "Carrie", "Salem's Lot", "The shining" and "Christine", this novel features Thad Beaumont, a Pulitzer Prize-winning author who has developed a lucrative thriller-writing alter ego named George Stark. He stops being fun so Beaumont wants to kill him.

Product Details

• Amazon Sales Rank: #167702 in Books
• Published on: 1989-11-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 448 pages

Amazon.com Review
In 1985, 39-year-old Stephen King announced in public that his pseudonymous alter ego, Richard Bachman, was dead. (Never mind that he revived him years later to write The Regulators.) At the beginning of The Dark Half (1989), 39-year-old writer Thad Beaumont announces in public that his own pseudonym, George Stark, is dead.

Now, King didn't want to jettison the Bachman novel, titled Machine Dreams, that was he working on. So he incorporated it in The Dark Half as the crime oeuvre of George Stark, whose recurring hero/alter ego is an evil character named Alexis Machine.

Thad Beaumont's pseudonym is not so docile as Stephen King's, though, and George Stark bursts forth into reality. At that point, two stories kick into gear: a mystery-detective story about the crime spree of George Stark (or is it Alexis Machine?) and a horror story about Beaumont's struggle to catch up with his doppelganger and kill him dead.

This is not the first time that Stephen King has written a dark allegory about the fiction writer's situation. As the New York Times writes, "Misery (1987) is a parable in chiller form of the popular writer's relation to his audience, which holds him prisoner and dictates what he writes, on pain of death. The Dark Half is a parable in chiller form of the popular writer's relation to his creative genius, the vampire within him, the part of him that only awakes to raise Cain when he writes, the fratricidal twin who occupies 'the womblike dungeon' of his imagination." --Fiona Webster

From Publishers Weekly
The protagonist of King's top-notch new novel is literary novelist Thad Beaumont, whose greatest success has come with three gory thrillers written under the pseudonym George Stark. (King himself wrote five novels under the pseudonym Richard Bachman.) When a blackmailer threatens to reveal Stark's identity (planning his scheme, he finds a new use for PW 's "People" page), Beaumont and his literary agent decide to foil the plan and capitalize on Stark's "demise." But Stark, who of course was never alive, will not stay dead either. Beaumont's alter ego (for Stark is obviously more than just a pen name) seeks revenge against all those involved in killing him off, and his murderous rampage, gory and gripping, systematically reduces the ranks of his enemies to Thad, his wife and two children. Stark's aim--to force Beaumont to write another Stark novel--is basically a variation on King's Misery , in which a deranged fan held a writer captive until he wrote another novel featuring the heroine whose life he had terminated in his previous book. But this new King thriller is so wondrously frightening that mesmerized readers won't be able fault the master for reusing a premise that puts both Misery and The Dark Half among the best of his voluminous work. 1,500,000 first printing; $500,000 ad/promo; BOMC main selection.
Copyright 1989 Reed Business Information, Inc.

Review
'A writer of excellence...King is one of the most fertile storytellers of the modern novel' -- The Sunday Times 'King is unbeatable' -- Mirror 'Not since Dickens has a writer had so many readers by the throat!King's imagination is vast...one of the great storytellers of our time' -- Guardian

Customer Reviews

Quick-paced crime thriller
Quick-paced crime thriller: That's the best description of this magnificent novel. Located of course in Maine, this time in Castle Rock. Both this book, and 'Needful Things' have several characters in common. Unlike another pair of novels, 'The Regulators' and 'Desperation', the characters in question preserve their personality and biographies throughout the novels. Although after finishing 'The Dark Half' you may have an impression that all is well that ends well, read its sibling novel to get to know that this isn't so at all. I have found the 'Half' colorful and enchanting. This novel bound me to itself, so that I felt compelled to finish reading at one shot. Chances are you will too. King often utilizes one writer's trick of emphasizing character's persistent thoughts in separated lines or special type. In 'Carrie' it was for instance "dirtypillows", in 'The Shining' it was "redrum", and here it's "the sparrows are flying again". These mantras remain rooted long after reading the book in question. The writing technique is very convincing, serving as a complement to sequential presentation of words spoken and thought. How many times a day you use one expression in your head's voice and quite another goes out of your mouth? Coming back to the main plot of the book, one can imagine how much pissed off King must have been when his Bachman pseudonym was revealed to the public. On the other hand, the book suggests that he had some bitter thoughts observing the divergence of the volume of sales of his Bachman books and the ones written under his proper name, respectively. Well, all is well that ends well at least in this respect. Years later, in 1995, he exhumed his Bachman pseudo to write a companion novel to 'Desperation'. It was very handy and King used it in a brilliant way, indeed. Hence, reading 'The Dark Half' in 2000, one can look at the bitter writer's experiences with some perspective. As for the book itself, I claim that few writers have King's talent to write books you can't put down, and at the same time be able to amaze the reader with both descriptions and dialogues. Let me use a cliché: we don't read King for blood or any other feature like this. We read him because virtually each book of his carries the stigma of good literature and uniqueness. We read his books because He wrote them, no matter what the book is about. Don't we? So what? Well, LONG LIVE THE KING!

King delivers another grand title...Or is it Bachman?
"I'm back from the dead and you don't seem glad to see my at all, you ungrateful son of a bi$ch." During a time when folks began to question Stephen King's story telling ability, the "Master of Horror" pulls yet another ace from the deck. The Dark Half is a strong novel, similar to a short novella, "Secret Window, Secret Garden" from another SK book, Four Past Midnight. However, after reading the first couple hundred pages the close association with that story ends and The Dark Half begins. This novel is a nice breath of fresh air compared to other work that King released during this time period such as: The Tommyknockers, Needful Things, Dolores Claiborne, etc. Its unique style screams Bachman and displays Steve King's uncanny ability to write beyond the "typical monster under the bed" yarn, while capitalizing on his untapped ability to write a great crime novel. With a little mythology and telepathy thrown in to boot, The Dark Half delivers a prominent yarn, that will keep the reader engaged from start to finish. The only major problem I had with the book was the short, abrupt ending, which always seems to plague most of King's work (as his fans love to point out).

Simplicity can be bliss
Sometimes, Stephen King can be complicated. Desperation, for example, is quite possibly the best examination of Christian morality that you'll find in popular fiction (or anywhere, for that matter), and Misery manages to construct a fairly accurate, if obvious, allegory of the writer's relationship with his fans. The problem that these novels have, of course, is the fact that the message can, at times, interfere with the story, which (let's admit it, folks) is what a lot of people read Stephen King for.

We don't have that problem with this particular book. For once in his long career, Stephen King managed to maintain the authoritarian discipline over his more verbose reflexes to write a story that was JUST a story. He doesn't let himself get sidetracked with backstory, theorization, or philosophy--his first and only focus is to tell the story from beginning to end, and that is just what he does, in masterful fashion. For those of his readers, like myself, who enjoy these literary sidetracks, this can come as a bit of a disappointment (though not much of one), but for people who like to simply dig into their books and forget all that coffee shop, art undergraduate bull [...], this is right up their alley.

This presents a bit of a delimma to me, then, since I generally enjoy reflecting on the deeper message and understanding that King is trying to convey in these reviews. There is one here, sort of--while I don't quite agree with George Stade's view (I think that he might just be weaving some of this from some pretty thin thread), there are some statements to be read about the author's relationship with himself, if you're of the mind. The great thing about The Dark Half, however, is that you don't HAVE to go looking for these things.

In that sense, I really have to say that this is one of Stephen King's best books, at least in terms of the discipline and focus that he brought to the writing. You can see elements of Richard Bachman in this novel (the style is fairly reminiscent of Thinner, a much poorer effort) alongside King's usual voice and presentation, and the combination works out well in the end.

Don't get me wrong--there are knocks to be made against this book. Most of these are of the usual variety for King--the ending is weak, brand names seem to pop up with every odd sentence, etc. Fortunately, the good of this novel far outweighs the bad, in the end. All things considered, I'd say that this is a book that would be good for ANYBODY, dedicated King fan or not, to pick up to simply take an afternoon or two off or pass a long plane ride. While you may not remember it for the rest of your life, it should certainly keep you entertained, and maybe even give you something to think about in the process.