Product Description

A true literary event, the publication of this generous selection of stories--drawn from Alice Munro's seven collections spanning 30 years--gives enormous reading pleasure while it confirms Munro's place in the front ranks of today's writers of fiction. These 28 stories about lovers, parents and children, sex, seduction, marriage, murder, dreams, and death are pure essence of Munro.

Product Details

• Amazon Sales Rank: #902487 in Books
• Published on: 1996-10-08
• Released on: 1996-10-08
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 545 pages

Amazon.com Review
"Too many things," a creative writing instructor tells the narrator of "Differently." "Too many things going on at the same time; also too many people. Think, he told her. What is the important thing? What do you want us to pay attention to? Think." What does Alice Munro want us to pay attention to in her Selected Stories? Everything, really, and so her narratives loop back on themselves, jump decades backward and forward in time, introduce characters who later drop out of the action, and generally break every rule in the short-story-writing book. In "Carried Away," for instance, a dead character makes a sudden, inexplicable appearance in what is otherwise the thoroughly naturalistic account of a librarian's disappointment with love. "The Albanian Virgin" is two stories in one: the first--the fanciful tale of Ghegs kidnapping a young Canadian woman--is told within the second, about a bookstore owner who has lost her own bearings after a divorce. There are stories that begin with their endings, and several more that end with beginnings; others are told from three or four different angles, each with varying degrees of reliability. Taken together, they form an intricate web of relationships and connections, falsehood and anecdote, a kind of fictional palimpsest laid over the faint traces of plot.

And yet Munro trusts her readers; she believes that we will pay attention to all these things and more. She aims to create the illusion that everything in her fiction has been left in, and it is this very capaciousness that sets her work apart, making possible the keen psychological insight of her stories about marriage as well as the cool violence of "Vandals" or "Fits." Hers is an unusual sort of realism, technically innovative and amenable--especially in the later work--to loose ends. (It also possesses a quick, flinty wit: "This was the first time I understood how God could become a real opponent, not just some kind of nuisance or large decoration," says the narrator of "The Progress of Love.") To call Munro the Canadian Chekhov is by now a commonplace--and yet she may have done more for the short fiction form than any writer since. These are stories that will be read, savored, and admired hundreds of years from now. --Mary Park

From Publishers Weekly
A literature-lover's feast, this phenomenal collection of 28 short stories, selected from seven collections that span three decades, showcases Munro's mastery of the form, her vibrantly evocative prose and her undiluted, incisive vision of human nature. Almost without exception, the tales are set in western Canada, from the small-town and farm life of the Lake Huron region to the cultivated suburbs of Vancouver. Most take place in earlier decades, starting with the Depression era. One of Munro's great gifts is that she renders her settings both palpably specific?like one small town's "maple trees whose roots have cracked and heaved the sidewalk and spread out like crocodiles into the bare yards"?and universally accessible. In the opening story, "Walker Brothers Cowboy," a young girl accompanies her salesman father on his rounds through rural Canada in the 1930s. A surprise visit to one of his old girlfriends reveals his hidden, fun-loving past, and the girl poignantly weighs her mother's disappointments in marrying her father against this old girlfriend's in losing him. "Material" strikes a very different tone: the narrator, the ex-wife of a reasonably well-known contemporary writer and professor, reads a recent short story of his that, to her surprise, affects her deeply (even though she wryly deconstructs his author bio as filled with "half-lies"). Having doubted that he would ever be a good writer, she is suddenly envious that he can take a lifetime of memories?mere "useless baggage" for her?and create something from them, while she sacrificed her writing ambitions to deal with the mundanities of life. Munro's stories are always trenchant, finely modulated and truly brilliant meditations on peoples' complexities and the emotions they contend with?sometimes ruefully, sometimes in pain, but most often with stoic dignity. 40,000 first printing.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
The collected stories of Canadian author Munro, whose works often appear in The New Yorker, would probably fill several tomes, but this thoughtful selection will satisfy the choosiest readers. From the little girl in "Walker Brothers Cowboy" who dreads her mother's pretentions but loosens up when her down-but-not-out salesman father takes her on walks to Lake Huron; to Miss Marsalles's suffocating piano recitals ("Dance of the Happy Shades") suddenly illuminated when a retarded girl plays real music; to the heroine of "The Albanian Virgin," a Canadian woman who by accident ends up living amidst tribal people outside of Trieste; to "Vandals," a complicated tale of solitude and resentment that closes the book, Munro creates characters and situations that draw one up short. In one brief instant, the laws don't apply, assumptions are smashed, and the reader is left staring giddily down the whirling black hole of the universe. It would have been nice to see these pieces dated so that we could trace Munro's development more easily?the pieces at least appear to be in roughly chronological order?but this is an important book for serious readers everywhere.?Barbara Hoffert, "Library Journal"
Copyright 1996 Reed Business Information, Inc.

Customer Reviews

Exquisite, but...
Alice Munro is rightfully considered to be one of the greatest short-story writers in the English-speaking world. Certainly a story like "The Progress of Love," in this volume--a rich, poignantly ironic delineation of the selectivity of memory--is proof enough that Munro is as great as her reputation would have it, and that she is one of the few living writers who deserves to be mentioned in the same sentence as Chekhov. Nevertheless, plowing through her Selected Stories is like gorging on a box of chocolates; you'd be a lot better off savoring just one or two at a time. The maiin problem is that Munro's subject range is narrow. How many stories can you read in one sitting about women from impoverished small-town Ontario, who are misunderstood and often brutalized by their families, boyfriends and husbands? (The reviewers who called Munro's women weak are misreading the stories severely; these women could have hauled the wounded Titanic to port, 2,000 passengers and all, single-handedly. They have the clemency of the very strong, which unfortunately means that weaker, more spiteful souls can walk all over them.) Yet within each story, Munro's elegant, lucid prose style and encyclopedic knowledge of the human mind and heart make themselves felt. I will reread stories such as "Material," "Chaddeleys and Flemings," "Dulse," "The Turkey Season" and "The Beggar Maid" with joy and admiration for their perfect artistry. But I'll have to wait to reread stories such as "Labor Day Dinner," which after an unrelieved diet of Munro stories can almost seem like a parody of the author. Do yourself a favor; buy this wonderful book, but savor its delights sparingly, as you would a box of Godivas.

It's all right to giggle at a funeral
I was thoroughly entranced and mesmerized by these stories. Ms. Munro accomplishes what has to be the most beautiful and difficult task in fiction--illuminating the darkest corners of human nature. I don't mean dark as necessarily evil, but dark as in the sides of oneself no one talks about, or even knows is there. "Fits" is a perfect example of this. I read the stories out of order, which produced an interesting effect. They do have a chronology. The opening pieces are very different from the ones at the end.

Munro's short stories are contemporary classics-
Alice Munro's collection of short stories embodies over 25 of her finest works. Within the text, she deals with issues of family, friends, betrayal, and the creation of art--sometimes all at once. Her writing is powerful, and she controls it with unimaginable skill. A must-read for anyone truly interested in the art of fiction.