Product Description

As he searches for information about the life of an Indian slave in twelfth-century Egypt, the author, a Hindu, comes face to face with the Muslim world and culture of modern Egypt, in a narrative that juxtaposes ancient history and modern travelogue.

Product Details

• Amazon Sales Rank: #65285 in Books
• Published on: 1994-03-29
• Released on: 1994-03-29
• Original language: English
• Number of items: 1
• Binding: Paperback
• 400 pages

Features

• ISBN13: 9780679727835
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
In a leisurely blend of travelogue, history and cross-cultural analysis, Indian writer Ghosh reconstructs a 12th-century master-slave relationship that confounds modern concepts of slavery. Abraham Ben Yiju, a prosperous Tunisian Jewish merchant based in medieval Cairo, resettled in Aden, then spent two decades on India's Malabar Coast, where he hired a slave or servant, probably of Indian origin, named Bomma. Bomma acted as Ben Yiju's business agent and made overseas trips for him. In medieval India and the Middle East, Ghosh points out, servitude was often a career opportunity, the principal means of recruitment into privileged strata of the army and bureaucracy. Researching in letters and documents in Egypt, where he lived for several years, Ghosh ( The Shadow Lines ) evokes a world of mud-walled houses and class warfare between Egyptian laborers and landowners. He also writes vividly of southern India, a tapestry of castes, cults and worship of spirit-deities.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Ghosh, an Indian Hindu, first read about a medieval (12th century) Jew and his Indian slave while a student at Oxford. He became fascinated almost to the point of obsession. After studying Arabic, he enrolled at a university in Alexandria, Egypt to perform further research. A professor found him lodgings in an nearby village. This book recounts his attempt to merge the two stories: life in modern Egyptian villages (not dissimilar to that of 5000 years ago), and his search for the Indian slave. The merger doesn't quite work. Individually, both subjects are fascinating; together they are less so. In addition, Ghosh's language and writing style are both stilted. Still, Ghosh's subject is exotic yet intimate, and academic and public libraries should consider purchasing his account.
- Paula M. Zieselman, Fulbright & Jaworski, New York
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
An engrossing chronicle of historical detection smoothly integrated into a subtly shaped picture of village life in modern Egypt; by an Indian novelist (The Circle of Reason, 1986) of great sensitivity and power. Enrolled as a cultural-anthropology graduate student at the University of Alexandria, Ghosh settled in 1980 into the Egyptian farming village of Lataifa. Two years earlier, he had become interested in ancient manuscripts found in a storeroom of a tenth- century Cairo synagogue; included in the cache were letters from a Jewish trader, who mentioned his Indian slave. Intrigued, Ghosh pursued the identity of his 12th-century countryman. The author's findings about the daily activities of slave and master make fascinating reading (e.g., that the slave represented his master in financial dealings), and alternating with this historical data are chapters detailing Ghosh's gradual assimilation into the life of Lataifa. His affectionate portraits of the villagers and of their often colorful idiosyncracies (for example, the complicated relationship between the Imam and his estranged first wife) attest to his perceptivity as a sympathetic observer of a rapidly changing society. In a particularly effective passage, he recounts his feelings when, after persistent questioning about his Hindu beliefs, he discovered in himself what he calls ``Indians' terror of symbols.'' And Ghosh is equally astute in detailing the changes wrought by young villagers' departures for jobs in wartime Iraq. While new homes, refrigerators, TVs, and electric generators proliferate, he says, the weakening of family and civic ties proves a high price to pay. Throughout, Ghosh writes with enormous lucidity and flashes of gentle humor, conveying in small and telling details the underlying suspiciousness and insecurity that pervade Egyptian society. Moving in its humanity, revealing in its analyses: an exceptionally satisfying work. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Customer Reviews

A truly enriching experience
I read IN AN ANTIQUE LAND because I greatly admire Amitav Ghosh's novels, and wanted to read more of him.

As the reader quickly discovers, Ghosh in this book works with three narratives. One is a 'detective' story, albeit in the most scholarly of veins. As a student Ghosh recounts how he came across a reference -- one line -- to an Indian slave who worked for a Jewish master, Abraham ben Yiju. Who was this most marginal of historical personages, whose name emerges -- the time is 1148 AD -- "when the only people for whom we can even begin to imagine properly human, individual, existences are the literate and the consequential, the wazirs and sulatans, the chroniclers and the priests -- the people who had the power to inscribe themselves physically upon time...the slave of Khalaf's letter was not of that company: in his instance it was a mere accident that those barely discernible traces that ordinary people leave upon the world happen to have been preserved."

The detective search for more information on the slave, his owner, the world they both inhabited, leads Ghosh to Geniza of Cairo, a storehouse of Jewish documents which miraculously survived the destruction that seems to be the fate of most paper over the course of many centuries. The documents are themselves a diaspora in miniature: none remain in Egypt, being dispersed to St. Petersburg, Oxford, Cambridge, Philadelphia...and yet the book recounts how Ghosh tracks them down.

The second narrative requires Ghosh's novelistic gifts, as he attempts to reconstruct, from mere shreds of evidence, the life of Abraham and his slave. What results is a rich evocation of the way life was lived -- in Aden, Mangalore (India), Egypt, even Sicily and Yemen -- in the twelfth century; the life evoked is Jewish, Muslim, Hindu; it is Egyptian, Indian; it is mercantile, religious, familial. And it is, as stated, richly evoked.

The third narrative is one of Ghosh's life in rural Egyupt, as he works on his Ph.D. research by observing two small Egyptian farming communities. The focus here is seldom on Ghosh: although a memoir, it is primarily an evocation (another one!) of Egyptian life in the relatively brief period after liberation from the British, and before modernisation transforms village life. Even though Ghosh keeps himself in the background, there is a continual counterpoint between his Indian/Hindu/educated background and the rural community in which he lives: a counterpoint which emerges not because of his self-consciousness, but because his Egyptian neighbors -- who become his friends, and even his extended family -- themselves continually question him about his Indian roots.

Each narrative sheds light on the other. There is a point to the triple narrative, the point of view which motivates almost all of Ghosh's writing: it IS possible for human beings to live together, to live together harmoniously despite differences in religion, culture, language. But the imperatives of modern society -- be they of the nation-state, of capitalism, of narrow self-interest, of imperialism, of the need for conquest -- close off the rich possibilities of harmonious co-existence to achieve narrower goals.

Lest this book seem dry, academic, moralaistic, let me hasten to say that wonderful treasures emerge so frequently (insights into other cultures, historical and present), and so seamlessly (for the boundaries of past and present, here and there, melt away in the measured cumulation of the three narratives) that the reader is likely to be, as I was, entranced, educated, and changed.

Unveiling the anecdotal history of the past
Amitav Ghosh's In An Antique Land is a hidden history of India and Egypt during the 12th century in the disguise of a traveler's tale. Amitav accidentally stumbled upon some letters of correspondence between Abraham Ben Yiju, a Jewish merchant living in India, and Khalaf ibn Ishaq from Egypt in 1132. In the margins of these letters Ben Yiju's slave Bomma was often mentioned in passing with a special note of affection. No sooner had Amitav discovered about Bomma than he, out of volition, ventured out to Egypt, sifted through fact and conjecture, through a large number of letters and manuscripts referring to the trade between the Indian Ocean and Mediterranean, piecing together Bomma's journey from India to Egypt.

In 1980, Amitav arrived in Egypt and over a span of five years he stayed in the villages of Lataifa and Nashawy. While Amitav diligently tried to fill in the details of the slave's life, whose record in medieval history was completely out of the ordinary, he befriended with enthusiastic Muslims who found him fascinating but incomprehensible. Amitav's landlord, Abu-Ali, was an obese, inimical, petulant man who was diligent in exploiting all moneymaking possibilities of his strategically located house. Shaikh Musa, who referred Abu-Ali obliquely to his avarice and acrimony, always watched out for Amitav and cautioned him to evade certain people in the village. Ustaz Sabry, a well-read history scholar who taught in Nashawy, and his students Nabeel, who aspired to work in the government but left stranded in Baghdad, Iraq at the outset of the Gulf War, cultivated with Amitav a friendship that later proven to be indomitable.

Amitav did not always meet the usual hospitality. To the eyes of Muslims for whom the world outside was still replete with wonders, a Hindu was uncivilized for the practice of "burning the dead". Villagers often stigmatized Hindus and admonished Amitav to civilize his country and people. Others attempted to convert him into the study of Quran. Even the children jeered at his lack of perspicacity in politics, religion, and sex. In one occasion, at the house of Imam Ibrahim, the healer and prayer leader of Nashawy, Amitav unwarily trespassed on some deeply personal grief that haunted the Imam and his family for years. The unfortunate and unintentional solecism incurred in the Imam an enmity toward Amitav.

In An Antique Land unveiled the mystery of Bomma whom Ben Yiju adopted into his service as business agent and later incorporated into his household. In unraveling the life of this Indian slave across some 800 years, Amitav deftly sheds light on the life of his master Ben Yiju and nature of patron-client, master-apprentice relationship in disguise of a master-slave one during the 12th century. The relics about Bomma was limited but the unexpected outcome of the search manifested a compendious picture of his master, Ben Yiju, who as a junior associate, partnered with a merchant Madmum. The letters between these two were full of instructions and certain peremptoriness prevailed beneath the usual courteous language. Madmum's warm and occasionally irascible tone suggested that Madmum regarded Ben Yiju with an almost paternal affection.

In An Antique Land delivers a tale of a quest that moves between the present and the past, between Amitav Ghosh's own life and the slave's. The narrative is rich in layers, cultural overtones, historical relics, and anecdotes. Readers will find arresting images of India and Egypt hidden under a deceptively plain surface of prose. 4.0 stars.

Matthew Yau (10Q_boi)

It Shouldn't Work!
But it does! This book takes three part-stories, dry academic scholarship, adapting to life in a completely different culture and a slave in 12th century Egypt, that are each individually neither compelling nor fulfilling. Yet the sum of the three parts is both compelling and fulfilling. The narrative jumps from story to story skillfully, creating tensions in each story line that would otherwise be absent and drawing the reader onward. Amitav Ghosh is a wonderful writer of lyric descriptions and this book is lovingly fulled with them, adding embellishments to the otherwise simple stories. Everything comes together to produce a book as good as his Shadow Lines.