Product Details

• Amazon Sales Rank: #456555 in Books
• Published on: 1993-10-05
• Released on: 1993-10-05
• Original language: English
• Number of items: 1
• Binding: Paperback
• 208 pages

Review
When the solution came, it came, as always, through a back door of the mind, hesitating shyly, an announcing angel dazed by the immensity of its journey."

-- from Kepler

In a brilliant illumination of the Renaissance mind, the acclaimed Irish novelist John Banville re-creates the life of Johannes Kepler and his incredible drive to chart the orbits of the planets and the geometry of the universe.

Wars, witchcraft, and disease rage throughout Europe. And for this court mathematician, vexed by domestic strife, appalled by the religious upheavals that have driven him from exile to exile, and vulnerable to the whims of his eccentric patrons, astronomy is a quest for some form of divine order. For all of the mathematical precision of his exploration, though, it is a seemingly elusive quest until he makes one glorious and profoundly human discovery.

"Narrative art...at a positively symphonic level."

-- The Guardian -- Review

Review
When the solution came, it came, as always, through a back door of the mind, hesitating shyly, an announcing angel dazed by the immensity of its journey."

-- from Kepler

In a brilliant illumination of the Renaissance mind, the acclaimed Irish novelist John Banville re-creates the life of Johannes Kepler and his incredible drive to chart the orbits of the planets and the geometry of the universe.

Wars, witchcraft, and disease rage throughout Europe. And for this court mathematician, vexed by domestic strife, appalled by the religious upheavals that have driven him from exile to exile, and vulnerable to the whims of his eccentric patrons, astronomy is a quest for some form of divine order. For all of the mathematical precision of his exploration, though, it is a seemingly elusive quest until he makes one glorious and profoundly human discovery.

"Narrative art...at a positively symphonic level."

-- The Guardian

From the Back Cover
When the solution came, it came, as always, through a back door of the mind, hesitating shyly, an announcing angel dazed by the immensity of its journey."

-- from Kepler

In a brilliant illumination of the Renaissance mind, the acclaimed Irish novelist John Banville re-creates the life of Johannes Kepler and his incredible drive to chart the orbits of the planets and the geometry of the universe.

Wars, witchcraft, and disease rage throughout Europe. And for this court mathematician, vexed by domestic strife, appalled by the religious upheavals that have driven him from exile to exile, and vulnerable to the whims of his eccentric patrons, astronomy is a quest for some form of divine order. For all of the mathematical precision of his exploration, though, it is a seemingly elusive quest until he makes one glorious and profoundly human discovery.

"Narrative art...at a positively symphonic level."

-- The Guardian

Customer Reviews

The Music of the Spheres
John Banville takes his astonomical fiction "Doctor Copernicus" to the next stage in "Kepler." Both books are powerful feats of the imagination, in which Banville attempts to re-create that curious and pregnant stage in history when the medieval world was giving way to the first stirrings of modernity. Amid the tumult of the Thirty Years War, which would have have such a large impact on the future of Europe and indeed the entire world, an equally momentous change was taking place in the sciences. Alchemy and astrology still rule, but the natural sciences and astronomy are gradually coming into their own. Johannes Kepler builds on the insights of Copernicus and the observations of Tycho Brahe to create new theories of planetary motion that reinforce and are themselves strengthened by the work of Galileo. Banville has created a multi-dimensioned work, part picaresque, part epistolary novel, part flashback, in which Kepler struggles past politics, religious discord, family distractions and war to seek out the celestial harmonies that he is convinced are there for the discovering. "Kepler" is not the greatest of Banville's novels, but that still makes it a very good one indeed.

infinite theories to fit finite data -> the spiralling in
Kepler experienced, on the most personal level, the difference between astrology and astronomy. His initial theories, based on geometry but not yet algebraically sensible, seemed to fit the amazingly-accurate measurements of Tycho Brahe, but there was a deeper elegance to discover in the elliptical orbits. Since infinite theories fit any finite set of experimental data points, and science (as Popper observed) "tells us when we're wrong but never when we're right", any lack of rigor or verification leads the scientist into numerological games in search of elegance whenever he lacks peer pressure to force him to real rigor. Banville's Kepler spirals in to the ellipse in an incredible chaos of personal stress, forced to rigor by the many competing theories of existence that seem to dominate his own psyche and the fate of his family. He never abandons his own quest for personal truth, even as the personality of the planets is revealed to be as mathematically simple as any clockwork. In the end, his process is himself, repeatable only in the mathematical sense, never in the experience.

The "spiralling in", as dozens of irrational but elegant theories battle for attention, on the way to the single simplest almost-obvious truth, will be familiar to anyone who has done basic science. The search for truth through personal chaos will be familiar to anyone who has ever had a family!

Elliptically told, fitting Kepler's own perigrinations
This earlier historical novel in the scientific series Banville wrote in the 80s sparkles with detail. Especially in the first section, you feel the damp of a castle, the gloom of a chamber, and smell the slops and suds. It's slow going at the start, "Mysterium Cosmagraphicum," as Kepler squares off against Brahe, and tries to gain favor with the Emperor. But this part, in hindsight, dazzles the most for the density of texture, in the prose and what it describes. You glimpse the tension between teaching schoolkids basic skills and Kepler's longing to plunge into elevated research--certainly I could relate to this as a teacher! Banville sketches easily the battle between living in a decaying world and pondering in an ethereal realm timeless (so Kepler thinks) truths.

Part II lacks a title but shows how Kepler the husband must deal with the mundane among an increasingly perilous era when witches are burnt and Protestants are expelled, and how he must make a living thanks to the formidable tension created by his relationship with his father-in-law and his wife. The household and domestic strife both ring with recognizable scenes, despite the superficial differences in decor and diet, and show Banville's ability to capture drama in the everyday affairs that we too share, if in less fraught situations. Throughout the novel, a loved one's loss and the ebb and flow of intimacy within a family as expressed through Kepler's ruminations make for eloquent, yet unadorned prose that convinces you of its truth.

Part III, "Dioptrice," focuses upon his mathematical ambitions and the possibilities and competition opened up by Galileo and his telescope. Here again, the exile from favor he endures balances well with the cosmological theories he seeks to verify slowly and painfully.

For "Harmonia Mundi," part IV takes the form of not only letters to colleagues and friends relating his discoveries, but these letters, from 1605-11, form themselves an arc or an ellipse! I've never seen this before in a book. The letters start in 1605, progress chronologically to 1611, and then slowly retreat again from the verification of his contention that planets move elliptically back gradually to 1605.

For part V, fittingly titled "Somnium," the later years of Kepler are movingly described as once more he must wander out of favor with the imperial contenders within an ideologically divided Central Europe.

This book moves at an uncertain pace, mimicking its protagonist. At times, it drags, perhaps intentionally illustrating the frustrations frequently felt by Kepler within a society that does not understand his devotion to the stars or his introspective fits and starts of genius. You get--to my surprise--few of the details of Prague parading itself that I had expected, given how in the non-fictional "Prague Pictures," (also reviewed by me on Amazon) written two decades after "Kepler," the struggles of Kepler and Brahe are grippingly told by Banville in exactly this Czech context.

The prose does not leap out as vividly in later sections as the former ones, but one quote remains in my mind. Banville provides Kepler's recollection of the loss of his virginity to a teenaged girl he meets at a pub. "Yet beyond the act itself, that frantic froglike swim to the edge of the cataract's edge, he had found something touching in her skinny flanks and her frail chest, that rank rose under its furred cap of bone." (38) The female body and the sexual act have been depicted millions of ways perhaps in literature; at this late state, Banville still can make such familiar scenes vivid again.