Product Description

The Booker Prize-winning novel, now a critically acclaimed major motion picture, starring Ralph Fiennes, Juliette Binoche, Willem Dafoe and Kristin Scott Thomas. With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminates this book like flashes of heat lightening.

Product Details

• Amazon Sales Rank: #17267 in Books
• Published on: 1993-11-30
• Released on: 1993-11-30
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Features

• ISBN13: 9780679745204
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.

From Publishers Weekly
Canadian author Ondaatje offers a poetic novel set in a desolate Italian villa in the final days of WWII--a one-week PW bestseller--and an evocative account of a visit with his family in Sri Lanka.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
In an Italian villa at the end of World War II, a young nurse cares for a soldier so horribly burned that he cannot be identified. Both patients and medical staff have decamped from this makeshift hospital, but Hana perseveres, worn out by the war and yet strangely linked to the dying man. Then a friend of her father arrives--a thief-turned-spy who recalls Hana as a young girl in Canada--and raises questions about "the English patient," claiming that he is instead a Hungarian who spied for the Third Reich. Finally, they are joined by a young Sikh named Kip, a soldier with a nearby English battalion who defuses the bombs left behind by the Germans. The discovery of the patient's identity, Kip's successful defusion of several bombs, and the complex emotional interaction of all four characters creates a tension that is nicely heightened by Ondaatje's stately, luminous prose. The prose is so stately, in fact, that Kip's final outrage at the moral perfidy of the Western world he has served so loyally takes a moment to hit. When it does, the novel moves beyond the poetic to achieve moral stature. Highly recommended for literary collections.
- Barbara Hoffert, "Library Journal"
Copyright 1992 Reed Business Information, Inc.

Customer Reviews

A poetic tale of four haunted lives
Set at the end of World War II in an Italian villa, The English Patient brings together four unlikely characters: Hana, an emotionally-wounded army nurse who refuses to leave her last patient even when ordered to evacuate; Caravaggio, a friend of Hana's father, thief and spy, a man who is drawn to Hana in ways he cannot articulate; Kip, an Indian sapper loyal to the British military who disarms bombs by day, loves Hana by night; and the mysterious burned invalid, the English patient of the title, who unites them all in unexpected ways. Told in poetic, often elliptical language, this novel demands to be savored instead of read voraciously. The images are just as likely to be visually precise as they are inexplicable. Unlike the movie, which concentrates on the love story between the English patient and the woman he loved, the novel is more about the confusing impulses that lead to both passion and danger in all the characters.

Serious readers of literature should read this novel more than once, for its subtleties, imagery, and the force of its lyricism. More casual readers may find it tough reading, not because the language is inaccessible but because of the way Ondaatje backs into his story. Those who stick with the author's poetic turns will be well-rewarded by the end.

Heartbreakingly Gorgeous
"The English Patient" is, without a doubt, one of my very favorite books. It is lush, beautiful and gorgeous. And the glory of it is that it got that way with fine, first-rate writing. You won't find any gimmicks or ... tricks here.

Unlike the movie, the book begins in war-torn Italy (1944) where we encounter Hana, a Canadian nurse and a horribly burned man known only as, "the English patient." Alone in an isolated, abandoned convent, Hana stays behind when her friends move on to care for the dying English patient. Hana is a rare individual and truly caring. She spends her days reading to the English patient from the volume of Herodotus that was found with him and, when his pain becomes too great, she injects him with morphine.

Hana and the English patient aren't alone long, however. A mysterious man named Caravaggio soon arrives and it becomes clear that he has an agenda all his own. Nevertheless, it is Caravaggio who succeeds with the English patient where others have failed. This trio is soon joined by a Sikh named Kip, a man who will play a role in Hana's life, just as she will play a role in his.

Eventually, of course, we learn all about the English patient, who really isn't English at all, but a Hungarian count named, Almasy. We learn where he's been and why and how he came to be so horribly burned. We learn about the great love of his life, a love that sadly, was doomed from the very start.

This is a book that is told on two levels and contains two love stories. One takes place in the past and the other takes place in the present. While Hana's story is told in the present tense, it is not as involving or as intense as is the love story involving Almasy that takes place in the past. I think this is because Hana and her lover are not as fully-realized as are Almasy and his lover, though Hana is by far the most sympathetic character in the book.

The character of Caravaggio is as mysterious as is the English patient. We do learn about him, however, and about his mysterious connection to Almasy. The stories of Hana and Caravaggio are heartbreaking and heartbreakingly beautiful.

"The English Patient" is a quiet love story, one told without the necessity of melodrama or "fireworks." However, it is one that cuts deep, and one that any reader will remember long after the book is finished. This is a story that simply rings with universal chords...of love, of loss, of sadness, of betrayal.

If I have one quibble with this book, it is with the denouement. I didn't really want to know what happened to some of the characters in the distant future. I wanted Ondaatje to leave a little for my imagination. But he didn't and that's his choice. It certainly didn't ruin the book for me.

The writing in "The English Patient" is lyrical and beautiful, though spare. Ondaatje is first and foremost a poet, and it shows. This is a book that flows, that cascades, that washes over you with its words.

I first read "The English Patient" years ago and I haven't forgotten a single detail. "The English Patient" is a book that captures your heart and never lets go. It is a book that will haunt you with its beauty and with its sadness for many years to come, perhaps even for the rest of your life. Yes, it's that good.

English Patient
If I can give one bit of advice (which alas is utterly too late) it would be: read the book before you see the movie. I believe you will get so much more out of it. I do not believe I liked this book as much as I could have because I went into it with such impossibly high expectations. The English Patient is one of my all time favorite movies and I have seen it several times.

I bought the book about the same time the movie came out (late 1996) but never read it. I finally picked it up during this year's flu season... and expected to be carried right into the same story that I loved so well.

It is very very difficult to shake the images you have been given by a movie. I believe I would have enjoyed the book much more had I been able to draw pictures with my own imagination first while reading this book, then later filled out the picture with the movie. Who knows, perhaps I would not have been as enamored with the movie then, although I doubt it - the English Patient as a movie was truly visual poetry.