Product Description

The author of Possession returns to the territory of her bestselling novel in two breathtaking fictions that explore the social and psychic landscape of Victorian England. Set in a proper country house with undercurrents of brutality and at a seance where historical figures yearn for one another, these works remind us of Byatt's powers.

Product Details

• Amazon Sales Rank: #187763 in Books
• Published on: 1994-03-29
• Released on: 1994-03-29
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

Features

• ISBN13: 9780679751342
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
Byatt revisits the Victorian landscape of Possession in these two fluid and intricate novellas.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
This work consists of two novellas set in the mid-19th century. The first, "Morpho Eugenia," is a Gothic fable that explores the multiple themes of earthly paradise and Darwin's theories of breeding and sexuality. There is an implied parallel between insect and human society throughout. The hero, a poor, scholarly entomologist, is taken into a wealthy Victorian family. His life and loves, particularly for the daughter Eugenia and the eponymous species of butterfly, comprise this tale. The second novella, "The Conjugal Angel," is reminiscent of Possession ( LJ 11/1/90), Byatt's 1990 Booker Prize winner for fiction, wherein poetry is woven into the narrative. Here, the poem is Tennyson's "In Memoriam , " written to mourn the death of Tennyson's friend Arthur Henry Hallam, who was engaged to the poet's sister Emily--a main character here. This is a philosophical ghost story, bizarre and comic, but since assorted mediums meet real characters, it is difficult to relate to any of them. These novellas will attract attention due to the fame of their author, but they will appeal to a very limited audience. Previewed in Prepub Alert, LJ 12/92.
- Patricia C. Heaney, Nassau Community Coll. Lib., Garden City, N.Y.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Two postmodern novellas with Victorian themes that have all the leaden scholarly pretension of that era--and none of the leavening irony that made Byatt's bestselling Possession (1990) so successful a mix of erudition and wit. Taking two intellectually incompatible ideas--Darwinism and spiritualism--of the period, Byatt then sets them up in their quintessential Victorian settings, where they are observed, illustrated, and dissected like the insect specimens of the first novella and found to signify not very much, despite quotes from the greats and the Bible. In ``Morpho Eugenia,'' impoverished naturalist William Adamson, homeward bound from insect-hunting in South America, is employed by a wealthy clergyman-scholar who's trying to write a book that will reconcile his religious beliefs with his scientific interests. Adamson soon falls in love with the clergyman's daughter, the beautiful Eugenia, whom he marries only to find that her behavior is eerily similar to that of some of the insects he's been studying with the help of governess Matty. With the proceeds from his book on ants, Adamson then heads off with Matty to South America, cheered by their sea captain's thought for the day: ``That is the main thing--to be alive.'' The widow of this same captain is one of the protagonists of ``The Conjugal Angel,'' in which a group holds weekly s‚ances where she is medium. They meet in the home of Captain Jesse and his wife Emily, Alfred Tennyson's sister and once the fianc‚e of the beloved Arthur Hallam, to whom the poet dedicated that great Victorian icon ``In Memoriam.'' All of which means a great deal of poetry quoted, a great number of spirits consulted, and much speculation about just what Alfred really felt for Arthur--as well as an abrupt ending in which an angel teaches all those present a rather earthly lesson. Too much learning can be a dangerous thing for a novelist who needs to separate the learned monograph from the illuminating tale. Dull and forced. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Customer Reviews

A Slowly Paced Ballet of Parallels
Shimmering beauty and shocking sensuality are the only phrases to adequately describe A.S. Byatt's Angels and Insects.

Although this novella really encompasses two distinct stories, my comments focus on Morpho Eugenia, my favorite of the two, and, in my opinion, by far the superior.

Set more than a century ago, in Victorian England, Angels and Insects (Morpho Eugenia) follows the life of William Adamson, a naturalist who has spent years of research in the jungles of South America.

A shipwreck sends him to the home of his benefactor, the Reverend Harald Alabaster, an amateur insect collector of enormous wealth.

Upon arriving at Alabaster's sumptuous country estate, poor William instantly falls in love with Alabaster's eldest daughter, Eugenia, a weak and wan, but still golden, beauty.

Although Eugenia appears to be out of his reach, William embarks upon a shy courtship and is more than a little surprised when his proposal of marriage is accepted. And, on their wedding night, the usually distant, aloof and somewhat mysterious Eugenia has even more surprises in store. Surprises William soon comes to savor.

Complicating matters is Eugenia's brother, a socially misfit snob who takes an instant dislike to William and talks incessantly of children who grow up sans the proper breeding...breeding poor William's genes cannot provide, of course.

Eugenia, herself, soon begins to show a darker side as her mood swings from lustful to ravenous to passionate to melancholy. Feeling a bit over his head in this baronial estate, William begins to experience somewhat of an attraction to his drab and dull, but very intelligent, assistant.

Angels and Insects is a fascinating book and, as always, Byatt lets us become intimately involved with her characters.

The real triumph though, lies in the book's symbolism. The Victorians were fascinated with the insect world and Byatt uses this fascination to refect the social order of the times: the women are doted on by servants as if they were queen bees and colonies of ants mirror the red and black jackets worn during a fox hunt.

Angels and Insects takes a fascinatingly intimate look at the quirkiest of families, one whose secrets and prejudices simply cannot be dismissed.

It is William's drab assistant who sums up the book's theme. "There are three kinds of people in this house: the visible, the invisible and the in between." Angels and Insects is a lyrically sensual portrait of the fascinating world of the in between.

2 Novellas of Distinct Personalities
Let me explain my 4 stars: I would have liked to give a 5-Star for "Morpho Eugenia" and a 3-Star for "Conjugal Angel." All the reviews here are correct in that A.S. Byatt is an amazing writer thoroughly versed in Victorian England. Her observation is keen and her prose style is assured. I can't really name another author besides Byatt who manages to weave narrative and intellectual discussion so seamlessly. The first of the two novellas, "Morpho Eugenia," is immediately appealing. I was hooked by the story very quickly through lush descriptions and how Byatt deftly sets up the conflict and character dynamics. I enjoyed "Conjugal Angel" much less. This one demands much more on the readers, especially if they are not familiar with Tennyson and Hallam. Even if you're a pro in Victorian poetry, you may find (as I did) the opening confusing in setting up the premise of the drama and introducing characters. The prose seems discursive and lacking in focus from time to time--very uneven. But you can't beat the nice surprise ending, almost conventional and (dare I use the word?) sentimental, Byatt's erudition notwithstanding. :-)

Fly like an angel, sting like a bee
A.S. Byatt is best known for her lush, time-spanning historical romance "Possession." In "Angels and Insects: Two Novellas," Byatt revisits the intellectuals of the Victorian era. She dips into Victorian interests in spiritualism, insects, poetry and love -- not to mention their darker sides as well.

"Morpho Eugenia" introduces us to a young naturalist named William, who until recently had been studying insects in the Amazon. He was shipwrecked, then rescued by the wealthy Alabaster family. While continuing to study butterflies, he marries the beautiful eldest daughter Eugenia and for a time, lives the good life. The only problem is that unknown to him, Eugenia is wrapped up in a lifelong tangle of obsession and incest.

"The Conjugial Angel" introduces us to a group of mediums who gather to call up spirits. Mrs. Papagay is still in love with the dead Arturo. Emily mourns her dead lover, immortalized in her brother Alfred Tennyson's "In Memoriam" -- except she has married again. Now she struggles with her past emotions, her present doubts, and her longing to communicate with her love again.

As in her prior works, Byatt's writing is almost dizzily lush. She has a good sense of detail, describing ribbons, moths, butterfly wings, and the flames of gaslights. But pretty words are not all that Byatt has to offer -- she makes use of poetry (her own, and that of others), Darwinism and religious faith, Swedenborg, a family whose opulence covers their decay, and the nuances of love. Not to mention the dialogue: Eugenia's rambling explanation about her relationship with her brother is chilling.

Perhaps best of this collection is that Byatt has a fantastic grasp on period descriptions and dialogue -- it all sounds like a novel from the 19th centuy, with the polish of a modern book. Which is not to say that "Angels and Insects" is perfect. Byatt spends a little too much time on the moths and too little on the Alabaster family. And she's not at her best in "Conjugial Angel," which lacks the punch of the first novella. It's moving at the end, but takes awhile to get there.

Delving into such topics as survival of the fittest, poetry and love, Byatt produces a solid pair of novellas written in her usual sensuous prose. Despite some flaws that bog it down, this is a unique read.