Product Description

Having turned phone sex into the subject of an astonishing national bestseller in Vox, Baker now outdoes himself with an outrageously arousing, acrobatically stylish "X-rated sci-fi fantasy that leaves Vox seeming more like mere fiber-optic foreplay" (Seattle Times). "Sparkling."--San Francisco Chronicle.

Product Details

• Amazon Sales Rank: #150079 in Books
• Published on: 1995-01-24
• Released on: 1995-01-24
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Amazon.com Review
The Fermata is the most risky of Nicholson Baker's emotional histories. His narrator, Arno Strine, is a 35-year-old office temp who is writing his autobiography. "It's harder than I thought!" he admits. His "Fold-powers" are easier; he can stop the world and use it as his own pleasure ground. Arno uses this gift not for evil or material gain (he would feel guilty about stealing), though he does undress a good number of women and momentarily place them in compromising positions--always, in his view, with respect and love. Anyone who can stop time and refer in self-delight to his "chronanisms" can't be all bad! Like Baker's other books, The Fermata gains little from synopsis. The pleasure is literally in the text. What's memorable is less the sex and the sex toys (including the "Monasticon," in the shape of a monk holding a vibrating manuscript) than Arno's wistful recollections of intimacy: the noise, for instance, of his ex-girlfriend's nail clipper, "which I listened to in bed as some listen to real birdsong."

From Publishers Weekly
Baker's ingenious fifth novel, about a 35-year-old temp worker who stops time to act out elaborate sexual fantasies, was a PW bestseller.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
For a musician, the term fermata means the prolongation of a particular note beyond the time indicated in the score. For Arno Strine it is a period during which he remains active while the rest of the world is paused and insentient. Strine discovered his powers of "chronomaly" as early as the fourth grade, and since that time he has used them mainly to undress static women and pursue very private sexual delights. Now writing his autobiography, Strine confronts problems of linear narration much like those of Tristram Shandy. As in his last novel, Vox ( LJ 11/15/91), Baker provides sexually explicit scenarios but displays characters who remain isolated and distant. Readers who are not overwhelmed by graphic episodes of inventive sex should appreciate Baker's witty comedy and his unconventional exploration of the nature of time.
- Albert E. Wilhelm, Tennessee Tech . Univ., Cookeville
Copyright 1994 Reed Business Information, Inc.

Customer Reviews

Stop, pause, wait
This is probably my favorite book from Nicholson Baker, the modern master of minutiae. Mr. Baker has a gift for capturing the essence of habits, thoughts, reactions, and objects that are so small, so insignificant that most people don't ever notice them ... and yet when Mr. Baker puts them on the page, he gets it just right.

None of the half dozen of so books I've read from Mr. Baker sound like much when the plots are summarized, and that is certainly the case with The Fermata. The book's story line is based on the ability of the 35-year-old narrator Arno Strine to somehow stop time, and most of the pages are used up with explorations of how he decides what he can and can't do while time is stopped.

The unimpressive story line means that the value of the book depends almost entirely on Mr. Baker's ability to keep the prose engaging. Sometimes it doesn't work (as with his more recent effort Box of Matches) and sometimes it works well, as with The Fermata. As always, what holds it together when it works is Mr. Baker's memory for trivia, his intelligence, and his eye for detail: witness the title: "Fermata," the noun form of the word "stop" in Italian, is also a musical term that means holding a note longer than the time value -- a perfect name for a book with this kind of plot.

Ultimately, my criticism of The Fermata is one shared by all of Mr. Baker's books and all literature based on prose rather than memorable plots or characters. In my mind, they're like the old cliché about Chinese food, which tastes great but leaves you hungry a few hours later. In the case of this book, the prose keeps the pages turning, but when you're through, very little of it sticks with you.

kosher ( )
The best feature of Baker's writing is his rapier wit (not to mention his exquisite language). I died laughing during parts of this book. Baker is a terrific writer (and a daring one). This is the best time you'll ever have reading daring sexual material. I sought out all of Baker's books and it didn't surprise me that he has many witty and insightful critical essays as well. After this book and Vox, he's become one of my favorite all time writers.

An amazing foray into sex and fantasy
Nicholson Baker is a master at taking what seems unusal, bizarre, or even ordinary (as in "The Everlasting Story of Nory") and make it interesting, fascinating and exciting. What Arno does during his "Fold" time is at once creative, enticing, and sweet. And Arno has an amazingly convincing way of justifying what seems immoral, to the point where I can actually wish to be one of the women he undresses and plays around with during one of his "Drops." Not for the inhibited, but this book is a must read for anyone who has ever asked him or herself "if I could freeze time and do whatever I wanted..."