Product Description

These twenty-three stories represent the best work of one of the finest and most emotionally revealing writers in America. Andre Dubus treats his characters--a bereaved father stalking his son's killer; a woman crying alone by her television late at night; a devout teenager writing in the coils of faith and sexuality; a father's story of limitless love for his daughter--with respect and compassion. He turns fiction into an act of witness. Books by Andre Dubus also in Vintage Contemporaries paperback: Dancing After Hours.

"Like some of the most satisfying storytellers of the past (Dubus has been compared to Chekhov), he is munificent, spinning out whole lifetimes and recounting events from many characters' viewpoints. For the lyricism and directness of his language, the richness and precision of his observations and the generosity of his vision, he is among the best."--Village Voice


"Dubus's characters resemble those of Raymond Carver...but the stories stand alone in their idiosyncratic spiritual cast, occasionally religious, more often expressive of devotion to the people he lives among."--New York Times Book Review

Product Details

• Amazon Sales Rank: #199246 in Books
• Published on: 1995-12-04
• Released on: 1995-12-04
• Original language: English
• Number of items: 1
• Binding: Paperback
• 496 pages

From Publishers Weekly
Dubus, known as one of our most accomplished storytellers, has in his own life recently experienced some of the terrible things that customarily happen in his fiction (last year a car accident cost him a leg). In this fine collection of 23 stories, an iron-pumping hothead terrorizes and rapes his ex-wife; ("The Pretty Girl"); a sadistic Marine sergeant destroys a green recruit; ("Cadence"); a drunken youth kicks his girlfriend to death and leaves her body in the snow. ("Townies"). "New Hampshire is also a redneck state," observes one character. Yet the disorderly lives of these small-town or suburban denizens are rendered in a calm, richly textured, minutely detailed style. Dubus gets under the skin of a 19-year-old baseball pitcher whose wife ditches him for her dentist, a waitress emotionally scarred by her husband's death in Korea, an obese woman who rationalizes her secret gorging on sweets, a divorcing disc jockey coming to terms with his misogyny. Many of these tales are set in his favorite fictional territory northwest of Boston, yet an equal number span the map from Virginia to Texas to California. With unflinching candor Dubus explores the uneasy accommodations of marriage and adultery, the self-deceptions of middle age and the terrors of childhood.
Copyright 1988 Reed Business Information, Inc.

From Library Journal
What John Cheever did for upper-middle-class suburbs the equally talented Dubus does for the blue-collar manufacturing towns of Massachusetts. The most compelling of these finely crafted stories depicts the inhabitants of fading communities struggling to maintain stability as factories close and customary ways disappear. They don't often succeed. "Townies" juxtaposes the ideal of a posh women's college with harsh local realities. A young couple in "Anna" robs a drugstore to achieve a pathetic parody of material success. Characters commit violence for love or revenge without hope of redemption. Often graphic, never unbelievable, the tales are dense with the dark side of the American dream. Recommended. See below for review of a work by Dubus's son. Ed. Starr E. Smith, Georgetown Univ. Lib., Washington, D.C.
Copyright 1989 Reed Business Information, Inc.

From the Inside Flap
These twenty-three stories represent the best work of one of the finest and most emotionally revealing writers in America. Andre Dubus treats his characters--a bereaved father stalking his son's killer; a woman crying alone by her television late at night; a devout teenager writing in the coils of faith and sexuality; a father's story of limitless love for his daughter--with respect and compassion. He turns fiction into an act of witness. Books by Andre Dubus also in Vintage Contemporaries paperback: Dancing After Hours.



"Like some of the most satisfying storytellers of the past (Dubus has been compared to Chekhov), he is munificent, spinning out whole lifetimes and recounting events from many characters' viewpoints. For the lyricism and directness of his language, the richness and precision of his observations and the generosity of his vision, he is among the best."--Village Voice


"Dubus's characters resemble those of Raymond Carver...but the stories stand alone in their idiosyncratic spiritual cast, occasionally religious, more often expressive of devotion to the people he lives among."--New York Times Book Review

Customer Reviews

Short stories at their best.
I return to Andre Dubus whenever I get hungry for a really good short story. However, after recently experiencing a Matt Fowler's revenge in the movie, "In the Bedroom," I revisited this 1996 collection of short stories. That movie is based on one of the twenty-three, stunning stories collected here, "Killings." Novelist Barbara Kingsolver has said that "a good short story cannot simply be Lit Lite." Rather, "it is the successful execution of large truths delivered in tight spaces." Confronting issues including a bereaved father's revenge ("Killings"), abortion ("Miranda over the Valley"), difficult relationships ("Adultery," "The Winter Father," "Voices from the Moon," "The Pretty Girl," "The Pitcher," "Leslie in California"), religion ("If They Knew Yvonne"), obesity ("The Fat Girl"), fatherhood ("A Father's Story"), rape ("The Curse"), sexuality and death, Dubus triumphs in delivering profound truths in these "tight spaces." You won't find happily-ever-after endings here. Rather, these are emotionally compelling stories that feel too real to be fiction. And they will leave you coming back for more.

G. Merritt

a real pleasure to read
Dubus sets his tales along the Massachussets/New Hampshire border and seems to have turned it into his own Yoknapatawpha County. But what is really distinctive is the spiritual territory that he has carved out with these stories of decent men trying to be true to Catholic beliefs in the face of difficult circumstances. The men at the center of the stories are entrepreneurs, as opposed to professionals or workmen. They are brawny brawling types, fond of beer and cigarettes and women, love their wives (even ex-wives) and children deeply and they are immersed in the rituals of Catholicism. Here is the father of A Father's Story:

I go to bed early and sleep well and wake at four forty-five, for an hour of silence. I never want to get out of bed then, and every morning I know I can sleep for another four hours, and still not fail at any of my duties. But I get up, so have come to believe my life can be seen in miniature in that struggle in the dark of morning. While making the bed and boiling water for coffee, I talk to God: I offer Him my day, every act of my body and spirit, my thoughts and moods, as a prayer of thanksgiving, and for Gloria and my children and my friends and two women I made love with after Gloria left. This morning offertory is a habit from my boyhood in a Catholic school; or then it was a habit, but as I kept it and grew older it became a ritual. Then I say the Lord's Prayer, trying not to recite it, and one morning it occurred to me that a prayer, whether recited or said with concentration, is always an act of faith.

Most of the characters in the stories are similar--while recognizing their own limitations, they are making the effort to be good Christians, or, at the least, good people. In this story, the Father has reached a point in his life where he feels that he has achieved some sense of inner peace. But this peace is destroyed when his daughter comes to him for help and he embarks on a course that, while he feels it is justified, he knows is wrong.

In Voices from the Moon, the father falls in love with his son's ex-wife and over the course of the novel must confront both of his sons, his daughter and his ex-wife with this revelation. The recurring image in the story is that of communion. Each character has certain rituals, involving Mass or alcohol or cigarettes or food, wherein they seek an inner solitude in which they can be at peace. The father, in particular, is no longer a practicing Catholic, but he has built his home into a virtual monastery, with a deck, surrounded by woods, where he goes at night to think and dream. For him, the most troubling aspect of his predicament is the self-knowledge that he has transgressed the rules that make it possible for family members to trust one another and that, therefore, he could lose his son.

The stories are a real pleasure to read; it is all too rare in modern fiction to find writing that is so explicitly morally focussed. The certainty with which Dubus conveys the conviction that some things are right and others are wrong, even if we (or his characters) can't always measure up to the standard, is especially refreshing in this age of moral relativism.

One warning: there is a subtle aspect of misogyny to the stories that, while totally consistent with Catholic tradition, may be troubling to some readers. In both of these stories, men betray their own sense of what is right because of women. The recurrence of this theme is understandable and makes sense in the context of Dubus' broader moral outlook, but readers should be aware that it exists.

GRADE: A

Worth reading again and again . . .
I just finished reading Dubus's Selected Stories for the fourth time. I've also read his other books, and I'm glad to report that Dubus is one of the few writers whose work can be read again and again with increased pleasure, a rare enough thing.

So many kinds of stories are packed into this volume -- short stories and novellas, deep character studies ("A Father's Story"), topical stories ("The Fat Girl"), "high concept" stories ("Killings"), stories with a deep knowledge of the intersections among family, sex, and faith ("Voices from the Moon"), stories that understand compassion and forgiveness ("Rose"), and stories that explore love in the midst of reckless violence ("The Pretty Girl")

Although many of these stories are thrilling enough, plot-wise, to keep you reading, it's the deep knowledge of the motivations, the pecadillos, the generosities, the anger, the unease, the longings, and most of all the love we are all capable of holding in our hearts, all at once, that makes these stories so worthwhile. Andre Dubus does not shy away from the dark places, and he writes his characters with such empathy that we are willing to go there with them, with him.

Selected Stories is an important book, and a book well worth a patient first read. I think it is a book that will stand the test of time. If there is any justice in the world, it will be read a hundred years from now, a necessary bit of news about what it was like to live in the twentieth century, no less indispensible than Hemingway, Faulkner, or Fitzgerald, and ten times as wise.