Product Description

A Masterful blend of archaeology, anthropology, astronomy, and lively personal reportage, Maya Comos tells a constellation of stories, from the historical to the mythological, and envokes the awesome power of one of the richest civilizations ever to grace the earth.

Product Details

• Amazon Sales Rank: #66943 in Books
• Published on: 1995-02-27
• Released on: 1995-02-27
• Original language: English
• Number of items: 1
• Binding: Paperback
• 544 pages

Features

• ISBN13: 9780688140694
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Library Journal
In this highly original and politically provocative synthesis, archaeologist Freidel and epigrapher Linda Schele team up with Joy Parker, a popular writer, in an attempt to bridge history and prehistory in the Yucatan peninsula of Guatemala and Mexico. Their device is to apply shamanistic belief and practice among modern Maya to interpretations of hieroglyphics and other archaeological remains. In this captivating thesis, foreshadowed in Dennis Tedlock's Popol Vuh ( LJ 1/85) and their own A Forest of Kings (Morrow, 1990), they argue that the world view of the prehistoric Maya lives on in the language and beliefs of the survivors of the Spanish conquest. While at once compelling and controversial, this book will appeal to everyone interested in the Maya and non-Western religion.
- William S. Dancey, Ohio State Univ., Columbus
Copyright 1993 Reed Business Information, Inc.

From Booklist
This is pure pleasure to read--an extraordinary contribution to academic knowledge written like a well-paced novel. Linda Schele, whose Blood of Kings (1986) and earlier collaboration with Freidel, A Forest of Kings (1990), are both well-regarded books on the Maya, goes deeper into the Mayan gestalt in this second collaboration with him and first with new partner Joy Parker. The subject is Mayan cosmology, and interweaving archaeology and anthropology with personal experience, the three authors examine the major religious concepts of the Maya and how those concepts found expression in religious architecture and myth. The Maya, they reveal, were not destroyed by the Spanish invaders. Their religion continues, sometimes under the guise of Christianity, sometimes in folk custom, sometimes in ancient rituals still practiced among the descendants of one of America's premier civilizations--rites informed by the concepts the authors present. The creation myth, the ritual ball games, the pyramidal world-tree--these are examined and fleshed out so substantively that the reader feels truly immersed in Mayan reality. Pat Monaghan

From Kirkus Reviews
How elements of the Maya creation myth can be found in ancient Maya art as well as in today's Maya folk culture. In A Forest of Kings (1990), Freidel (Archaeology/Southern Methodist University) and Schele (Art/University of Texas at Austin) shared their extensive knowledge lucidly; here, working with writing-instructor Parker, they go astray, throwing in occasional (mostly superficial) material on the shamanic tradition, awkwardly personalizing their intellectual quest. The authors claim to reverse the idea that the Conquest destroyed links between ancient Maya civilization and contemporary Maya. In fact, cultural survivals have long been documented, but Freidel and Schele do quite brilliantly recognize in detail previously unsuspected imagery and symbolic systems that connect present-day practice to ancient myth. Finding that creation myths parallel celestial events, Schele concludes that ``every major image from Maya cosmic symbolism was probably a map of the sky.'' (Interpretations here will fascinate enthusiasts of Giorgio De Santillana and Hertha Von Dechend's Hamlet's Mill, 1969, which contended that myth has an astronomical/cosmological, rather than historical, basis). The authors generously share credit with colleagues, unfortunately studding the already dense text with names of individuals and institutions. Attempts to dramatize the creative process fall flat (``One afternoon, Nikolai had arrived late after meetings in Guatemala City to find a contemplative Linda brooding over the structure of this very chapter''). Moreover, perhaps for political reasons, the recent Maya genocide is barely referred to, while the current cultural revival (in which the authors have played a role) is mentioned but left tantalizingly unexplored. Frustrating, irritating, hard to read--and not for the New Age audience the subtitle seems chosen to attract. Those with a serious interest in Maya myth, symbol, and art, though, can excavate much of value here. (Illustrations--250, including 24 pages color) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Customer Reviews

The First Book to Tell the Real Story About Maya Shamanism
As a person who has traveled in places where the modern Maya live--Honduras, Guatemala, and Mexico--and who has taken the trouble to get to know what the history and culture of these admirable people is really like, I have always been appalled at the number of books that claim to be about "Maya shamanism," but are really just New Age claptrap. While it is true that MAYA COSMOS does not read like a mass-market paperback, it is one of the most heartfelt, well-researched, and stunning books on the Maya that I have ever read. If you want the REAL story on who the Maya are and how their spiritual and cultural beliefs have evolved over the last 5,000 years, this is the book for you. Yes, there is some scientific data and research here, but I would rather a thousand times read that than the silly cultural misinformation written by dozens of New Age authors who project their own interpretations onto the art and the cities without even being able to read the very texts they are claiming to understand. The late Linda Schele was one of the five major figures who was responsible for cracking the code of the Maya language. As an art historian, she was well versed in the complex and fascinating symbolism of Maya culture. David Freidel has been a brilliant Maya archaeologist for over 25 years, and first became involved with the culture because of his interest in shamanism. Joy Parker, who, by the way, was the ghost-co-author of A FOREST OF KINGS (check out the Acknowledgements and the Forward where her work is credited) has spent over a dozen years working with the modern Maya (most recently, as an editor of Maya shaman Martin Prechtel's SECRETS OF THE TALKING JAGUAR and LONG LIFE, HONEY IN THE HEART) and with other indigenous cultures such as the North Native Americans (check out her book WOMAN WHO GLOWS IN THE DARK) and African cultures, so she brings a special personal interest and flair to this project. The first-person stories told in this book are priceless. I spent as many pleasurable hours reading it as I did the authors' first effort A FOREST OF KINGS. If you truly want to learn about the history of the Maya, the tragedy of the Spanish conquest, and how the modern Maya find the strength to endure, this is the book for you.

Archeoastronomy of the Maya
The authors present Mayan archeoastronomy in a very readable and absorbable form. Compare the astronomy/astrology/ myths and stories of the Maya to other cultures of which you are aware, and you will see that this book presents a valuable contribution to world archeoastonomy.

Maya Cosmos is essential to archeo-astronomy
The foundation of Maya Cosmos is the re-discovery of the Mayan creation myth in hieroglyphs, art, and modern Mayan daily ceremonial ritual. The creation myth centers around First Father, the Maize god and father of the Twins, famous in the Popul Vuh creation story. First Father is identified with Orion where he is resurrected from the dead from the cleft carapace of a turtle, which are the three stars in Orion's belt. Recent studies in Egyptian archeo-astronomy has identified the constellation Orion with Osiris, the god of resurrection. The lower left star in Orion's belt, Alnitak, has been identified with the Great Pyramid of Giza. First Father emerges out of a cleft mountain and a cleft turtle carapace, the mountain here possibly related to the idea of the pyramid. Maya Cosmos has gathered a creation story that can be placed now in the archeo-astronomical tradition of the world. In like manner, ancient India has the god Vishnu sitting upon Mt. Meru. A serpent is entwined around this mountain and under the mountain is a great turtle. This identifies Vishnu and Osiris with First Father; Mt. Meru and the great pyramid with the Cleft Mountain; the Vishnu turtle with the Mayan constellation of the turtle, the belt of Orion; and the serpent entwined around Mt. Meru with the Mayan double-headed serpent of the Ecliptic. Maya Cosmos is the first book I have read that has looked at the archeo-astronomy of the Maya and the Olmec and has given archeo-astronomers a valuable resource.