Product Description

One of the most influential figures in the history of photography, Edward Steichen (1879-1973) was also one of the most precocious. Born in Luxembourg, raised in Wisconsin, and trained as a lithographer's apprentice, Steichen took up photography in his teens and by age twenty-three had created brooding tonalist landscapes and brilliant psychological studies that won the praise of Alfred Stieglitz in New York and Auguste Rodin in Paris, among others. Over the next decade, this young man--the preferred portraitist of the elite of two continents--was repeatedly acclaimed as the peerless master of the painterly photograph. This volume, covering the period from the late 1890s to World War I, highlights masterpieces from The Metropolitan Museum of Art, which houses the finest collection of Steichen's early work in the world, and reproduces them in near-facsimile through four-color digital offset lithography.

Steichen worked with a designer's inventive eye, a Symbolist's poetic sensibility, an entrepreneur's charisma, and--above all--the originality and finesse of a creative and painstaking printer to establish ambitious new standards in artistic photography. Overlaying the subtle tone-poetry of his platinum prints with repeated washes of harmonious color, he created unforgettable images. In his three famous twilight views of New York's Flatiron Building, one of the landmarks of turn-of-the-century architecture, Steichen crafted a powerful symbol of a new age. His stunning sequence of Rodin's Balzac figure in the moonlight is presented here as are his nudes, with their frankly erotic sense of flesh and weight. And the intense energy of a decade comes to life in his portraits of a diverse cast ranging from Richard Strauss to J. P. Morgan, Maurice Maeterlinck to George Bernard Shaw--and Steichen himself, the founding auteur of a century of celebrity. In the accompanying text, Joel Smith explores Steichen's maturing artistry in the light of contemporary developments in photography, graphic design, and the decorative arts.

This is a stunning visual record of the emergence of Steichen as a great artist and is one of the most important books to be published on his life and work in recent years.

Product Details

• Amazon Sales Rank: #360237 in Books
• Published on: 1999-11-11
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 168 pages

From Library Journal
Edward Steichen (1879-1973) produced many of his strongest photographs from the 1890s to World War I, the period covered here in examples from the Metropolitan Museum of Art's collection. Steichen took up photography as a teenager and by the age of 23 was headed toward celebrity status as his photographs won the admiration of artists as well as fellow photographers. He was in demand as a portraitist of the rich and famous but produced some of his finest work in the portraits of other artists and in nude studies. His photographs of the Flatiron Building and other New York scenes have defined those spaces since. Steichen's misty, moody, subtle, multilayered photographs--made from experimental, painterly printing methods of the period--are reproduced here in amazing fidelity through four-color digital offset lithography. Smith (department of photographs, Metropolitan Museum of Art) provides a carefully researched and highly readable biographical and interpretive essay that illuminates the diverse influences on Steichen. Highly recommended for all photography and fine art collections.
-Kathleen Collins, Bank of America Corporate Archives, San Francisco
Copyright 2000 Reed Business Information, Inc.

Review
. . . meticulously researched and readable biographical account of his activities . . . demonstrate a benchmark standard of excellence in academic publishing -- The Art Newspaper

A definitive collection. . . . -- Review

Features reproductions of the finest quality. . . . This is crucial because of the variety of photographic processes [Steichen] used. . . . -- G.S. Taylor, The Boston Book Review

Meticulously researched and readable biographical account of his activities... demonstrate a benchmark standard of excellence in academic publishing. -- The Art Newspaper

This definitive edition includes all of Steichen's New York photographs. . . -- Laura Cumming, The Evening Standard

Review
Alfred Stieglitz controlled the world of art photography at the beginning of the century and, not surprisingly, Steichen became its first full-blown star. But, as 56 plates in this exquisitely produced book make clear, there is a redeeming aspect to Steichen's ambition: his pictures are incredibly good. . . . Joel Smith, in an essay as remarkable for its readability as for its erudition, manages to breathe life into the pictures.
(Andy Grundberg The New York Times Book Review )

These soft-focus, moody studies of light, landscape, and form by this 20th-century master have a painterly, almost impressionist feel to them. The nudes are lushly erotic; the portraits daunting examinations of heroes and barons at the turn of the last century.
(Cate McQuaid Boston Globe )

Steichen's misty, moody, subtle, multi-layered photographs made from experimental, painterly printing methods of the period are reproduced here in amazing fidelity. . . . Smith provides a carefully researched and highly readable biographical and interpretive essay that illuminates the diverse influences on Steichen. Highly recommended. . . .
(Library Journal )

A beautifully written addition to the literature on Edward Steichen and recommended for readers both unfamiliar with and knowledgeable about his work.
(Lucy Bowditch Afterimage )

The catalog's 56 plates, and the images in the accompanying essay, give a seeming tangibility to the contained spaces of the photographs. . . . [The book] features reproductions of the finest quality. In Steichen's case, this is crucial because of the variety of photographic processes he used. . . .
(G.S. Taylor The Boston Book Review )

Beautifully illustrated. . . . The author's tightly written text is presented with thorough and pertinent notes and will contribute to readers' enjoyment and appreciation of Steichen's brilliant images and career. A welcome and important addition to the field and highly recommended for all levels of readers.
(Choice )

This definitive edition includes all of Steichen's New York photographs. . .
(Laura Cumming The Evening Standard )

Steichen's famous images of New York's Flatiron buildings are illustrated with four examples to reveal the unique quality of each of his prints. In a lesser book, four images of the same subject might be gratuitous, but in this case each work complements the next. . . . [There is] only one image printed per spread, a luxury that is justified by the quality of the artwork and the fine printing.
(Stephan F. F. Jost The Art Book )

The near-facsimile quality reproductions of early photographs by Steichen in duotone and full colour, printed on acid-free paper and enlivened by a fascinating, meticulously researched and readable biographical account of his activities, concerns and achievements from 1899 to 1924, demonstrate a benchmark standard of excellence in academic publishing.
(The Art Newspaper )

A definitive collection. . . .
(Geoff Dyer The Independent )

Customer Reviews

Steichen; Early Master
This is an excellent photography book. It highlights the early career of this true master of the medium. Steichen's work rivals his contemporaries Steiglitz and Strand.A must have for any serious collector of photography monographs.

A book of evocative images
Too much of contemporary photography is either clichéd or uninspired, and worse, too many people with digital cameras think they're in the same class as the masters of photography. Photography is more than just snapping away. When done right, photography is art...the product of previsualization and postvisualization (to borrow a couple of terms from other photographers). This book is partly a biography of Steichen and partly an exceptionally well printed collection of his pictorialist (painterly) photographs. My advice to would-be fine-art photographers is to study the work of Steichen and other masters of photography, as well as fine art in general. They understood lighting and composition, and their works are waiting for you to absorb them. BTW, contemporary photographyer Joyce Tenneson also captures the mood and tone of Steichen's work.

Fine Work by a Great Master of Photography
While he may be better know for his later work, Edward Steichen was one of the greatest Pictorialists around during his early years. This book contains an excellent selection of his early work. If you like this period in photography, it's one of the best books you can buy. The work is breathtaking.