Product Description

The storm was coming...

For the three years Shadow spent in prison, all he wanted was to get back to the loving arms of his wife and stay out of trouble for the rest of his life. But days before his release, he learns that his wife has been killed in an accident, and his world becomes a colder place.

On the plane ride home to the funeral, Shadow meets a man who calls himself Mr. Wednesday, a self-declared grifter, who offers Shadow a job.Shadow, a man with nothing to lose, accepts. But he soon learns that his role in Wednesday's schemes will be far more dangerous than he could have ever imagined.

American Gods is a dark and kaleidoscopic journey deep into myth and across an America at once eerily familiar and utterly alien. Magnificently told, American Gods is a work of literary magic that will haunt the listener long after it has been heard.

Performed by George Guidall

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Product Details

• Amazon Sales Rank: #666745 in Books
• Published on: 2001-07-01
• Released on: 2001-06-19
• Format: Unabridged
• Original language: English
• Number of items: 14
• Binding: Audio Cassette

Amazon.com Review
American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.

Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.

More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton

From Publishers Weekly
Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

Shadow Moon, recently released from prison and dealing with his wife's death, accepts a job offer from the mysterious Mr. Wednesday. Together they travel across America gathering up Mr. Wednesday's creepy friends. Soon Shadow discovers this road trip involves the upcoming epic battle between the old gods of the immigrants and today's new gods credit cards, TV, and the Internet. He also experiences repeat visits from the reanimated corpse of his dead wife, Laura. Shadow's personal tale and the details of American small-town life are well developed compared with the not-well-defined plot. The focus shifts from the gods' Armageddon to Shadow's life, to subplots about secondary characters. The book has wit but is too busy and not very engaging and includes some graphic language, sex, and disturbing events. George Guidall's clear, well-articulated narration contributes to a positive listening experience. Fans will no doubt enjoy the subject matter and the mythic scope. Denise A. Garofalo, Mid-Hudson Lib. Syst., Poughkeepsie, NY

Copyright 2002 Cahners Business Information, Inc.

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Customer Reviews

"This Is a Bad Place For Gods..."
Released from prison shortly after the accidental death of his wife, ex-con Shadow finds himself free, but bereft of all the things that gave his previous life meaning. As he bids his farewell to the fragments of that life, an eerie stranger named Mr. Wednesday offers him employment. Wednesday needs someone to act as aid, driver, errand boy, and, in case of Wednesday's death, someone to hold a vigil for him. Shadow consents and finds himself drawn unsuspectingly into a cryptic reality where myth and legend coexist with today's realities.

Mr. Wednesday, trickster and wise man, is on a quest. The old gods who came over to this country with each human incursion have weakened as their followers have dwindled and are now threatened with extinction by the modern gods of technology and marketing. Wednesday travels from deity to deity, rounding up help for what will be last battle. He engages ancient Russian gods, Norse legends, Egyptian deities, and countless others who have found their way to America in the past 10,000 or so years. Shadow never quite understands what his role is in all of this, but he experiences visions and dreams which promise that he is far more than Wednesday's factotum.

The plot is unendingly inventive as it treks its way across the country. From Chicago to Rhode Island, and Seattle to the magical town of Lakeside, Shadow's journey seems to follow the back roads of America. The people he meets are gritty, and the gods are even grittier. Gaiman creates believable characters with quick brush strokes and builds vivid landscapes that belie their mundane origins. Gaiman, recently moved to the U.S. has invited us along on his own quest to discover an America uniquely his own.

This is a novel that resonates at many levels, it is Shadow's initiation quest, Gaiman's search for the American identity, a revisionist Twilight of the Gods, and last, but not least a captivating piece of fiction. The gods that people this story came with people who found their way to this country from almost every time and place. Gaiman has put his finger on once of this country's greatest truths. Every person who ever lived here has roots from somewhere else. We have crossed oceans and land bridges, on foot, and by every other means of transportation. Our culture has been created whole cloth out of the character and beliefs of all those people. Gaiman has managed to capture a bit of that vision and put it on display for the reader.

After his superb work in "Neverwhere," "Stardust," and the Sandman graphic novels, Neil Gaimon has established himself a force to be reckoned with in the crossover horror/fantasy genre. Now with his new novel Gaiman establishes his mastery in a remarkable story of quest and transformation as he comes to terms with his own vision of America. "American Gods" defies classification and invites superlatives. This is one of 2001's must reads.

Neil Strikes Again
After waiting several years for Neil's new book, I hungrily devoured the 400+ page "American Gods" in just over two days. The story follows Shadow Moon, recently released from prison, as he comes to work for a man simply known as Wednesday. Wednesday is a peculiar old man with a frightening knowledge of Shadow's past and an amazing talent of swindling people who introduces Shadow to many fascinating characters, who it is later learned, are all transplanted Gods endeavoring to hold on to life all across America.

Gaiman explores the sacred power hidden in the kitschy roadside attractions doting the landscape of America's many back roads; their once glorious power waning as people worship more modern cultural icons and ideas. The sprawling story pits the forgotten gods America's immigrated citizens brought with them to the new land against the high-tech gods of modern living in a war for the very right to be worshipped. Shadow is pulled headfirst into the dispute and ends up playing a crucial role in the upcoming battle. The meanings of life and death, self-worth, spiritual beliefs, and redemption are all explored with Gaiman's witty intelligence.

Gaiman's ability to entwine multiple plot lines with clever cultural critiques while maintaining fantastic character descriptions and an engaging narrative solidifies the fantasy/horror author's place as one of the world's best storytellers. Much more than a magical tale of combating Gods, Gaiman paints a picture of a melting pot left too long to boil, and a country who worships the next big thing a bit too easily and with little consideration for it's ancestry.

Definitely worth buying, and undeniably worth reading (all though you might want to slow down a bit more than I did!). And while you're at it - check out "Stardust" and "Neverwhere", you won't be disappointed.

The joy is in the journey
I have read all of Gaiman's novels, as well as the Sandman graphic novels. I'm a fan of urban fantasy, and, needless to say, I'm a fan of Gaiman's work. I was especially anxious to read American Gods because a good portion of the story takes place in my home state, Wisconsin (home of snow, ice and Culver's custard.) I was not, generally speaking, disapppointed. American Gods has everything I like about Gaiman's stories.

The story opens with Shadow, the protagonist, being released from prison a week early to attend his wife's funeral. Shadow is a big man, strong in both stature and integrity. On his way home, he meets Mr. Wednesday, who offers Shadow a job as bodyguard. The pair travels the American heartland, drumming up support for a coming spiritual war. Along the way they meet a host of unlikely characters, includ and thugs with names like Mr. Town, Mr. Street, Mr. Woods and Mr. World. And not least among this cast of extremely interesting characters is Laura, Shadow's deceased wife who spends most of the book bailing Shadow out of tight situations. And rotting.

I docked the book 1 star because, in my opinion, the ending fizzled. Also, interspersed through the book were short stories that were removed from the main storyline. These were a nice break between chapters, and offered insight to 'the coming war' in other parts of the nation. For some reason, these stories stopped about 1/3 of the way through the book, and I sort of missed them.

In summary, I think that American Gods was a far stronger effort than the last book of his I read, Stardust, but not as good as Neverwhere, or Sandman.