Product Description

Fruits is a collection of Tokyo street fashion portraits from Japan's premier street fanzine of the same name. 'Fruits' was established in 1994, by photographer Shoichi Aoki, initially as a project to document the growing explosion in street fashion within the suburbs of Tokyo. Over the last five years, the magazine has grown to cult status and is now avidly followed by thousands of Japanese teenagers who also use the magazine as an opportunity to check out the latest styles and trends. The average age of the kids featured in the magazine is between 12 and 18, and the clothes that they wear are a mixture of high fashion – Vivienne Westwood is a keen favourite – and home-made ensembles which when combined create a novel, if not hysterical, effect. This extensive collection of portraits represents a unique documentation of the changing face of street fashion throughout the last decade. Colourful, fascinating and funny, this is the first time these cult images have been published outside Japan.

Product Details

• Amazon Sales Rank: #78830 in Books
• Published on: 2001-01-06
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Features

• ISBN13: 9780714840833
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
If you ever wondered where the catwalk got its claws, then the portraits gathered in photographer Shoichi Aoki's book Fruits, from the streets of Harajuku in Tokyo, point the way to an extraordinarily imaginative and invariably stunning glut of mongrel fashion heists. A best-of collection from the fanzine of the same name, and published for the first time outside Japan, Fruits keeps its style clean: front-on, razor-sharp images, ranging from the deadpan to the manic, of the sharpest collages of sartorial influence that, usually, little money can buy. From off the peg to off the wall, kitsch to bitch, each person bears a combination and philosophy as distinctive as DNA. All shades of aesthetic are raided, with exquisite, scrupulous attention to detail. Punk is a favorite, as is, appropriately, Vivienne Westwood, alongside Milk and Jean-Paul Gaultier, and the occasional Comme des Garçons. Many of the outfits, though, are second-hand or self-assembly, such as a skirt drooping petals of men's silk ties, Wa-mono, when tradition Japanese clothes are topped with, say, an authentic bowler hat, EGL (elegant gothic Lolita), and a swathe of tartans, pinks, and turquoises. The most malleable feature, unsurprisingly, is hair, with dreadlocks, mohicans, back-combing, and crops dyed an irradiated spectrum. While the eye is drawn, obediently, to the mannequins, the background is often worth a look, either for the vending machines against which a number are shot, or the ubiquitous Gap store and bags, a constant reminder of the global mass market.

One enterprising man wears a genuine British paperboy's delivery bag, and, to pick but one profile, Princess, 18, is trying to be a doll and is currently preoccupied with body organs. Mmm. All the subjects are asked the source of their clothes, as well as their "point of fashion" and "current obsession." The scope for sociopsychological discussion is vast, particularly with the preponderance of infantilization, through dolls, bonnets, pop socks, and Barbie, but this is a joyous documentation of the innovative, celebrating the inspirational polytheism of street fashion, captured with provocative, political zeal. Best let the street cats prowl. --David Vincent

Review
"'Finding beauty in the unlikeliest places, Steve McCurry's photographs of India are haunting.' - Daily Express. 'Intoxicating...a celebration of the poetry of photography' - Traveller magazine. 'Mesmerizing' - Metro. 'In a world full of stunning photographic books, Steve McCurry's work shines out...An exhilarating experience.' 'Breathtaking use of light, colour and perspective.' - Sunday Herald."

About the Author
Shoich Aoki is the leading publisher and photographer of street fashion in Japan. In addition to his work on 'Fruits' magazine he is also the author of 'Streets', a similar venture which charts and photographs the street fashions of major capitals in Europe and the USA. His photographs are simple in their design but extremely well executed as documentation of street life. In depth and personal, they capture the energy and style of street fashion.

Customer Reviews

Selling Japanese Fruit to the World
I love the work by my fellow photographer Shoichi Aoki. Like me, he shoots the cool trendsetters on the streets of Tokyo. Since he started his magazine FRUITS in the mid-90s he has taken countless of photographs of the coolest street fashion that the world has seen sofar. The best of these shots are compiled in this book.

Aoki first started documenting street fashion in London in the mid 80's. He has told me that he taught himself how to take photographs from books. At the time Japanese fashion wasn't free at all. Inspired by the free street fashion of London the young Aoki decided he wanted to do something about Japanese staleness.

In the early to mid 90's things were beginning to change in Japan. The Harajuku area in Tokyo had its main thoroughfare closed off on Sundays and this was attracting more and more bands and show offs. The 'pedestrian heaven' (hokoten) as it was called became a laboratory and incubation center for new trends in music and fashion.

"In Japan," Aoki told me recently, "everybody had always dressed the same. Whatever was popular was worn by everyone. Everybody would wear Comme des Garçons or Ivy or whatever brand was 'in'. But suddenly Harajuku became free. People started to feel that it was cool to coordinate your own clothes. Harajuku fashion became really interesting and fun." He recalls: "You had this small group of trendsetters, perhaps 10 to 20 people. Whenever they came up with something new, others would soon imitate them. But these imitators weren't as cool as the original trendsetters so the trendsetters didn't want to be identified with them."

"To differentiate themselves again they came up with new things. It just escalated. They kept on trying to escape from their imitators right into "decora" (fashion style sporting lots of decorative stuff and strong bright colors). They figured nobody would follow them into wearing clothes that crazy."

FRUITS shows these 'crazy' trends in all their details. The book has virtually no text, just page after page of exquisitely printed color photographs. Aoki's photographs are unique in that he shows the full body, from head to toe, in actual street situations. This is much better than shots done in the studio. It is like photographing animals in the wild opposed to photographing them in the zoo.

Full body shots makes it possible to not only see the pants, skirts, dresses, coats and sweaters, but also the shoes, socks, stockings, hats and wild hairdos in all their glory.

Short descriptions explain what each person is wearing, their age and their 'obsession'.

If you want to put to rest the myth that Japanese people are not creative and original, you just have got to read this book. You'll find it a great inspiration.

Truly captures how young Japanese Teens dress
After visiting Japan last year and having spent most of my time in Harajuku (where most of these pix were taken)--all i can say is this book truly captures how young Japanese teens dress. Hypercolored clothing, crazy extreme mismatching, a gaggle of plastic accessories, technotoys and unnatural hair color is standard-- it's anime character meets candyraver meets barbie in Super Mario land.

You may think these teens are the few "extreme" dressers in their society, but you're wrong. I would estimate that 80% of teens in Japan's metro areas dress this way, if not more extreme.

In fact, the teens in Fruits are a bit *subtle* compared to what is going on in Japanese fashion today. It's not uncommon to see girls in elaborate french maid outfits with metallic makeup walking out of the train station. Walking everywhere you see these hello kitty psycho sweethearts, riddled with fake blonde hair, white lipstick, and mile-high op-art platforms. I've turned a corner and seen gangs of japanese guys and girls looking like Bob Marley and Lauryn Hill, replete with fake black tan, dreads, ghetto fabulous hip hop gear and all. Scrupulous attention is paid to every part of the body. Only about 5% of Japanese girls i observed did NOT wear some kinda of intricate rainbow patterned/bejeweled nail art. And the best part is seeing all these vividly dressed youths swarming all around you in hordes.

Fruits, although on target for year 2001, is almost out of style now, given that Japanese fashion trends change every minute. If you can't get enough of Fruits, then you really need to take a trip to Japan (Tokyo) which I stress is vital for anyone in the fashion, arts, or other trend industry. It's like living in the future--talking toilets, automatic servamatrons, futurism galore, towns called Sunshine City, bridges named Rainbow Bridge--it's pop-culture infantilism crossbred with sophisticated technology, the most fascinating hybrid found only in Japan. I guarantee you will be visually stimulated and inspired to no end at the hallucinatory flourescence that is Japanese youth culture. Now go book that ticket.

Yummy, colorful, and enduring Eye Candy!
I bought this book the moment it was released, based upon the cover photo which I saw in a magazine. This book is really fun-- if you like colors, can appreciate a whacky sense of fashion, and the extremeness of this particular collection. What I did not bargain for were the catchy captions for each subject: i.e."What is your point of fashion?" and "What is your latest obsession?" Some of the subject's replies' were great, especially the guy whose latest obsession was "digging holes". In addition to the interesting poses, photography, and creativity, the captions make this book fun to have, fun to pass around...and I am extremely happy that I found this piece of bound eye candy!