Product Description

When Christmas Eve comes to Elm Creek Manor, the tenor of the holiday is far from certain. Sylvia Bergstrom Compson, the Master Quilter, has her own reasons for preferring a quiet, even subdued, Christmas. Her young friend Sarah McClure, however, takes the opposite view and decides to deck the halls brightly. As she explores the trunks packed with Bergstrom family decorations that haven't been touched in more than fifty years, Sarah discovers a curious Christmas quilt. Begun in seasonal fabrics and patterns, the quilt remains unfinished.

Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters -- her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge.

At Elm Creek Manor, Christmas began as a celebration of simple virtues -- joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials -- the antebellum era, the Great Depression, World War II -- tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt.

Elm Creek Manor is full of secrets, from a Christmas tree with unusual properties to the sublime Bergstrom strudel recipe. Sylvia's tales at first seem to inform her family legacy but ultimately illuminate far more, from the importance of women's art to its place in commemorating our shared experience, at Christmastime and in every season.

Product Details

• Amazon Sales Rank: #22789 in Books
• Published on: 2005-11-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 240 pages

Features

• ISBN13: 9780743286572
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Chiaverini, author of the Elm Creek Quilts novels, delivers a rich holiday tale that predates last year's Master Quilter, also set during the Christmas season. Sylvia Compson, née Bergstrom, 77, is determined to make it the dullest holiday ever at Elm Creek Manor, to which she returned, a year and a half ago, after 50 years of estrangement. Her Bergstrom relatives are gone; her memories of Christmas past are fraught. But young Sarah McClure, Sylvia's partner in the quilting camp that's brought Elm Creek back to life, wants to spend Christmas with Sylvia—and she wants it tinsel strewn. Home is here now, not with the mother who dislikes Sarah's husband, Matt. Sylvia reluctantly agrees to visit the trove of ornaments in the attic. As the women discover an unfinished Christmas quilt, a mixed bag of memories spills out along with the feathered star blocks: strudel making in the Depression; tree trimming during World War II, which claimed Sylvia's husband, brother and a baby born too soon because of her shock; memories of a sister, Claudia, who forfeits Sylvia's love until it's too late. Reconciliation and redemption: of course. But it's not won cheaply—there's no saccharine in this sweet story.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
". . . a healthy dollop of history in a folksy style, while raising moral questions in a suspenseful narrative."
-- Publishers Weekly (Publisher's Weekly )

About the Author
Jennifer Chiaverini is the author of ten Elm Creek Quilts novels and An Elm Creek Quilts Sampler and An Elm Creek Quilts Album, as well as Elm Creek Quilts and Return to Elm Creek, two collections of quilt projects inspired by the series, and is the designer of the Elm Creek Quilts fabric lines from Red Rooster fabrics. She lives with her husband and two sons in Madison, Wisconsin.

Customer Reviews

for fans of the Elm Creek Quilt series
After five decades away from Elm Creek Manor, the estranged Sylvia Compson returned home too late make any amends with her deceased Bergstrom relatives. Now Christmas is coming, but the septuagenarian does not feel like celebrating her first Yuletide in her family home in fifty years.

Her quilting camp partner Sarah McClure and the youngster's spouse orchards gardener Matt plan to celebrate Yuletide at Elm Creek. Sarah feels some guilt that she is not going to visit her family, but believes the fault lies with her mother who overtly displays her loathing of Matt. Sarah persuades a reluctant Sylvia to go into the attic to look at the holiday ornaments where they find an unfinished Christmas quilt and the memories of the joys in spite of the Depression; the depression of loved ones dying during World War II, and much more. Sylvia regrets her stubbornness that is too late to mend fences and pleads with Sarah to square things with her mother.

Though fans of the Elm Creek Quilt series might be a bit confused as to the timing as this entry occurs before Sylvia marries Andrew (see last year's THE MASTER QUILTER), long time readers will enjoy the latest tale. The somewhat sugary story line contains a deep message that there is no time in life to hold grudges. Sarah is terrific as the attic mementos have her looking back on the joys, tragedies, and mistakes in her life. Though suited for those in the audience who have read most of the previous novels (memories will mean much more) because some newcomers might have some problems with what happened to whom, Jennifer Chiaverini provides a warm holiday tale that adds to the Elm Creek manor saga.

Harriet Klausner

Deja Vu All Over Again
Every year at this time I look forward to reading a couple of good holiday books. So it was with some great anticipation that I picked up A Christmas Quilt by Jennifer Chiaverini. What could be better than a cup of hot tea on a cold winter's day here in the Northeast and visiting with my old friends at Elm Creek? But instead my tea grew cold as I found myself somewhere in between two books merely rehashing what I read in previous books. I imagine if I never read any of the other books I would run to read them but having read all of them I was disappointed in this small book. I would hate to think that the author like so many others churned out this book in an attempt to cash in at holiday time with a small offering based on their other books.

Because I enjoyed the other books so much and this did have its moments, I found out about the Bergstorm tradition of choosing each year's Christmas tree, I did rate it with a B. But my take on it is to read the other books in this series and save this one if you have nothing else to read. Final words a rehash and repetitive and lacked the feelings of the women I hoped to visit with for the holidays.

A christmas theme, is it really a marketing ploy
I must say I really agree with the reviewer who remarks that these novels are a guilty pleasure, they aren't the strongest written books, and yet I have been reading them compulsively. I while I enjoyed the ones with a historical bias at first, I find that I am more drawn to the modern ones lately. I looked at this one for several days before deciding to read it and I do wish I wasn't so addicted to them because I found this one a disappointment in the way the others weren't.

The conflict of generations - Sylvia in her 80's and wise but a little jaded, against Sarah her assistant in her 20's and bouyed by enthusiasm for Christmas and the holiday traditions. I just felt this had been written to take advantage of the American Christmas book market and not really with a strong story to bind it.

The whole issue of the bergstrom strudel recipe was uncompelling. I read and I enjoyed - but it was more of a flick through to finish it rather than deep enjoyment as I have with many of the others.

I have to say though that the reading of these novels has really inspired a love of quilting - well at least in theory, I have been getting out books on the library on quilting, and finally learned what pineapple quilting is, along with dozens of quilting blocks and their names. It is rather nice to have that background knowledge even if I have no real ability.

The only thing that puzzles me is that Sylvia with all her love of quilting, and historical quilts, why does she allow all these ancient quilts to be stored in the attic and not get them down?