Product Description

Product Details

• Amazon Sales Rank: #8851 in Books
• Published on: 2003-07-01
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 272 pages

Features

• ISBN13: 9780743477109
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Based on an HBO animated series, these condensations emphasize the dramatic content of some of Shakespeare's best known works. As abridged by Garfield in consultation with a panel of scholars, the books on the whole retain the magic of Shakespeare's vision and remain true to his poetics. Linguistic fluidity is perforce sacrificed (omitted lines are presented as italicized summaries interspersed throughout the dialogue), but these versions should still fire children's imaginations. Though the artwork varies in quality, the Eastern European illustrators generally capture the underlying theatrics. Palettes are subdued for the dramas, and appropriately brighter for the comedies (though the tone reproductions frequently seem off). Several plays' illustrations have a cartoony appearance; a few exhibit the stilted look of old Classics Comics. While the plays forgo their complexities--many subplots are omitted--as they become more linear in their themes (Macbeth loses much of his humanity, Romeo and Juliet is pared of its politics), their nobility shines through in these visualized introductions. One hopes that readers will be encouraged to move on to the originals. Ages 10-up.
Copyright 1993 Reed Business Information, Inc.

From School Library Journal
Grade 2-7. Macbeth has strong appeal for young audiences and Coville's lucid retelling captures much of it. Aided by the short, intense, and uninterrupted story line of the play, the reteller deftly weaves many of the most familiar quotes with his own dramatic narrative. In a short preface that sketches a quick history of the play's popularity, Coville invokes cultural literacy as one of his missions. Despite this heavy burden, he carries off the telling with grace. Kelley's dark, evocative pastels reflect and intensify the ominous mood. Glowering hillsides, gloomy interiors, the handsome and doomed Macbeths, and truly ghastly witches create a mood worthy of the play. The only unfortunate image is the weak-chinned Macbeth reacting to Banquo's ghost with a look more comic than horrified. Darkness prevails until the final painting of light morning skies over the hills. Coville's muscular sentences, full of dramatic word choices, make this a good read-aloud choice. While not avoiding the horrors in the story, the reteller does not dwell on the goriest moments, letting the worst, such as the slaughtering of Macduff's children, happen offstage. The accurate depiction of the story will give older students or casual playgoers a good quick review. If it doesn't end up lost among the picture books, this retelling could have many uses.?Sally Margolis, formerly at Deerfield Public Library, IL
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
Tempting readers into this dramatic retelling, the introduction calls this a ``horrific tale of witches, murder, ghosts and revenge.'' Coville (William Shakespeare's A Midsummer Night's Dream, 1996, etc.) repeats most of the play's famous phrases (condensing the ``Double double, toil and trouble'' incantation to six lines) and expertly captures the original's lurid supernatural manifestations and dark tone. Lady Macbeth's motives for murdering Duncan are never clear, and the porter's scene--along with some others--is dropped, so the plotting may be even patchier than Shakespeare's; still, as with Coville's previous adaptations of Shakespeare, children unfamiliar with the original will get a good idea of what awaits them. Kelley gives the entire cast a ghostly look in his shadowy, atmospheric paintings; except for the deliciously hideous Weird Sisters, figures are erect and dignified, generally posed at rest with eyes downcast or directed away from the viewer--and despite all the play's gory deeds, there is no blood to be seen. A volume for those who are certain that this kind of adaptation--reduces an intense psychological study to a slim story of multiple murders--will not prejudice children against future encounters with the Bard. (Picture book. 9-12) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Customer Reviews

OUTSTANDING background for play!
As a teacher of 11th grade English, I ordered this text because I was curious about its supplementary material. Now I am committed to the Norton Critical Editions for EVERY Shakespeare play I teach in the future! My students were amazed and sometimes enthralled with the incredibly rich background material which supplemented their study of Macbeth. They especially loved comparing Lady Macbeth's invocation of evil forces, and her declaration of imagined infanticide, with Seneca's Medea, in which Medea declares she will sacrifice her children to punish her cheating husband. They were incredulous that Macbeth's witches were actually mentioned several times in Holinshed's history. The factual background for Macbeth's rise and fall, set within the context of the eleventh century, gave them a deeper understanding of his inherent brutality. They also were better able to appreciate the modern aspects of his personality as interpreted by Shakespeare by contrasting the Bard's Macbeth with Holinshed's details of the actual historical Macbeth. And they really enjoyed learning that Lady Macbeth's real name was Gruoch. (Several said they're going to name their dog or their first daughter after her! Ha, ha!) WHAT A SUPERIOR SOURCE for any teacher! Please buy this if you are reading, studying, or teaching Macbeth!

Added note: Now it's years later, and I have used the Norton Critical Editions for teaching EVERY time one is available for the work I'm teaching. They are simply the best in providing depth and analysis via the historical documentation, critical reviews (both historical and contemporary), and other source material. I am such a fan of these, and have shared them with so many students, that my AP students have begun to buy them also for the work we are studying. I can't praise these editions highly enough!

Greed doesn't pay
I read this book in class, with my Language Arts teacher and the rest of my class. We didn't do the exact play, just read through it, but it was fun. You may think, why are 7th graders reading Shakespeare? Well, the answer is, we have a great teacher with enthusiasm, that is willing to teach us with his characterists before we read it in high school with the most boring teacher in the world. Anyway, reading this was a blast. With the help of the New Folger Library explanations, and my teacher, I understood this play. It teaches that greed doesn't pay, no matter how hard you try, and how many people help you. Also, you will regret what you do, and realize it wasn't worth it when your head has been removed from your shoulders. It has these great messages, as well as no matter how "perfect" your plans are, they aren't and will backfire eventually. The characters are excellent, although some are very greedy, which makes this play interesting. This was the first Shakesspearean play I have ever read, although I have seen Romeo and Juliet at the opera. This got me interested in Shakespeare, and I plan to read his comedies, and possibly Hamlet.

NOT a condensed version
Contrary to the two editorial reviews at the top of this page, the Dover Thrift Edition of MacBeth is NOT a condensed version of the play. It is the full text of MacBeth. I am grateful that such an inexpensive paperback is available, as I needed to purchase multiple copies for the students in my English class. Other versions of Shakespeare's plays contain more footnotes or short summaries of each scene and, thus, are more high school student friendly. However, if you provide a good study guide and outline, this edition of MacBeth is a great buy, especially for those of us who sometimes must purchase our own supplies.