Product Description

A gothic tale becomes all too shockingly real in this mesmerizing magnum opus by the acclaimed author of FEED.

It sounds like a fairy tale. He is a boy dressed in silks and white wigs and given the finest of classical educations. Raised by a group of rational philosophers known only by numbers, the boy and his mother — a princess in exile from a faraway land — are the only persons in their household assigned names. As the boy's regal mother, Cassiopeia, entertains the house scholars with her beauty and wit, young Octavian begins to question the purpose behind his guardians' fanatical studies. Only after he dares to open a forbidden door does he learn the hideous nature of their experiments — and his own chilling role in them. Set against the disquiet of Revolutionary Boston, M. T. Anderson's extraordinary novel takes place at a time when American Patriots rioted and battled to win liberty while African slaves were entreated to risk their lives for a freedom they would never claim. The first of two parts, this deeply provocative novel reimagines the past as an eerie place that has startling resonance for readers today.

Product Details

• Amazon Sales Rank: #19401 in Books
• Published on: 2006-09-12
• Released on: 2006-09-12
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 368 pages

Features

• ISBN13: 9780763624026
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From School Library Journal
Starred Review. Grade 9 Up–In this fascinating and eye-opening Revolution-era novel, Octavian, a black youth raised in a Boston household of radical philosophers, is given an excellent classical education. He and his mother, an African princess, are kept isolated on the estate, and only as he grows older does he realize that while he is well dressed and well fed, he is indeed a captive being used by his guardians as part of an experiment to determine the intellectual acuity of Africans. As the fortunes of the Novanglian College of Lucidity change, so do the nature and conduct of their experiments. The boy's guardians host a pox party where everyone is inoculated with the disease in hopes that they will then be immune to its effects, but, instead, Octavian's mother dies. He runs away and ends up playing the fiddle and joining in the Patriots' cause. He's eventually captured and brought back to his household where he's bound and forced to wear an iron mask until one of his more sympathetic instructors engineers his escape. Readers will have to wait for the second volume to find out the protagonist's fate. The novel is written in 18th-century language from Octavian's point of view and in letters written by a soldier who befriends him. Despite the challenging style, this powerful novel will resonate with contemporary readers. The issues of slavery and human rights, racism, free will, the causes of war, and one person's struggle to define himself are just as relevant today. Anderson's use of factual information to convey the time and place is powerfully done.–Sharon Rawlins, NJ Library for the Blind and Handicapped, Trenton
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From Booklist
*Starred Review* M. T. Anderson's books for young people reflect a remarkably broad mastery of genres, even as they defy neat classification. Any labeling requires lots of hyphens: space-travel satire (Feed, 2002), retro-comic fantasy-adventure (Whales on Stilts, 2005). This genre-labeling game seems particularly pointless with Anderson's latest novel, The Astonishing Life of Octavian Nothing, Traitor to the Nation (2006), an episodic, highly ambitious story, deeply rooted in eighteenth-century literary traditions, which examines, among many other things, pre-Revolutionary slavery in New England.

The plot focuses on Octavian, a young black boy who recounts his youth in a Boston household of scientists and philosophers (The Novanglian College of Lucidity). The Collegians believe so thoroughly in the Age of Reason's principles that they address one another as numbers. Octavian soon learns that he and his mother are objects of one of the Collegians' experiments to learn whether Africans are "a separate and distinct species." Octavian receives an education "equal to any of the princes in Europe," until financial strains shatter Octavian's sheltered life of intellectual pursuits and the illusion that he is a free member of a utopian society. As political unrest in the colonies grows, Octavian experiences the increasing horrors of what it means to be a slave.

The story's scope is immense, in both its technical challenges and underlying intellectual and moral questions--perhaps too immense to be contained in a traditional narrative (and, indeed, Anderson has already promised a second volume to continue the story). As in Meg Rosoff's Printz Award Book How I Live Now (2004), in which a large black circle replaces text to represent the indescribable, Anderson's novel substitutes visuals for words. Several pages show furious black quill-pen cross-hatchings, through which only a few words are visible, perhaps indicating that even with his scholarly vocabulary, Octavian can't find words to describe the vast evil that he has witnessed. Likewise, Anderson employs multiple viewpoints and formats--letters, newspaper clippings, scientific papers--pick up the story that Octavian is periodically unable to tell.

Once acclimated to the novel's style, readers will marvel at Anderson's ability to maintain this high-wire act of elegant, archaic language and shifting voices, and they will appreciate the satiric scenes that gleefully lampoon the Collegians' more buffoonish experiments. Anderson's impressive historical research fixes the imagined College firmly within the facts of our country's own troubled history. The fluctuations between satire and somber realism, gothic fantasy and factual history will jar and disturb readers, creating a mood that echoes Octavian's unsettled time as well as our own.

Anderson's book is both chaotic and highly accomplished, and, like Aidan Chambers' recent This Is All (2006), it demands rereading. Teens need not understand all the historical and literary allusions to connect with Octavian's torment or to debate the novel's questions, present in our country's founding documents, which move into today's urgent arguments about intellectual life; individual action; the influence of power and money, racism and privilege; and what patriotism, freedom, and citizenship mean. Gillian Engberg
Copyright © American Library Association. All rights reserved

Review
"A historical novel of prodigious scope, power and insight. . . . This is the Revolutionary War seen at its intersection with slavery through a disturbingly original lens." --Kirkus Reviews - Starred review, September 15, 2006

Customer Reviews

A Pox on Rationalists! (At least, these rationalists!)
"I do not believe they ever meant unkindness."

So Octavian says of those to whom he was an experiment, to those who claimed him as chattel, to those who weighed his excrement daily and compared it to his intake.

It is perhaps this book's most frightening truth that he is correct.

Octavian and his mother were sold into slavery in the 1760s, in Boston, to The Novanglian College of Lucidity. These men were rationalists, and sought to discover - once all of the niceties are removed - whether the Negro was inferior to the European. Octavian was taught "the arts and knowledge of the physical world...the strictest instruction in ethics...kindness, filial duty, piety, obedience, and humility," Latin, Greek, the violin, and while learning these things, he was dressed in silk and lavished with luxuries.

Yet we see the detached scientist immediately in his caretakers, as Octavian describes an experiment whereby they drowned a dog to time its drowning, and another where they dropped alley-cats from high places to "judge the height from which cats no longer shatter," and yet another where they tried to teach a girl "deprived of reason and speech" the usage of verbs, and when the girl could not master verbs, they beat her "to the point of gagging and swooning."

And yet they never meant unkindness.

While this is a book of fiction, it is useful to remember (as the author calls us to at the end) that while the College of Lucidity is a fictional entity, the kind of experiments they conducted indeed took place, and the question of inferiority was one that was much discussed.

Octavian, with his mother, Mr. Gitney, and Dr. Trefusis, excelled. He became literate beyond their hopes, and could play the violin as a virtuoso. Without a doubt, his education was better than the vast majority of children his age, white or black. But then the College's benefactor dies, and a new benefactor arrives, represented by Mr. Sharpe, who presupposes the inferiority of the Negro and demands that Octavian's studies be changed...changed to ensure his failure.

As with all stories, once change is introduced, the stakes increase.

Anderson tells this story with a remarkably sure hand, using spot-on eighteenth century diction and grammar as much as he could without losing his intended audience, young adults. The majority of the story is told through the backward-looking eyes of Octavian himself, but Anderson also employs newspaper clippings and a variety of letters (most entertaining were the set from the soldier, Evidence Goring, to his sister and mother) to further authenticate the tale and ground it.

All of the characters are three-dimensional. The plot is handled with meticulous care, moving cautiously in the beginning, like an orchestral score, building with intensity to the moment of change, the crescendo which, not surprisingly, also occurs side-by-side with a telling of a part of the War.

Setting his story against the backdrop of the Revolutionary War proved brilliant, for the irony of slave-owners sending slaves not promised freedom to fight in their stead for the cause of liberty, can be lost on no one.

This is without question one of the most moving books I have read in some time. The character of Octavian is one of the most unique and fully realized I have ever encountered in young adult fiction.

That this won the National Book Award should be no surprise.

Don't miss it
Read this book and give it to everyone you know or love, whether 15 or 55. It's a stunning, extraordinary look at our own history through the eyes (usually) of Octavian Nothing, an African child slave who is, in this first of two books, the subject of experiments by a group of Boston rationalist philosophers. The purpose of the experiments? For the "philosophers" to learn whether Africans have the same capacity to learn as white children do. Because the Revolutionary War is about to break out, the characters' lives change in unpredictable ways. Every single page of this book, which is told in highly-readable and startlingly rich eighteenth-century language, is filled with brilliance and pain, and there are few characters in contemporary fiction that I care about as much as I care about Octavian. You will, too. Furthermore, there are parallels, resonances, echoes, and consequences for all of us today---your brain will be unusually active as you read, and you won't be able to put the book down or stop thinking about it.
Disclaimer: I'm thanked in the acknowledgments, but this graciousness on Anderson's part in no way affects my opinion of the book.

An Astonishing Novel/Puzzle
The bad news is, since you are reading this in the Customer Review section, you have probably read enough about the setting and plot of this excellent novel to have spoiled the carefully crafted setup chapters. (Fortunately, the book's dust jacket contains no spoilers.) One of the central themes follows the boy Octavian's process of solving the mystery of who he is and how he is being raised and, reflecting this process, M. T. Anderson skillfully constructs the opening so that the reader at first can't tell when or where the book takes place. Clues about the characters are gradually revealed, all true and all misleading - nothing is ever quite what it seems, and both the narrator and the reader navigate deeper and deeper levels of understanding as the story progresses.

I have no idea why this is reviewed and marketed as a young readers' book, except that (a) Anderson's prior books were YA, (b) the narrator is a boy, and (c) there is no explicit sex. Anyone who expects this to be delightful and engaging light reading for teenagers will be disappointed. This book is deep, clever, moving, darkly funny and fascinating. The Booklist comment "it demands rereading" is right - it's even better the second time through, because you can see how much foreshadowing there was, and how beautifully everything ties together.