Product Description

Fresh from a six-month sojourn in Italy, Lady Julia returns home to Sussex to find her father's estate crowded with family and friends. Much to her surprise, the one man she had hoped to forget—the enigmatic and compelling Nicholas Brisbane—is among her father's houseguests…and he is not alone. Not to be outdone, Julia shows him that two can play at flirtation and promptly introduces him to her devoted, younger, titled Italian count.

But the homecoming celebrations quickly take a ghastly turn when one of the guests is found brutally murdered in the chapel. Lady Julia resumes her unlikely and deliciously intriguing partnership with Nicholas Brisbane, setting out to unravel a tangle of deceit before the killer can strike again.

---

Product Details

• Amazon Sales Rank: #73322 in Books
• Published on: 2009-02-01
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 496 pages

Features

• ISBN13: 9780778326038
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Fans and new readers alike will welcome this sparkling sequel to Raybourn's debut Victorian mystery, Silent in the Grave (2007). Left homeless by fire, wealthy widow Lady Julia Grey has been recuperating in Italy. With Christmas approaching, Julia returns to England, where she joins her large and eccentric family at their equally large and eccentric ancestral estate, a former monastery that retains some monkish ghosts. Nicholas Brisbane, a private enquiry agent with whom Julia has shared both a heated embrace and a stint at detection, is among the holiday houseguests, and to Julia's astonishment Brisbane is in line for a title and engaged. Then a local curate is murdered in the former church sanctuary, and a set of priceless pearls goes missing. Headstrong and clever Julia joins Brisbane in investigating the crimes, deciphering his personal situation in the process. Readers may wish for a bit more romantic development, but the complex mystery, a delightfully odd collection of characters and deft period details produce a rich and funny read. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Fans and new readers alike will welcome this sparkling sequel to Raybourn's debut Victorian mystery, Silent in the Grave (2007). Left homeless by fire, wealthy widow Lady Julia Grey has been recuperating in Italy. With Christmas approaching, Julia returns to England, where she joins her large and eccentric family at their equally large and eccentric ancestral estate, a former monastery that retains some monkish ghosts. Nicholas Brisbane, a private enquiry agent with whom Julia has shared both a heated embrace and a stint at detection, is among the holiday houseguests, and to Julia's astonishment Brisbane is in line for a title and engaged. Then a local curate is murdered in the former church sanctuary, and a set of priceless pearls goes missing. Headstrong and clever Julia joins Brisbane in investigating the crimes, deciphering his personal situation in the process. Readers may wish for a bit more romantic development, but the complex mystery, a delightfully odd collection of characters and deft period details produce a rich and funny read. -- Publishers Weekly

The March family has the reputation of being wild as March hares, but when it comes to murder they are no fools. Lady Julia Grey (formerly March) is in Italy with two of her brothers, recovering from the murder of her husband and her own near-death in a fire (Silent in the Grave, 2007). When Lord March sends for Julia's brother Lysander, recently married to an Italian beauty, they all return home to Bellmont Abbey, a huge estate built 700 years ago as a Cistercian monastery. Julia is surprised to discover among her father's guests Nicholas Brisbane, the enigmatic private investigator she had grown to love during the investigation of her husband's murder. Brisbane is accompanied by his attractive but apparently silly fiancée, a woman Julia is sure he could never marry. Among the other guests are Julia's sisters, Emma and Lucy, the latter recently engaged to wealthy Sir Cedric Eastley; Eastley's cousin; Julia's Italian friend Count Fornacci; her uncle Fly; and worldly Lucian Snow, his curate. Soon Lucy is found holding a bloody candlestick above the body of Snow. Julia's valuable pearls are stolen. And a ghost walks the Abbey's dark passages. Julia turns sleuth over the violent objections of Brisbane, their relationship sizzling as they trade barbs and information. A sassy heroine and a masterful, secretive hero. Fans of romantic mystery could ask no more--except the promised sequel. -- Kirkus (starred review)

From the Back Cover
Now thou art come unto a feast of death, A terrible and unavoided danger. I Henry VI

Fresh from a six-month sojourn in Italy, Lady Julia returns home to Sussex to find her father's estate crowded with family and friends--but dark deeds are afoot at the deconsecrated abbey, and a murderer roams the ancient cloisters.

Much to her surprise, the one man she had hoped to forget--the enigmatic and compelling Nicholas Brisbane--is among her father's house guests...and he is not alone. Not to be outdone, Julia shows him that two can play at flirtation and promptly introduces him to her devoted, younger, titled Italian count.

But the homecoming celebrations quickly take a ghastly turn when one of the guests is found brutally murdered in the chapel, and a member of Lady Julia's own family confesses to the crime. Certain of her cousin's innocence, Lady Julia resumes her unlikely and deliciously intriguing partnership with Nicholas Brisbane, setting out to unravel a tangle of deceit before the killer can strike again. When a sudden snowstorm blankets the abbey like a shroud, it falls to Lady Julia and Nicholas Brisbane to answer the shriek of murder most foul.

With a captivating cast of characters in a remarkably imaginative setting, Silent in the Sanctuary is a marvelous sequel to the evocative Silent in the Grave.

---

Customer Reviews

"I was determined, well and truly, to be my own woman."
Lady Julia Grey is a thirty-year-old widow who almost lost her life in Deanna Raybourn's debut mystery, "Silent in the Grave." The sequel, "Silent in the Sanctuary," opens in a luxurious rented villa near Lake Como in 1887. Julia, who narrates, has been enjoying Italy's picturesque sights and warm climate along with her brothers, Plum and Lysander, and their good friend, the handsome Alessandro Fornacci. Since she helped private inquiry agent Nicholas Brisbane hunt down her late husband's killer, Julia has developed a taste for intrigue and danger. She longs for "something more important than the embroidering of cushions or the pouring of tea to sustain me." Julia gets her chance for excitement sooner than she expects when her father, the wealthy and influential Earl March, peremptorily summons the siblings home to Bellmont Abbey, the family estate in England. The Earl is furious with Lysander who, without asking permission of his father, has wed a fiery Neapolitan woman named Violante. Since Lysander has very little money of his own, he is dependent on the Earl's financial support to cover his living expenses. If the earl were to cut them off, Ly and his wife would be destitute.

Although Julia is happy to be at home with her family, she dreads seeing Brisbane again. She cannot forget the moment when "we had both of us reached beyond ourselves" and kissed passionately. Unhappily, their relationship never progressed beyond that one feverish encounter, and she has not heard a word from him in five months. However, Julia still cherishes the pendant that he gave her bearing the lovely inscription, "For where thou art, there is the world itself."

Julia and her brothers arrive four weeks before Christmas to find a large group of guests in residence at March House: their saucy and sarcastic sister, Portia; the vicar and his new curate, Lucian Snow; their poor orphaned cousins, Emma and Lucy Phipps; Dorcas, a portly and cranky old aunt; Lucy's much older fiancé, the overbearing Sir Cedric Eastley; Henry Ludlow, Cedric's cousin and secretary,; Hortense, the Earl's lady friend and a former courtesan; and most shocking of all, Nicholas Brisbane and his future wife, the lovely widow, Charlotte King. It takes all of Julia's considerable pride, breeding, and restraint to keep from showing her true feelings towards Brisbane's intended: "She was a Fragonard milkmaid, a Botticelli nymph. I hated her instantly."

When one of the Earl's guests is murdered, Julia and Nicholas join forces to find and apprehend the perpetrator. In the course of the novel, people are robbed, bludgeoned and poisoned. The deliciously intricate plot features phantoms, gypsies, and jewel thieves as well as deception, secrets, shocks, and betrayals. Raybourn has come up with the perfect recipe for a Victorian murder mystery: Take one spunky and meddlesome heroine. Add a dark and handsome gentleman with a shadowy past and a tortured soul. Mix in family scandals and a dollop of murder. Sprinkle with a generous portion of witty and acerbic dialogue, and top it all off with an imaginative and unexpected conclusion. "Silent in the Sanctuary" is a marvel that will have Raybourn's mesmerized readers turning pages well into the night. Miss it at your peril.

An ambitious, and highly successful mystery that -- IMHO -- transcends the genre
First, my sincere apologies to the author and the publisher. Ms. Raybourn's publisher was kind enough to extend an ARC, and as such my review should have been published the day the book was available for sale.

I first came upon Ms. Raybourn's work in an unusual way. Having just finished The Thirteenth Tale, back in late 2006, I was browsing the bookstore looking for a book that might be similar, and written by a contemporary author. I didn't think I would find anything, but I was game, and up for the challenge. I came across Silent in the Grave on a display, and it caught my eye because the cover was red, and it vaguely, subconsciously reminded me of the cover of The Thirteenth Tale - although the only similarity is that red appears on both covers. A quick glance at the book description told me that I hadn't found what I was looking for, but I decided to read the first page anyway.

And I'm glad I did. I was immediately hooked, and instead of waiting to get a better price on Amazon, which I guiltily admit I usually do, bought the book at the store, and devoured it. Ms. Raybourn kept me just as entertained throughout the rest of the book as her opening paragraph had promised, and I greatly looked forward to the next installment in the series.

Now how odd is it, that when looking for something vaguely Victorian that spoke of ghosts and family secrets and tragedies, that I found Silent in the Grave? Because while that wasn't what I was looking for at the time, Silent in the Sanctuary absolutely was. It evoked memories of the Bronte sisters and Henry James, and was more what I was looking for two years ago. That's what this book is...a throwback to a different era. The hook isn't in the first sentence, but rather in the entire book. Ms. Raybourn gave herself quite a task, and she succeeded admirably. She brought together a large, diverse group of people, outfit them with unique yet sensible and believable personalities, and then told us a story that takes place in a cold, dank abbey that is quite possibly haunted.

Not a huge fan of romance, I found myself much entertained by the back and forth between Brisbane and Grey in the first book of this series, and it continues here, with a marvelous twist. In fact, there are so many twists in this book that it's nearly impossible to guess at where the story is headed.

In addition to Brisbane and Grey, there is a marvelous cast of supporting characters, all of whom are exceedingly well drawn. I kept waiting to encounter a character that stepped out of character, so to speak, because with the tangled web Ms. Raybourn was weaving, it seemed that something, somewhere, was bound to fall apart.

It didn't. Ms. Raybourn entertained me again, and masterfully managed all of the delicate, intricate threads of her story. I'm delighted that she didn't try to copy what made the first book such a success, that she listened to the story, and told it as it needed to be told.

(4.5 stars) "Villainy is not written on the face, but in the heart."

In her second novel of the Lady Jane Grey series, author Deanna Raybourne has much to live up to. That she so successfully meets the challenge is a testament to the character and wit of her independent widow at odds with an enquiry agent, Nicholas Brisbane, who gets under Julia's skin at every turn, indicative not only of a professional sense of competition, but also a romantic tension that fails to materialize as the two lock horns and intellects, murder at the heart of each contretemps. Returning from five months in Italy with her two brothers, a new sister-in-law and a charming young gentleman with a crush on the widow, Lady Julia arrives in Sussex at her father's home, Belmont Abbey, for a protracted Christmas family gathering. Unexpectedly, among the earl of March's guests is none other than the enigmatic and profoundly stubborn Brisbane, who blandly introduces Julia to his fiancé. Not to be outdone, Julia proffers her handsome gentleman in turn.

Critiquing Brisbane's intended, Julia finds the woman lacking. Pretty enough, to be sure, but not of the intellectual caliber one would expect from Brisbane. Her suspicions piqued, Julia believes something is amiss and vows to keep her eye on the couple, at the same time attending to her temperamental new sister-in-law, as well as a visiting clergyman, and two poor-relation cousins, one of whom has brought her wealthy, elderly fiancé with plans to be married in the Abbey chapel that weekend. Beginning their usual fractious repartee, Julia and Brisbane have once more begun to circle one another when a scream rings out; a man is found dead in the chapel, the about-to-be-wed cousin standing near the lifeless body clutching the blood-stained murder weapon. With everything in chaos, the cousin claims the right of sanctuary, unwilling or unable to answer further questions. Later that night, when she and her devoted sister suffer the consequences of someone's ill-intent, it is clear that this family holiday is not going as planned.

With the aura of a baroque late 19th century drawing room melodrama, the setting is gothic and mysterious, four centuries of ghosts in good company with a killer who mixes among the other guests. Terrified that the culprit might be one of her kin, Julia must consider every possibility, no matter how distasteful, following Brisbane's lead, but forging a singular path as her own stubborn nature prevails. Accidentally thwarting Brisbane's investigation, Julia is adequately remorseful, but as is her wont, her mistakes come at Brisbane's personal cost, all because she refuses to be dominated by another man since widowhood, independence part of this protagonist's charm. Stories within stories, wheels within wheels, nothing is predictable in this novel, not the murderer, nor the eclectic assortment of guests, including a jewel thief and a deeply bitter man who craves society's approbation, nor the two combatants, Julia and Brisbane, who fuel yet another romp through the dark halls of murder and a relationship yet to be acknowledged. A charming, irresistible novel. Luan Gaines/ 2008.