Product Description

Langston Hughes has long been acknowledged as the voice, and his poem, The Negro Speaks of Rivers, the song, of the Harlem Renaissance. Although he was only seventeen when he composed it, Hughes already had the insight to capture in words the strength and courage of black people in America.

Artist E.B. Lewis acts as interpreter and visionary, using watercolor to pay tribute to Hughes's timeless poem, a poem that every child deserves to know.

Product Details

• Amazon Sales Rank: #347376 in Books
• Published on: 2009-01-06
• Released on: 2009-01-06
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 32 pages

From Publishers Weekly
Starred Review. Ive known rivers:/ Ive known rivers ancient as the world, Hughess poem begins; like the poem, Lewiss radiant watercolors convey great depth. Rivers all over the world—the Congo, the Euphrates, the Nile, the Mississippi—become the stage for portraying the experiences of black people throughout history. As an endnote explains, the artist includes a self-portrait as well, for the line My soul has grown deep like the rivers. A particularly striking work, it depicts a man in prayer, his face in shadow as he bows his head over his joined hands; a shaft of sunlight stripes the mans forehead and shoulders while his upper body reflects the colors of all the rivers in the book—a figurative expression of Hughess conceit that people have drawn strength from life-giving waters. Other paintings are more realistic, e.g., a parent and child asleep in a hammock outside their hut near the Congo. The interplay of light, water and color unites the compositions artistically, creating a book as eloquent as the text at its foundation. Ages 4–8. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Starred Review. Grade 3–6—Like the steady and determined flow of a river, this poem carries readers along as Hughes draws a metaphorical connection between the waterways of the world and African-American culture. Moving from ancient times ("I bathed in the Euphrates when dawns were young" or "I looked upon the Nile and raised pyramids above") to the Mississippi River and its connection to slavery, the poem offers both a time line of the African-American experience and a comment on the perseverance of the African-American soul. The exquisite illustrations make the eloquent verses all the more accessible. Lewis is at his best here, and the use of watercolors to evoke the flow of a river is particularly apt. The artist's double-page depictions of black individuals—evocative portraits of faces, an image of a parent and child asleep in a hammock outside a "hut near the Congo," or a close-up of a pair of brown hands lifting an earthenware pot—dovetail perfectly with Hughes's words and ideas. A vivid gold-infused painting of a boy and his grandfather fishing in the Mississippi's muddy waters suggests a hope that the river and the African-American soul will endure. A must for poetry collections.—Joan Kindig, James Madison University, Harrisonburg, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* In perhaps his most powerful effort to date, Lewis illustrates the classic Langston Hughes poem named in this beautiful picture book’s title. Each spread pairs a line of poetry with soaring watercolor artwork. Like the poem, the images celebrate African American strength through generations, and each picture is both timeless and weighted with history. In the picture accompanying the line “I heard the singing of the Mississippi,” a man springs from the muddy water, while a nineteenth-century steamboat passing on the far shore sets the image in time and opens up deeper questions about the man’s place in the world: is he free? Some scenes are literal: on a jungle riverbank, a mother holds her dozing child next to the line “I built my hut near the Congo and it lulled me to sleep.” Others are powerful visual metaphors: brown hands hold a brown earthen water jug under the words “older than the flow of human blood in human veins.” Lewis’ dramatic, expertly modulated fluctuations between light and dark evoke the poem’s dichotomies of celebration and sorrow, the spiritual and the material worlds, and the single soul that follows millions of ancestors. Even if children don’t grasp the meaning in every line, they’ll easily connect with these luminous, soul-stirring pictures that honor both African American heritage and the whole human family. Transcendent images for a transcendent poem. Grades K-3. --Gillian Engberg

Customer Reviews

Rutgers University Project on Economics and Children
In this beautiful and uniquely captivating book, award-winning illustrator E. B. Lewis has provided a stunning visual interpretation of Langston Hughes's signature poem, "The Negro Speaks of Rivers." Just as Hughes' poem signals that water has served as a source of life and sorrow in the lives of black people, the illustrator's note describes how water also has special meaning in his own upbringing and work. Embedded in the poem and illustrations are some important ideas in economics, including the role of natural resources (the rivers) and human resources (the labor of black people) in our history. Teachers and parents who are seeking different genres for teaching children about black history and economics concepts may want to try poetry, and The Negro Speaks of Rivers would make an excellent point of departure.

Still Have Goosebumps, Hours After Reading!
Mr. Lewis, you have outdone yourself. I have always liked your work, and even got to meet you at a librarian's conference in Kentucky a few years ago. I thought then that you could not do any better than you already have, you were so impressive; but this book is incredible.
P.S. When you paint a picture of the Tacony-Palmyra Bridge, let us know! :-)

A Library Selection for the new White House family ...
Langston Hughes (1902-1967) was 18 years old when his mind was filled with the beauty and universality of rivers, and he wrote "The Negro Speaks of Rivers."

For Black History Month it is a natural selection for many libraries. In 2009 it is especially appropriate for the library to be enjoyed by a new White House family. Also appropriate would be a new batch of books celebrating the 200th birthday of President Abraham Lincoln. That brings to mind the Lincoln Memorial which Barack Obama visited with his young daughters on the eve of his presidency - and the story of a young white child riding a bus to D.C. to experience Martin Luther King's March on Washington in 1963, now indelibly tied to the 2009 Inauguration. [[ASIN: 1585363243 Riding to Washington by Gwenyth Swain]]

Lewis, to whom the poem "became as personal as a prayer" has made evident through his sensitive paintings the fact that water is a powerful element in most lives. If rivers have impacted your life, as the Chemung & Susquehanna have mine, you will be moved by the colors and images that sing with these words of Langston Hughes. Orange-gold end papers blend with the cover of sunset on the Mississippi; other images are painted in equally moving tones.

Children listening to the Langston Hughes' poem and remembering later the vivid watercolors of E. B. Lewis, may learn more about this significant poet. (Be sure to add the title to your mental list of picture books no adult should miss reading). This is a beautiful book for sharing with children and young people, and for personal meditation.

(commentary-with-a-small-"c" by mcHaiku