Product Details

• Amazon Sales Rank: #13604 in VHS
• Released on: 1998-02-03
• Rating: NR (Not Rated)
• Formats: Closed-captioned, Color, Special Edition, NTSC
• Original language: English
• Number of tapes: 1
• Running time: 130 minutes

Amazon.com essential video
Elia Kazan's pedal-to-the-metal approach to psychosexual melodrama paid off handsomely when he had layered material by Tennessee Williams or John Steinbeck to work with. The very raw material here is an original by hot-blooded playwright William Inge, about a pair of teenagers in the American Midwest in the 1920s whose lives are ruined by the repressive sexual climate of the period. The girl, played by Natalie Wood, is literally driven batty by her pent-up adolescent lust and ends up in the bin---which admittedly plays better than sounds, because the hunk she yearns for is the young and almost impossibly handsome Warren Beatty. This is a very lush and beautiful movie, but also a deeply silly one. It's grade-A American cheese, with a pinch of dime-store Freud on top.--David Chute

Customer Reviews

Middle-aged stars outshine glamorous leads
The plot of Splendor in the Grass revolves around the fateful love between two teens, Bud and Deanie, in late 20s Kansas. Seemingly destined to be together, they are thwarted by repressive sexual mores and their overbearing parents. Deanie suffers a nervous breakdown over their separation and Bud winds up a failure at Yale, eventually becoming a dirt farmer. This occurs against a backdrop of 20s financial speculation, culminating in the stock market crash and depression. Beatty is adequate as Bud, while Natalie Wood gives a deeply sensitive portrayal as Deanie. However, both principals are upstaged by the actors portraying their dominant parents. Pat Hingle, always excellent, plays Bud's wealthy father, a crude oil man. Audrey Christie is Deanie's mother, constantly vigilant about her daughter's purity. Both manage the difficult task of portraying sincerely loving parents who nevertheless have a baneful influence on their children's lives. I'd also like to put in a good word for Fred Stewart playing Del Loomis, Deanie's father. His role as the small town grocer is small, but he does subtle wonders in a scene at the end of the movie where he overrules his wife's objection to Deanie's seeing Bud again. One wants to weep at his paternal love. If the film's diatribe against sexual repression is no longer fresh, its depiction of the banality of smalltown life remains so. This is skillfully shown in the second scene, where the Loomises' frame house is shown behind a large graphic reading "Southeast Kansas 1928." By vaguely mentioning the story's setting, rather than specifying a town, the director, Kazan, emphasizes the generic quality of the setting and makes it more insignificant and insipid. Snoopy, gossiping neighbors, drunken oil workers, and insensitive classmates all contribute to this mood. The one character who attempts to break free from this stifling atmosphere, Bud's wayward sister, Ginny, comes to grief, as if to emphasize the impossibility of escape. Despite the somewhat pedestrian plot, the film is redeemed by the performances. The final scene, where Deanie, home after being cured of her breakdown, visits Bud, now married and living on a dusty farm, is very poignant. It's a vivid depiction of lovers separated by destiny. I would also like to praise David Amram's evocative, bluesy theme music. Played over the opening credits, it mightily prepares the viewer for the story he's about to see. I can't close this review without complaining that I was unable to access the theatrical trailer promised on my DVD box. I've never had this problem with any other DVD special features, and can only guess this was the manufacturer's fault, not mine.

WOW !!!
Ok, I'm only 25, I'm a Black Male who loves Hip Hop and all of that. Well, I saw this film by "accident" on AMC when I was flipping channels one night. The only reason I started watching it was because it had Warren Beatty and Natalie Wood, and I thought it would be "funny" to see them when they were young.
What I got instead was an AMAZING film about 2 high school sweethearts who are hopelessly in love during a time when society dictated who (and HOW) you were allowed to love someone.
In many ways this has not changed, as a Black man who has been in love with a white women, I can easily identify with this film.
During the 1920's in a small town in Kansas, Deanie (Natalie Wood) is in love with Bud (Beatty). He wants to go all the way, but she's been taught that only "bad" girls do that, and no real man would ever respect if she did. So she holds off, and Bud eventually sleeps with the school "flapper girl". Deanie can not stand this, and eventually falls into depression, soon to be followed by Bud. Both of them have realized the mistake they made and need to get back together. Unfortunately the wheels of fortune are already in motion, and there is nothing anyone can do to stop them. Frankly, I was not prepared for how emotional this film would be, or for how amazing the performance were. Now I understand all the hype that Natalie Wood has received over the years, her performance in this movie is truly heart-breaking. Everyone should watch this movie and LEARN from it - when you fall in love with someone, there is a reason for it, and you should NEVER let others dictate your feelings or emotions for you. The classic line in the movie is from a book of poetry:
"Though we can never bring back the hour of Splendor In The Grass, of glory in the flower, we will grieve not, rather find strenght in what remains behind"
These words are seen by me as a warning to all of us: Act now and set your path, or you will spend the rest of your life with nothing but memories. They may be good memories, but they are only that - just memories. And wouldn't it be better to spend your days with your one true love, then only have memories of what might have been ??

Splendor in the Wood
Simply put, Natalie Wood provides one of the most poignant depictions of tortured adolescence ever put to film. Wood is utterly mesmerizing as Deanie, a beautiful but insecure young girl who carefully constructs her entire existence around the love of her life--a brooding young high school hero named Bud--only to have her mental and emotional worlds simultaneously come crashing down when Bud suddenly pulls himself out of her life.

Looking back, it was apt that Wood first came to stardom playing opposite James Dean in Rebel Without a Cause, for her performance in this film equals Dean's in terms of sheer emotional ferocity and raw vulnerability. While Splendor in the Grass is by no means one of director Elia Kazan's masterpieces, it is very much worth watching if only as a showcase for the heartbreaking Natalie Wood.