Product Description

Michael Caine (The Ipcress File) and legendary director John Frankenheimer (The Manchurian Candidate, Ronin) team up for an explosive action/thriller jam-packed with heart-stopping suspense and international intrigue. Based on the best-selling novel by Robert Ludlum (and scripted by George Axelrod, Edward Anhalt and John Hopkins), the adventure unfolds "with a crispness that suggests acid etching a nightmare on glass" (Los Angeles Times). Noel Holcroft (Caine) is a New York architect who receives an unexpected inheritance from his ex-Nazi father: $40 billion in funds stolen from the Third Reich, now intended to aid Holocaust survivors. But as Holcroft delves into the treasure's mysterious history, he is thrust into a pulse-pounding adventure in which he alone stands in the way of a plan that is moving inexorably toward its terrifying conclusion: the rise of an all-powerful Fourth Reich!

Product Details

• Amazon Sales Rank: #12123 in DVD
• Released on: 1999-02-23
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• ESRB Rating: Teen
• Formats: Closed-captioned, Color, DVD, Letterboxed, Widescreen, NTSC
• Original language: English, French
• Subtitled in: English, French
• Number of discs: 1
• Running time: 112 minutes

Amazon.com
The 1980s weren't too kind to John Frankenheimer, but this film stands out as a top-notch spy thriller. A Nazi pact to steal a fortune from the Third Reich to aid Holocaust survivors results in a bizarre inheritance 40 years later, with architect Michael Caine having to come to terms with his father's past and the terrifying prospects of a Fourth Reich. The whole thing becomes a metaphor for a witches' covenant. It's exciting and well-paced and full of precious little moments (though Caine and Victoria Tennant fall short of being interesting characters). Supporting actors Mario Adorf, Michael Lonsdale, and Bernard Hepton really shine. The film was based on Robert Ludlum's bestseller and coscripted by George Axelrod (The Manchurian Candidate). Terrific audio commentary by the director provides valuable insight--for instance, allowing Lonsdale to carry a long exposition scene through his commanding presence. --Bill Desowitz

Customer Reviews

For Caine and Frankenheimer fans ONLY
The Holcraft Covenant is nothing more than your average 80's thriller that has the benefit of having a top-notch leading man and director attached. The picture looks excellent and there is just enough intrigue added to the film's premise to keep the viewer on board the whole way. Frankenheimer displays his trademark visual flair without going over the top(as many were guilty of at the time). The one thing that really detracts from the film is it's obviously low budget and irritating synth score. It is an overall average adaptation of a fairly decent Ludlum thriller that is worth picking up only for the excellent picture quality and commentary by the director. It is a delight to hear Frankenheimer discuss one of the film's most exciting scenes being filmed and constructed around of the absence of a leading man! For Fans of the star and director only.

The Director's Edition
Ok, rent the DVD and watch the movie straight through. Then watch it again with John Frankenheimer's audio commentary. It's the only way you can figure this thing out. He explains the plot, which is not Ludlum's complete story. And Ludlum was a very entertaining author, although I think he got paid by the word. In fact, since great chunks of the novel are missing (the ending is completely invented by the screen writers), you need the director giving you notes as you watch. I was surprised that there were 3 writerss credited with the screenplay. That's usually a bad sign to begin with.

The movie is a heck of a lot more interesting to watch with the director's notes, but it doesn't help the plot or pacing, which are deathly dull. Far too much chit-chat, and exposition, exposition, exposition.

Some of the scenes were played in a certain location simply because Frankenheimer found real locations that appealed to him and he just changed the script to accomodate his choice, even if it didn't make a darn bit of sense to the story-line. For example, the scene of the sexual carnival was added simply because Frankenheimer wanted to make a statement about the decadence of Berlin in the '20s and '30s, and for no other reason. The carnival, I learned, was Frankenheimer's total invention; it doesn't actually exist.

The scene of Caine riding a horse is there simply because Frankheimer found a restaurant in Germany with a riding area attached. The scene, however, was set in London, so London buses had to be brought in to convince you that it was London.

The scene where Michael caine says he doesn't drive wasn't in the original script. It was added to cover the fact that Michael Caine doesn't drive and never has. Does knowing this little tid-bit help you enjoy the story? Not for a second. This is sub-rate Frankenheimer.

what a stinker!
Absolutely awful musical score (vintage Japanese sci fi screeches - by composer Stanislas, never to be heard from again) sets the mood for a poorly written, terribly acted movie that no doubt cost a bundle, had a good cast and great locations, but man they couldn't have ruined this one any more than they did!

Just goes to show that even the bigger stars need any work some years, but I bet this stinker set Caine's and Tenant's career reps back at least a decade. If you insist on watching this one, be sure to be prepared to self-medicate early into the show. Don't worry, you won't miss a bit of plot - what there is of it.