Product Details
F/X 2 - The Deadly Art of Illusion

F/X 2 - The Deadly Art of Illusion
Directed by Richard Franklin

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Product Description

Bryan Brown and Brian Dennehy are back for an all-new action-thriller that continues the F/Xsaga with stylish wit, unrelenting suspense and amazing high-tech action. Five years afterhis first deadly adventure, Rollie Tyler (Brown) has left the special effects business and now designs sophisticated electronic toys for a living. But when his girlfriend's ex-husband (Tom Mason), a police detective, persuades him to devise an illusion to capture a serial killer, Rollie is once again lured into the lethal world of make-believe. And soon, he finds himself trapped in a murderous maze of deceit and treachery in which he must depend on his ingenious tricksand his friendship withDetective Leo McCarthy (Dennehy)to expose a terrifying underworld conspiracy...but only if he can stay alive!


Product Details

  • Amazon Sales Rank: #16236 in DVD
  • Released on: 2000-06-13
  • Rating: PG-13 (Parental Guidance Suggested)
  • Aspect ratio: 1.33:1
  • Formats: Closed-captioned, Color, DVD, Widescreen, NTSC
  • Original language: English
  • Subtitled in: Spanish, French
  • Number of discs: 1
  • Running time: 108 minutes

Editorial Reviews

Amazon.com
A rare example of a sequel topping the original, F/X 2 gives us more of the adventures of special-effects whiz Rollie Tyler (Bryan Brown). Rollie is recruited by his wife's ex-husband into developing one of his devices for a police sting, but when it goes terribly wrong, Rollie's on the run and in need of help from ex-cop friend Leo McCarthy (Brian Dennehy). Most of the fun, of course, comes from seeing Rollie in action, whether he's using toys developed in his lab (such as a remote-controlled clown suit) or improvising gimmicks on the run, such as in an exciting supermarket showdown. Rachel Ticotin appears as Rollie's wife, and two actresses who have appeared on Broadway, Josie de Guzman (Guys and Dolls, 1992) and Joanna Gleason (Tony winner for Into the Woods, 1987), play Leo's old flames, police computer whiz Velez and assistant D.A. Liz, respectively. --David Horiuchi


Customer Reviews

A memorable sequel5
It's not often we see a sequel that excels the original, but F/X 2 is impressive in accomplishing just that. In this version, Brown has left the film world to work on special effects for himself. He's into toys this time, and Bluey, his remote robot is a prize! Again, the Mafia is involved in the story development, this time over a set of gold coins stolen from a Vatican art exhibit years ago. Brown's again co-opted by corrupt cops [what an enduring theme!] and again he's on the run. This time, Dennehy extends his 'good cop' role from the first F/X in coming to Rollie's aid.

Unlike the first film, F/X 2 raises Brian Dennehy's participation significantly, giving him many opportunities to engage in droll wit. He manages the role with style and honesty. The exchanges with Joanna Gleason as the Ass't DA are quality Dennehy. Gleason herself adds a lustre to the film, providing an engaging contrast to Rachel Ticotin's role as Tyler's girl friend.

F/X 2, likes it predecessor, is a timeless film. The repeated themes of corrupt cops and Mafia intrigues doesn't make this film boring. Quite the opposite, showing how prevalent and wide ranging their activities can be, both for good as well as sinister reasons. This film is worth a place in your inventory, if for no other reason than Brown's performance. He's a quality actor when given the opportunity - and this film was an even better expression of his worth than the original.

Excellent Sequel5
This movie's villian, Cylack, was brilliant. Also, who can forget the moving scene where Neely elicits the location of the medalions from the dying con? This scene was brilliantly acted, full of emotion and pathos. In short, the villians Cylack and Neely made this movie superb.

Better Than I Remembered5
I watched both "F/X" films at the same time and was surprised that the second one holds up better than the first. This movie has a raffish charm, like Hitchcock in his playful "To Catch a Thief" mode. Highly recommended.