Product Description

A CHARISMATIC MEDICAL STUDENT CONVINCES HIS CLASSMATES TO FLATLINE, TEMPORARILY SHUT DOWN THEIR HEART AND BRAIN FUNCTIONS TO EXPERIENCE CLINICAL DEATH. THE EXPERIMENT IS A SUCCESS, UNTIL THE STUDENTS REALIZE THAT ALTHOUGH THEY'VE COME BACK ALIVE, THEY HAVEN'T COME BACK ALONE.

Product Details

• Amazon Sales Rank: #15178 in DVD
• Brand: Sony
• Released on: 1998-01-20
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC
• Original language: English, Spanish
• Subtitled in: Spanish, Georgian
• Dubbed in: French
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 115 minutes

Amazon.com
What if you could stop your heart to simulate a temporary death, and then be revived so you could describe your near-death experience to others? The mysteries of life--and the afterlife--compel five medical students (Julia Roberts, Kiefer Sutherland, Kevin Bacon, William Baldwin, Oliver Platt) to experiment with their own mortality, and what they discover has unsettling psychological implications. That's the intriguing premise of this neo-Gothic horror thriller, directed by Joel Schumacher (Batman & Robin) with his typical indulgence of vibrant colors and hyperactive, hallucinogenic style. The movie borders on silliness at times, and the near-death recollection of memories results in some repetitious scenes, but the dynamic young cast takes it all quite seriously, which is what keeps this gaudy thriller on the edge. The fascinating premise could have been made into a better film, but Schumacher's mainstream excess doesn't stop Flatliners from being slick, occasionally even provocative entertainment. --Jeff Shannon

Customer Reviews

Everything we do matters....
I never had the pleasure of seeing this film on the "big screen" which is a shame, as it is often visually stunning, but I have revisited it on video numerous times over the years, enjoying it immensely every time. It definitely is on my personal list of favorite movies, and for more than just starring Kiefer Sutherland and Kevin Bacon, two of my "actors to watch."

Perhaps I appreciate this film so much because it appeals to my slightly off-kilter taste in entertainment. I like my movies a bit left of center - unpredictable and fresh. And whether or not you "believe" the story line of the film, you have to admit, it is different!

Everyone has different tastes and opinions, but my impression of some of the negative reviews of this movie is that the viewers never really saw past the surface level of this film. They got caught up in technicalities, "Why would there be green lighting in a subway?" or "Why would medical students pull such a stupid stunt?" and failed to see the artistry and psychological depth of the piece.

Yes, there are some medical and technical aspects that do not make logical sense, but if you are willing to suspend disbelief just a tad, this can be a very engaging film.

First, a note about the artistic quality of the movie. Some have complained about the murky lighting, and the illogical nature of the sets - but for me, the use of innovating lighting techniques, the plastic and sheet draped sets, the unusual settings in old buildings and dank, dripping tunnels, the use of statuary, rain and billowing curtains - all add a poetic flavor to this film, a haunting beauty that suits the dark nature of the questions being asked about life, death and forgiveness.

I will focus on just two examples; in an alley scene, a change in lighting allows for certain elements of the set to come dramatically into focus, then to fade away once lighting returns to normal. It is an innovative means of conveying a shift in the "reality" of the moment, and works beautifully. We are also allowed to see the interior of the character's apartments - contrast the warm wood, bright colors, golden lighting and cluttered comfort of Labraccio's rooms with the stark, white void of Nelson's. Both are reflective of the characters themselves. Nelson's lack of "objects" reflect our lack of knowledge about his past... and his carefully constructed mask that keeps his companions at a distance. His past, we come to learn, is one of chaos and conflict. He has determined to leave that behind in favor of an uncluttered emptiness... unfortunately, the emptiness is also reflective of his relationships with others, a realization he comes to along his personal journey of self-discovery in this film.

Flatliners is not your typical horror film. Nor is a typical drama or suspense movie...it is rather more of an amalgamation of all, having the best elements of all genres intertwined in a complex, suspenseful plot.

This is an ensemble piece, and the cast does an excellent job of breathing life into their individual characters. Your immediate impression is that the characters are each representative of a well-established "stereotype": The female ice queen, the slightly neurotic `physician", the playboy and the socially conscious "nice guy" etc. However, as the film progresses and the characters are further fleshed out, they take on multiple dimensions and depth.

Most interesting of all is Sutherland's character of Nelson. Nelson is not a character that is easy to like - indeed he is a bit of a (...), a master manipulator who definitely places self-interest above all else. Yet, Sutherland plays him with a hint of insecurity that lends him a certain appeal. As events unfold, you come to realize that much of Nelson's unpleasant personality is a smokescreen, a protective mask behind which hides a very uncertain and vulnerable young man burdened by a terrible secret.

By revealing bits and pieces of Nelson's complex personality throughout the film, the writers, directors and cast gradually lead you towards a greater understanding of and sympathy for him. The character who started out as a "jerk" becomes important and valued in his own right - as you learn to "forgive" his previous behavior in light of new information. Your journey of discovery with Nelson reflects the characters own journeys towards self-understanding, as they too come to realize that everyone has value, and "everything we do matters."

Which leads to my final comment. Although many of the posters here have picked up upon the theme of defying death - few seem to have touched upon what I see as the main premise of the movie - the importance of forgiveness, and the need to be cognizant of all you do, because it does "matter."

A different but good movie.
Honestly I never heard of this movie until a few months ago. I am a pretty big fan of Keifer Sutherland and some of his movies and of course his tv show 24. So about a month ago I blindly bought this movie just for the hell of it. The Flatliners stars Julia Roberts, Kevin Bacon, one of the Baldwins, and of course Keifer.

The Flatliners itself is a pretty cool movie with a different concept than those in its genre. It deals with young medical students experimenting to find out if there is an afterlife. Once they come back from the afterlife they are haunted by the other side.

This is one of the ultimate "Do not do this at home" movies. Although after I saw it I couldn't help from asking my friends "How much money would you do it for", lol. I bet one you see this you will be asking your friends.

One area where it is lacking though is the DVD itself is lacking any kind of special features, interactive menus, and a decently layed out chapter selection. In all honestly the movie is pretty good but the DVD is terrible compared to other newer DVDs. To me things like that make a difference. The fact that it is cheap makes up for it though.

I think if you enjoyed movies such as Stir of Echoes, The Sixth Sense, Vanilla Sky, or even the Mothman Prophies (underrated movie) you probably will enjoy this movie. At times it is dark and sorta twisted but it always stays on track and never bores you. Definetly check this movie out if you are a fan of Keifer Sutherland, Kevin Bacon or Julia Roberts because they all shine in this movie.

Movie grade - B+
DVD Grade - D-

An unquestionable masterpiece
Flatliners is a remarkably audacious, wildly original exploration of one of the taboo topics of science and religion. Like Martin Scorsese's The Last Temptation of Christ, this film cannot be considered an all-time classic due to a highly opinionated viewpoint that may deeply offend some viewers. However, as far as direction, acting and suspense are concerned, few films rival Flatliners in its all-around splendor. Underneath a deceptively linear and seemingly simplistic script, there is much symbolism and underlying subtlety to be found in Schumacher's brilliant vision. Unlike the roller-coaster scenes of The Lost Boys that never materialize to be anything more than a misplaced piece of high-style imagery, the eerie, sometimes sacrilegious images that are thrown into the plot of Flatliners in a seemingly random fashion (the statues observed by the main character in the beginning, the merciless display of surgical operations) serve their purpose in implying the motivations and internal conflicts of the characters. Charged with alternatingly surprising and desperately predictable scenes, Flatliners is an exciting experience that will either frighten you or fascinate you but definitely will not leave anyone indifferent.