Product Description

The seventeen pieces in Ficciones demonstrate the gargantuan powers of imagination, intelligence, and style of one of the greatest writers of this or any other century. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal’s abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. More playful and approachable than the fictions themselves are Borges’s Prologues, brief elucidations that offer the uninitiated a passageway into the whirlwind of Borges’s genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything in between.

Product Details

• Amazon Sales Rank: #25471 in Books
• Published on: 1994-02-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 180 pages

Features

• ISBN13: 9780802130303
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Reading Jorge Luis Borges is an experience akin to having the top of one's head removed for repairs. First comes the unfamiliar breeze tickling your cerebral cortex; then disorientation, even mild discomfort; and finally, the sense that the world has been irrevocably altered--and in this case, rendered infinitely more complex. First published in 1945, his Ficciones compressed several centuries' worth of philosophy and poetry into 17 tiny, unclassifiable pieces of prose. He offered up diabolical tigers, imaginary encyclopedias, ontological detective stories, and scholarly commentaries on nonexistent books, and in the process exploded all previous notions of genre. Would any of David Foster Wallace's famous footnotes be possible without Borges? Or, for that matter, the syntactical games of Perec, the metafictional pastiche of Calvino? For good or for ill, the blind Argentinian paved the way for a generation's worth of postmodern monkey business--and fiction will never be simply "fiction" again.

Its enormous influence on writers aside, Ficciones has also--perhaps more importantly--changed the way that we read. Borges's Pierre Menard, for instance, undertakes the most audacious project imaginable: to create not a contemporary version of Cervantes's most famous work but the Quixote itself, word for word. This second text is "verbally identical" to the original, yet, because of its new associations, "infinitely richer"; every time we read, he suggests, we are in effect creating an entirely new text, simply by viewing it through the distorting lens of history. "A book is not an isolated being: it is a relationship, an axis of innumerable relationships," Borges once wrote in an essay about George Bernard Shaw. "All men who repeat one line of Shakespeare are William Shakespeare," he tells us in "Tlön, Uqbar, Orbis Tertius." In this spirit, Borges is not above impersonating, even quoting, himself.

It is hard, exactly, to say what all of this means, at least in any of the usual ways. Borges wrote not with an ideological agenda, but with a kind of radical philosophical playfulness. Labyrinths, libraries, lotteries, doubles, dreams, mirrors, heresiarchs: these are the tokens with which he plays his ontological games. In the end, ideas themselves are less important to him than their aesthetic and imaginative possibilities. Like the idealist philosophers of Tlön, Borges does not "seek for the truth or even for verisimilitude, but rather for the astounding"; for him as for them, "metaphysics is a branch of fantastic literature." --Mary Park

Review
"Borges is the most important Spanish-language writer since Cervantes." -- Mario Vargas Llosa (Praise for Jorge Borges)

"One of the finest, subtlest,and least appreciated of comedians. . . [Borges is] a central fact of Western culture." -- The Washington Post Book World (Praise for Jorge Borges)

"The economy of his prose,the tact of his imagery,the courage of his thought are there to be admired and emulated." -- John Updike (Praise for Jorge Borges)

"These brief Ficciones have to be read one at a time,and slowly; then they throb with uncanny and haunting power." -- Atlantic Monthly

"[Borges] engages the heart as well as the intelligence." -- John Barth (Praise for Jorge Borges)

Review
“[Borges is] a central fact of Western culture.”
—WASHINGTON POST BOOK WORLD

“Borges is the most important Spanish-language writer since Cervantes.”
—Mario Vargas Llosa

“Without Borges, the modern Latin American novel simply would not exist.”
—Carlos Fuentes

“[Borges] engages the heart as well as the intelligence.”
—John Barth

“The economy of his prose, the tact of his imagery, the courage
of his thought are there to be admired and emulated.”
—John Updike

“These brief Ficciones . . . throb with uncanny and haunting power. A strange and formidable writer, Sr. Borges is also a magisterial stylist.”
—ATLANTIC MONTHLY

“The stories in Ficciones are the very best of Borges . . . They mean more than they seem to mean . . . Borges’ fictions are narrative at its purest.”
—from the Introduction by John Sturrock

Customer Reviews

Ficciones - Unique, Remarkable and Exciting.
Imagine removing a blindfold. You are in some American city, but which one? For many cities the street layouts, the buildings, the commercial enterprises are so similar that few clues would be available. But New York, Boston, and San Francisco would be immediately recognizable.

In much the same way the works of Jorge Luis Borges, Umberto Eco, Franz Kafka, and Edgar Allen Poe stand apart from other great writers. They each offer a uniquely fascinating perspective, an unusual style combined with a remarkable command of language.

I first encountered Ficciones quite a few years ago. I was not familiar with Jorge Luis Borges and was not prepared for this remarkable discovery. I still have that book, a little paperback priced at $2.45. I return to it again and again, always to find myself surprised by Borges. (I now have all of Borges works that have been translated to English.)

Borges assumes that his reader is literate. He makes allusions to a wide range of works, occasionally mentioning entirely mythical books that somehow should exist. His volcabulary is immense, but his writing is clear, entertaining, and unpredictable. It is said that Borges has seemingly read everything - and not in translation, but in the original Latin, German, French, English, and Spanish. To better appreciate Dante, he taught himself 13th century Italian.

The poetry, essays, and short stories of Borges are already recognized as classic works of the 20th century. Ficciones, a collection of short stories from 1941-1944, is a particularly good introduction. Take a look at some other reader reviews, but not too many. Borges is best as a surprise, like a fine wine that is unexpectedly encountered.

A Good Start to Borge's Universe.
Jorge Luis Borges (1899 - 1986) was one of the greatest Argentinean's writers of all times. Since 1970 he was candidate to Nobel Literature Prize, which he never attained. In 1980 he was bestowed Cervantes Prize, the Spanish major literary award. He influenced two generations of Latin American writers. Even those who despised him as "elitist writer" admired his powerful imagination and writing skills.

Jorge Luis was born in a high-class family. He was bilingual, due to his English grandmother. He moved with his parents to Europe where he resided from 1914 till 1921. When he returned to Argentina he fells in love with Buenos Aires. This love affaire begot several poetry volumes and inspired him many stories.
Borges was an omnivorous reader with a wide range of interests: from Cabbala thru Golems; from Mythology thru Gaucho's hardships; from Immortality thru Infinite; from Buddhism thru Christianity. His tales reflect this interest.

The present volume encompasses two of his earlier stories collections: "The Garden of Forking Paths" (1941) and "Fictions" (1944) and constitute a fair sample of his writings and style.
"The Babylon Lottery" describes an improbable world, ruled by fate embodied in a lottery game. "Funes the Memorious" elaborates on what happens if a person may recall every instant of his whole life. "The Garden of Forking Paths" is an elegant spy's story, mixed with subtle laberynths. "The Library of Babel", is one of Borge's best known texts, where he speculate on an infinite library containing every volume of human literature and gave way to mathematical speculation.
In other tales the reader will get in touch with some themes very dear to Borges: mirrors, treason, solitary Hero, multiple divergent versions of the same character, whole universe created ex nihlo from his imagination and more much more.

If you like fantasy you probably will fall in love with this book and search for more Borge's works. If you don't like fantasy you may be hooked by a prose rich in images and a powerful literary and philosophical imagination.
Give this book a chance, you will no be disappointed!
Reviewed by Max Yofre.

A sly milestone of 20th century literature
While only a slim volume of about 100 pages, Jorge Luis Borges' FICCIONES is one of the 20th century's most original and influential works. A set of two collections of short stories, ''The Garden of Forking Paths" and ''Artifices", FICCIONES was the world's first exposure to the Argentinian writer and Borges' all-around best work.

The nature of the stories which Borges crafted is so unique and subtle that it defies description. He portrayed unusual occurrences, and peppered his stories, narrated in a faux-scholastic style, with references to colourful sources that, while sounding plausible, are of Borges' own invention and can be found in no library. In the first story of FICCIONES, ''Tlon, Uqbar, Orbius Tertius," he imagines an encyclopedia mysteriously containing a entry for a country that is not to be found - at least not in our reality. ''The Approach to Al-Mutasim" is a review of a book which doesn't exist; here, in a reversal of the usual order, the review brings the book into being. ''The Babylon Lottery" and ''The Library of Babel" are both clever metaphors for the human world. In the first, Borges describes an ancient society which lets all things be decided by chance. In the second, which introduced the concept of the infinite library, the story's setting is an unimaginably vast archive whose librarians from birth to death care for books whose meanings cannot be deciphered.

Jorge Luis Borges often used several key motifs in his books, such as mirrors and labyrinths, and it is this reuse of symbols which has created the ''Borgesian" genre. These symbols and the offbeat constructions which Borges almost singlehandedly invented went on to inspire legions of writers, including Gene Wolfe and Salman Rushdie.

The translation of FICCIONES has long been a divisive issue. While some, such as myself, believe that this versions of FICCIONES follows the original Spanish closely and, in any event, Borges' genius is found not as much in his language as in his concepts, others detest this 1962 version. Andrew Hurley has recently translated all of Borges fictional stories, including FICCIONES, in COLLECTED FICTIONS published by Penguin, but even his translation has sparked new battles. Should one wish to read FICCIONES in English, however, I'd suggest getting this translation. It is less expensive than COLLECTED FICTIONS and contains only Borges' finest work. For those who can read Spanish decently, I'd recommend even obtaining the original language, as Borges' stories do not use vocabulary much outside what one gets after four-years of high school Spanish.

While some readers may not "get" Borges (he can be compared to H.P. Lovecraft in possessing great influence on some but total obscurity to others), I'd certainly recommend trying FICCIONES.