Product Description

A harrowing story that follows the wanderings of a boy abandoned by his parents during World War II, this classic novel, originally published in 1965, is a dark masterpiece that examines the proximity of terror and savagery to innocence and love. It is the first, and the most famous, novel by one of the most important and original writers of this century.

Product Details

• Amazon Sales Rank: #31568 in Books
• Published on: 1995-08-09
• Original language: English
• Number of items: 1
• Binding: Paperback
• 234 pages

Amazon.com Review
Many writers have portrayed the cruelty people inflict upon each other in the name of war or ideology or garden-variety hate, but few books will surpass Kosinski's first novel, The Painted Bird, for the sheer creepiness in its savagery. The story follows an abandoned young boy who wanders alone through the frozen bogs and broken towns of Eastern Europe during and after World War II, trying to survive. His experiences and actions occur at and beyond the limits of what might be called humanity, but Kosinski never averts his eyes, nor allows us to.

Review
Semiautobiographical novel by Jerzy Kosinski, published in 1965 and revised in 1976. The ordeals of the central character parallel Kosinski's own experiences during World War II. A dark-haired Polish child who is taken for either a Gypsy or a Jew loses his parents in the mayhem of war and wanders through the countryside at the mercy of the brutal, thickheaded peasants he meets in the villages. He learns how to stay alive at any cost, turning survival into a moral imperative. Full of graphic scenes depicting rape, torture, and bestiality, the novel portrays evil in all its manifestations and speaks of human isolation as inevitable. -- The Merriam-Webster Encyclopedia of Literature

Customer Reviews

the HEART of darkness
My byline refers not only to the fact that both Conrad and Kosinski were Polish authors writing in English. There are also similarities in Marlowe's journey into the darkness of the Congo and Kosinski's young narrators' voyage through the surreal landscape of wartime Eastern Europe. Both investigate the darker regions of the human psyche. Both are the antithesis of a "picaresque" novel. Both are told from the point-of-view of a relatively innocent narrator, whose original naivete is transformed by the scenes he witnesses into an understanding of the "horror" and a comprehension of man's capacity for evil. I read The Painted Bird over 30 years ago and many of its images still remain vivid in my imagination. I will never forget the couple caught copulating (you'll have to read Kosinski's description yourself - I'm not going to go there) and the boy-narrator's harrowing account of being thrown into a pit of excrement. I'm a bit surprised, having taught high school English myself, that this would be recommended to a young reader, even though I read it when I was about sixteen. It definitely wasn't on my school's list of recommended reading. I don't agree with some reviewers here that the book is pornographic. Far from it. The sex depicted is hardly meant to arouse. Kosinski's later work might have fallen into that category (he did a lot of short-story writing for Playboy and Penthouse), but this is far too brutal a work to be anywhere near titillating. If you would like to take a harrowing walk into the heart of darkness, and are equipped to handle visions of one of the most depraved landscapes you are likely to encounter in literature, then this book's for you.

Hauntingly brilliant, but not for the weak of stomach!
"The Painted Bird" offers a haunting, deeply disturbing look into the psychological impact of war, and how it can drive even the most civilized and the most innocent of people to do unspeakable things. The book opens in the fall of 1939. An unnamed, black-haired, dark-eyed 6-year-old boy is separated from his parents at the beginning of World War II. Wandering the countryside alone, the boy is mistaken for a Gypsy or a Jew by the fair-haired, blue-eyed rural villagers, and accordingly shunned. Even those who do shelter and feed him usually treat him with cruelty. But, even more disturbing, the boy's eyes are opened to the superstition-driven brutality with which these country folk treat their own neighbors, and even their own family members.

This is not an uplifting read. The cruelty the boy witnesses and experiences often defies the imagination. Kosinski makes no attempt to censor his gruesome descriptions, nor should he. To gloss over the atrocities of World War II would be an injustice to those who suffered through it. Though the book is not, as some would argue, autobiographical, events like those depicted here did indeed happen during the war. It is probably safe to assume that the story takes place in Poland, though Kosinski has deliberately left out place names in order to keep the narrative separate from his own life. As he says in the author's note at the beginning, he intended the book to stand alone.

The story actually spans the entire war, taking the boy from age six to age twelve. Over the course of the book, we witness his gradual loss of innocence. He tries repeatedly to make sense of a senseless world. For a while he throws himself fully into church, hoping that endless prayers will deliver him. When this fails, he decides that the only way to escape suffering is to make a pact with the devil. And when this, too, fails to relive his misery, he becomes entirely disillusioned with humanity. We see him begin, bit by bit, to embrace the very violence that has caused him so much pain. It is the only way to survive in the war-torn world around him.

"The Painted Bird" is tragically disillusioning, yet weaves a brilliant picture of the boy's psychological transformation. It will leave you feeling empty, but raises crucial issues to the reader's attention. Kosinski has deliberately used a very young, innocent child as the protagonist in order to emphasize the destructive, corrupting nature of war. At a time when war is a distant thing, taking place on other continents, it is easy to glorify it and to forget what a hell it is for those experiencing it first-hand. For this reason, books like "The Painted Bird" are especially necessary, forcing us to look at the physical and emotional havoc war can wreak on a person. Though I would highly recommend the book to anyone, it is not for the weak of stomach. Be prepared for a dark and disturbing journey.

In defense of Kozinski
OK, I admit, I should have been older than 14 years old when I first read this novel... it is more graphic than your average WWII book or movie. This novel is an unusual perspective on the holocaust. There are no factories full of jewish labor slaves, no ghettoes, no concentration camps. Instead, there is a small child, seperated from his parents in time of war, lost in the countryside of rural central Europe. In the course of the novel, we discover how the social chaos brought about by WWII plays itself out among common peasants in the countryside as they are reduced to the lowest behaviors imaginable in the absence of peace, stability, clear governance, and a socially agreed-upon sense of right and wrong. And the victim (or victims) is the child who witnesses (and lives with) this state of violence.

In response to the review title "More lies about Jerzy", I find it shallow and naive of the reviewer to call this book gratuitous violence invented for entertainment simply because the events depicted are not truly autobiographical. It is a novel. Last time I checked, novelists seem to make stories up on a regular basis. No need to discount the value of the narrative because of its condition as fictional. As for the suggestion that Jerzy did not write this book, I wouldn't be surprised if he had help smoothing his prose into readable English. Kozinski is not a native speaker of English. In fact, he learned the language as an adult. So he needed help with the language... who cares? The plot, characterization, and overall design of the book bear the creative mark that no proof reader or ghost writer could put on a narrative. I don't doubt that this is Jerzy Kozinski telling this story, and the spirit of the narrative, the pain the child feels (he is so traumatized by his experiences that he becomes mute and needs to undergo therapy as an adult to recover his ability to speak) is an expression of WWII as Kozinski experienced it. We don't need to know if Kozinski is the boy in the narrative. The knowledge that Kozinski could identify and describe this violence in a way that actually upsets you and makes you angry is enough for me. Kozinski has written an excellent novel about WWII and its aftermath, which, unlike Schindler's List, doesn't make you feel warm and cozy about how all the good people triumphed in the end... this novel will leave you with the lasting impression that there is no end-of-story resolution/redemption for those affected by war.