Product Description

Providing readers with his own unique view of the story of Christ, McNally gives a controversial affirmation of faith and a drama of power and scope.

Product Details

• Amazon Sales Rank: #1140685 in Books
• Published on: 1999-03-08
• Original language: English
• Number of items: 1
• Binding: Paperback
• 128 pages

Features

• ISBN13: 9780802136350
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From the Back Cover
Named one of the best plays of the year by Time magazine
The New Yorker has called Terrence McNally "one of our most original and audacious dramatists and one of our funniest." He is the author of such critically acclaimed plays as Love! Valour! Compassion!, Master Class, The Lisbon Traviata, and Frankie and Johnny in the Clair de Lune. In Corpus Christi McNally gives us his own unique view of the story of Christ, and in doing so provides us with one of the most vivid and moving passion plays written. McNally's play is an affirmation of faith and a drama of such power and scope that it has been hailed by audiences and critics alike as one of his best and most poignant works to date.

"One of McNally's best, most moving and personal works . . . His updating of the Christ story is witty but not patronizing, as sober and cleansing as a dip in baptismal water."-Richard Zoglin, Time

"Corpus Christi provides a frequently fascinating experience. . . . [It] explores a quest for faith by a segment of the population-homosexuals-that has for centuries been excluded and condemned by the pious God-fearing."-Erik Jackson, Time Out New York

"Terrence McNally's controversial new play is a moving, perhaps even spiritual experience."-Dick Schaap, ABC World News

Terrence McNally won Tony Awards for Love! Valour! Compassion! and Master Class as well as Tony Awards for Best Book of a Musical for Ragtime and Kiss of the Spider Woman. In addition, Love! Valour! Compassion! won the Drama Desk, Outer Critics Circle, and New York Drama Critics' Circle awards for Best Play. McNally has received two Guggenheim fellowships, a Rockefeller grant, and a citation from the American Academy of Arts and Letters.

Customer Reviews

Creative and SINcere
I had read about this play in TIME mag. about two years ago, and when I read I expected something frustrating and that is what I got. I am so tempted to talk about my faith in comparison to the play and since I am an avid Christian I find it continually difficult to not write about, but instead I am going to tackle it from a theatre student's point of view. It is terribly original. After reading most of the contemporary playwrights I would have to say that McNally's plays are the best, because of his subtley abrasive tone, for one reason. I was constantly questioning whether or not I should consider this play sacreligous and after much deliberation I decided that only the reader/viewer can decide that for themselves. Is McNally mocking Christ's life? I don't know. Is he accurately pouring his emotions out onto the paper? Definetly. In my opinion this play is one of the best "philosophy meets religion" works out there which is testament to McNally's genius. In his preface he contrasts Christ's life to Matthew Shepard, which I thought was really cool. Then he also says "Jesus Christ died again when Matthew Shepard did"...so true. I think that this play really asks the question "what would we do today?" Would we still persecute Him? Would we still laugh and jeer and call him "King of the queers"? Anyway I'm rambling...read the play and judge McNally with an open mind.

"Christi" a touching account of one man's search for Jesus
For as much nasty publicity as this play has received, I expected a far more abrasive account of a gay passion play. If you are expecting anything remotely pornographic, you will be disappointed. This is a very intimate, touching portrait of playwright Terrence McNally, juxtaposed against the birth, life and death of Jesus Christ, all in the spirit of the playwright seeking a higher awareness of Christ's difficult life and great torments. The narrative is extremely straight forward, and an informed audience should have no problem discerning the differences between McNally's life and Christ's. McNally, no stranger to controversy, has created an entirely new Messiah; one that reflects contemporary human experience and its temptations from flawed, human perspective. Those who do not wish to see the human side of Jesus as an imagined homosexual should mind their business and go to church for their preferred depiction. Anyone interested in how one observant gay man views his own life in reference to Christs's suffering may see more of themselves in the play than they might expect. There is little high drama here, and the play straightforwardly warns against suspense. The storytelling is simple and patient, and worth the time if you have an open mind and especially an open heart.

Where to begin?
I really do not know where to begin. Terrence McNally has been my favorite playwright for years, and I have read every title I could get my hands on, including the obscure ones (Such as "By The Sea..." and "Tommy Flowers"). He deals with sensitive topics with sheer honesty and compassion. He doesn't just write about characters, he portrays humanity on paper, and he does an amazing job. My opinion of Corpus Christi is summed up best with a simple "Wow." I am in awe. Spellbound by McNally's ability to convey the life of Christ in such a touching manner. I'm well aware of all the controversy this stirred upon it's MTC premiere, and have been fortunate enough to view it at a university in my area, which also stirred a little mud of it's own. But what can you expect? I doubt McNally would have published such an artistic play unknowing that it would cause everything it did. But back to reviewing the play: Never before has Christ been depicted in such a way on stage, and I don't believe that the playwright is saying "Christ WAS gay," simply making the notion, and in what better way to do so? When gay culture is at it's peak, TODAY, placing Christ and his followers in society today yet never losing it's honesty. Corpus Christi remains my favorite McNally drama to date, because of it's "In-Your-Face" way of dealing with a subject often swept under the table. I applaud you!