In Cuba I Was a German Shepherd
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Average customer review:Product Description
Pushcart Prize winner Ana Menendez landed firmly in the literary landscape last year with the hardcover publication of In Cuba I Was a German Shepherd. Reviewers overwhelmingly agree that she is an important new voice in American fiction: hers is "a bright debut that points to even brighter accomplishments to come" (Michiko Kakutani, The New York Times), a tour de force that is "poignant and varied, emotionally vivid and hauntingly melancholy" (San Francisco Chronicle), and "a Cuban odyssey that conjures up Eugene O'Neill-like drama" (Kirkus Reviews). In these linked tales about the Cuban-American experience and the immigrant experience in general, Ana Menendez has instantly established herself as a natural storyteller who "probes with steady humor and astute political insight the dreams versus the realities of her characters" (Elle). From the prizewinning title story -- a masterpiece of humor and heartbreak -- unfolds a series of family snapshots that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once "tender and sharp-fanged" (L.A. Weekly) as Ana Menendez charts the territory from Havana to Coral Gables with unforgettable passion and explores whether any of us are capable, or even truly desirous, of outrunning our origins. "Achingly wise." -- Richard Eder, the New York Times Book Review "Menendez taps into [a] wellspring of broken promises and unfulfilled desires and gives us a ... peek at ... the Cuban-American experience." -- Ariel Gonzalez, The Miami Herald "Menendez offers a lilting narrative that sways soulfully between past and present, longing and regret, joy and tragedy." -- Donna Rifkind, The Baltimore Sun "Superb ... The community that emerges in these pages is one of humor, acute grief, and gifted storytelling." -- Fionn Meade, The Seattle Times "The first work of a young writer with a bright future." -- Jay Goldin, Fort Worth Morning Star-Telegram "A tender and occasionally sharp-fanged portrait of Miami's Cuban-exile community ... Brave and funny and true." -- Ben Ehrenreich, L.A. Weekly "A raucous, heartfelt debut...Deft, talented and hilarious...." -- Junot Diaz
Product Details
- Amazon Sales Rank: #239955 in Books
- Published on: 2002-04-12
- Original language: English
- Number of items: 1
- Binding: Paperback
- 240 pages
Features
- ISBN13: 9780802138873
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
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Editorial Reviews
From Publishers Weekly
"Here in America, I may be a short, insignificant mutt, but in Cuba I was a German shepherd," M ximo explains in the first of these 11 short stories. His words are the punch line to one of countless jokes he tells to his cronies at Miami's Domino Park. The group of Cuban and Dominican immigrants gathers regularly, mostly ignoring the tourists who come to gape at the colorful old men playing dominos only M ximo feels victimized, as if the onlookers are trivializing his life and culture, treating him like an animal in a zoo. The mixed sentiments of pride and frustration that come with adjustment to American society are common threads in this moving collection by a Cuban-American, Pushcart Prize-winning author. Many of the tales have related themes and characters, and while some are more abstract than others, all speak of the attempts of immigrants to create new lives in the U.S. In "The Perfect Fruit," Men‚ndez portrays Matilde's despair and jealousy when, as she contemplates what has become her own loveless marriage, her son Anselmo announces his engagement to his American girlfriend Meegan Matilde deals with her dejection by throwing herself into a cooking frenzy. But like M ximo's jokes in the first tale, her culinary storms are merely a thin mask covering a dark reality: that even in the safe haven of America, ethnic ties are strong and assimilation is something that is not necessarily easy or even desired. These stories are perhaps best not consumed all at once; read separately, they offer a telling yet bittersweet perspective on immigrant life. Agent, Amy Williams, the Gernert Company. (May)Forecast: Men‚ndez's voice, falling somewhere in between the slangy eloquence of Junot D¡az and Dagoberto Gilb and the lyrical exuberance of Sandra Cisneros and Esmeralda Santiago, is a welcome addition to the chorus of Latino fiction writers. A 10-city author tour and 30,000 first printing will give her debut collection a boost.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
This delightfully rich collection of interrelated short stories focuses on Cuban immigrants in Miami. The title story, also featured in the 2001 Pushcart Prize anthology, tells of four elderly men playing dominoes and talking about their past mostly apocryphal glories, while an Anglo tourist, dressed in pink, snaps photographs. In "The Perfect Fruit," the reader almost inhales the overripe bananas a middle-aged woman cooks night and day in her battle to conquer the fruits she sees inundating her home and her sanity. The 11 stories in this author's first collection focus on family relationships and immigrants' nostalgia for a past beyond recovery; the moods proceed from light, playful, and humorous to dark, passionate, and frantic. Menendez, the daughter of Cuban immigrants, grew up in Miami and has worked as a journalist there and in southern California. Highly recommended for all libraries.
- Mary Margaret Benson, Linfield Coll. Lib., McMinnville, OR
Copyright 2001 Reed Business Information, Inc.
From Booklist
The Cuban community around Miami is large and full of stories about old Cuba, current Cuba, and how lives have changed since coming to the U.S. Menendez's six linked stories from that community are hauntingly beautiful and bitterly truthful. The title story tells of three old men playing dominoes in a Miami park, reminiscing, and telling jokes; yet it is doubtful that the three would have been friends back in Cuba. "The Perfect Fruit" concerns banana trees growing out of control in an aging couple's backyard, much as the importance of the family and the blending of cultures grow out of their control when an American woman comes into their lives. "Miami Relatives" tells an allegorical, magical realist tale about Cuban exiles' strange relationship with Castro. "Her Mother's House" focuses on a journalist, the daughter of exiled Cubans, who returns to Cuba and learns that memories are often exaggerated. Examining its hopes, dreams, and realities, Menendez paints a rich portrait of Florida's famed Cuban exile community. Michael Spinella
Copyright © American Library Association. All rights reserved
Customer Reviews
Catchy Title, Enjoyable Read
As I walked through the bookstore the other day, a yellow cover with the title "In Cuba I was a German Shepherd" caught my eye and I stopped to read the first few pages. Ana Menendez's eloquent use of the English language pulled me in enough to purchase the book, and I must admit that I didn't regret it.
This is a wonderful collection of short stories about Cuban immigrants and their children. An easy read with a free-flowing style, it was hard for me to put this book down. Yes, the other reviewers are correct in saying that in some stories the characters aren't fully developed, but that doesn't detract too much from the overall feel of the book. I walked away with a somewhat greater understanding of the Cuban community in Miami which is unique in and of itself, but is also very similar to other immigrant communities that also place importance on family, friendships and respect.
If you're looking for a quick read at the beach or on a plane, go ahead and pick up this catchy title, then sit back and savor Menendez's beautiful string of words.
an impressive debut
A wonderful collection of stories, at times funny, lyrical, and, above all, moving. Writings are not very even throughout the collection, the title story being the strongest. Linkages of characters in different stories interestingly provide a special dimension to the lives portrayed - an unbreakable web that keeps on closing in. The son of the jealous Matilde who set herself into a banana cooking frenzy in "The Perfect Fruit" becomes the sleepless husband, also consumed by jealousy, who spent the whole night contemplating the nuances of his wife's manners toward another man. In the next to last story "The Party", almost all the characters from other stories show up, each one at a different point of intersection with the omnipresent Cuba buried deep in their souls. Menendez has got an impeccably seamless rhythm in almost all the stories. Even in those weaker ones like "Why We Left", "Hurricane Stories", there is a quite powerful haunting quality. This is a very impressive debut.
A Varied Collection of Variable Quality
These eleven short stories with recurring characters range from the comic opener to the darkly sinister "The Perfect Fruit" to the almost Argentine magical realism of "Miami Relatives." There are many flashes of brilliance, such as this from "Miami Relatives":
"The Aunt Julia climbs to the top of the table and holds her arms out for silence. 'Today I ate the sun,' she says. 'The darkness was delicious.' We sit staring at her until she opens her mouth and blinds us."
Or the story "The Last Rescue" which is a fevered depiction of insomnia.
However these moments arrive as flashes precisely because the surrounding text is less bright, less interesting, less illuminated by insight. Long stretches seem strained or uninspired. Perhaps, not being Cuban-American, I cannot relate to the experiences related by the author but my general impression is that the book was somewhat uneven.




