Product Description

When the smiling King of Carnival is killed at Mardi Gras, policewoman Skip Langdon is on the case. She knows the upper-crust family of the victim and that it hides more than its share of glittering skeletons. But nothing could prepare her for the tangled web of clues and ancient secrets that would mean danger for her--and doom for the St. Amants....

"Smith is a gifted writer."

THE WASHINGTON POST BOOK WORLD

Product Details

• Amazon Sales Rank: #694962 in Books
• Published on: 1990-12-25
• Released on: 1990-12-25
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 352 pages

Amazon.com Review
It's Mardi Gras in New Orleans, and after spending most of his life trying to reach high society, Chauncy St. Amant has been crowned Rex, King of Carnival. But his day of glory comes to an abrupt and bloody end when a party-goer dressed as Dolly Parton guns him down. Skip Langdon, a rookie police officer and former debutante turned cynic of the uptown crowd, is assigned to the case. Scouring the streets for clues, interviewing revelers and street people with names like Jo Jo, Hinky and Cookie, and using her white glove contacts, the post-deb rebel cop comes up with a motive for murder that surprises even herself. New Orleans Mourning won the 1991 Edgar Award for best mystery novel.

From Publishers Weekly
Though her plot careens with as many twists and turns as a car chase through the French Quarter, it is Smith's rotating focus on the complex viewpoints of her fully formed characters that gives her sixth novel its psychological and emotional depth. On Mardi Gras, civic leader and socialite Chauncey St. Amant is about to be crowned Rex, King of Carnival, when someone costumed as Dolly Parton shoots him dead from his best friend's balcony overlooking the parade. Is the killer aimless, promiscuous daughter Marcelle? Homosexual, mistreated son Henry? Helpless, alcoholic wife Bitty? Female rookie cop Skip Langdon uncovers a cast of intriguing characters, all as much Chauncey's victims as they are suspects in his murder, most of them inhabiting a "poison garden of corruption" and substance abuse where it's not just on Mardi Gras that everyone wears a mask. Praised for the local color she delivered in Huckleberry Fiend and Tourist Trap (set in San Francisco), Smith has researched the Big Easy exhaustively. While she does not paint its hues or diffuse its smells as vividly as she dissects its social strata, review getting wordy, tho well written/mc her rich, tightly structured narrative more than compensates.
Copyright 1990 Reed Business Information, Inc.

Review
Julie Smith will stroll you through the Garden District and treat you to a muffuletta at the Napoleon House. -- The New York Times, Marilyn Stasio

Customer Reviews

New Orleans High and Low
Skip Langdon can never be called your every-day cop/heroine. She is a 6-ft. mass of insecurities. She is oh-so-aware of her parent's compulsive social climbing, yet is branded "the debutante" by her fellow cops. She attended all the best schools and parties, but never felt like the "in-group." She has dropped out, dropped in, and is now trying to make a success in the New Orleans Police Department, living in the Quarter, unsure of herself with a totally non-supportive family who look down on her "blue collar" job.

Yet Skip is a likeable, bright gal who knows New Orleans like an oyster knows his shell. She is on parade patrol at the height of Mardi Gras and is an eyewitness when the King of the Carnival, upper-crust businessman Chauncey St. Amant is shot while waving to the crowd from his float. In full view of the crowd, a person costumed as Dolly Parton has shot him from a balcony on the parade route. Pandemonium!

Rookie cop Skip is quickly assigned to the homicide team on the case because she "knows" these top-drawer people. (This seemed a little flimsy to me, but what do I know about the New Orleans Police Department?) Enter the St. Amant family, worthy of Tennessee Williams. Fragile, alcoholic wife, Bitty has a tenuous hold on reality; gay son Henry who adores his mother and loathes the late Chauncey; beautiful, perfectly mannered, but oh-so-wild daughter Marcelle; and loyal family friend Tolliver, who might be in love with Bitty, but then again might be gay. This tattered, aristocratic family takes over the book. Nothing is quite as it seems, and many twists and turns take place before the conclusion. Then we have another fillip of a twist that smartly reminds us of just what New Orleans is all about.

This is an engrossing story with a few too many side stories that however interesting, divert us from the main event. Ms. Smith has an excellent ear for dialogue and a good sense of the ridiculous; some of the incidents and confrontations are hilarious. I would call this a novel with a mystery thrown in. I would like to see a "straight" novel from Ms. Smith; I think it would be a success. "New Orleans Mourning" is a fun and instructive read.

Great armchair trip to New Orleans at Mardi Gras
Julie Smith gives Skip Langdon a wonderful debut as a cop trying to make her mark on the force. The New Orleans details are authentic. I enjoyed Skip's explanation of the subcultures of the city. My reading group read this and everyone, young and old, loved this Louisiana gal who was not the sterotypical beauty queen or little rich girl.

A Tour of the Big Easy
This review is for the Ivy Book first Ballantine Books edition, February 1991. Julie Smith has published at least 19 mystery novels in four series. NEW ORLEANS MOURNING was the first novel in the Skip Langdon series. The Mystery Writers of America gave it the Edgar Award for best novel in 1991. There are now at least nine titles in the Skip Langdon series.

Skip Langdon is a young, tall, white lady from a prominent New Orleans family. Her father, Don Langdon, is a doctor, who no longer talks to Skip. Her mother, Elizabeth, talks too much so Skip tends to avoid her. Whenever Skip calls her yuppie brother Conrad, he knows she wants something because why else would she call him. But you don't need close family ties if you have Jimmy Dee Scoggin, Skip's fifty year old, five-foot square hopelessly gay criminal lawyer landlord who hands her a joint whenever he waltzes through her door.

Skip is a policeman with only two years on the New Orleans force. It's Mardi Gras and the king of Rex, Chauncey St. Amant is on parade. He looks up to wave at someone dressed in a Dolly Parton costume with balloons in her bodice and a two-gun holster. Dolly shoots Chauncey St. Amant. Skip knew the St. Amant family since her rubber pants days; she grew up with this uptown crowd, so she is temporarily assigned to the homicide division to help in solving Chauncey's murder.

Julie Smith uses an above average number of names in her stories. There are at least 117 named characters (including one dog) in NEW ORLEANS MOURNING versus fifty or less in most novels. You might get dizzy with the rush of characters in the first ten pages, but by page 17 things will start to settle down.

Julie Smith seamlessly weaves the sound, sight, smell and feel of New Orleans into this story. It's more than a mystery story; it's a tour of The Big Easy.