Product Description

Of all the books on the man many consider the greatest genius of 20th-century art, this sumptuous work stands out as truly the "ultimate" Picasso. Not only does it cover in one volume all the periods of Pablo Picasso's long, incredibly versatile career-with exquisite reproductions of nearly every significant work he ever created-but the scholarship is impeccable: each of the three authors is a leading authority on a particular period of Picasso's artistic evolution.

Brigitte Léal covers Picasso's formative years from 1881 through 1916, including his invention of Cubism with Georges Braque. Christine Piot explores the astonishingly fertile period from 1917 through 1952. Marie-Laure Bernadac discusses the unabashed vigor of Picasso's later years, from 1953 until his death in 1973. Nearly 1,200 magnificent reproductions, 720 in full color, illustrate Picasso's breathtaking range of artistic expression.

Picasso once boasted that a book would have to be written on him every day to keep up with his creative surges. Perhaps. But for art lovers and students seeking just one book, The Ultimate Picasso is unsurpassed.

BRIGITTE LÉAL is a curator at the Muse Picasso in Paris.

CHRISTINE PIOT contributed to the catalogue raisonn of Picasso's sculpture.

MARIE-LAURE BERNADAC is curator of the Muse National d'Art Moderne (the Georges Pompidou Center), Paris. Previously she was curator of the Muse Picasso in Paris.

1,186 illustrations, 720 in full color, 111/2 x 12"

Product Details

• Amazon Sales Rank: #741595 in Books
• Published on: 2000-11-01
• Original language: French
• Number of items: 1
• Binding: Hardcover
• 504 pages

Amazon.com Review
If you had to choose just one book about Pablo Picasso, the most protean artist of the 20th century, what would you look for? Copious, good-quality reproductions. An authoritative account of the way his approach to painting was influenced by his personality, the women in his life, and his awareness of art made by others. An in-depth treatment of key works like Les Demoiselles d'Avignon (which Picasso memorably called his "first exorcism painting") and signature themes, like the half-man, half-animal Minotaur. Then there's the question of tone. Some books cast Picasso as a demigod or a destroyer. Others, like art historian John Richardson's A Life of Picasso, offer a more balanced, psychologically penetrating portrait of the artist.

Hefty, elegant, and inclusive, The Ultimate Picasso hits most, though not all, of these marks. It offers more than 1,200 reproductions (nearly 800 in color) spanning the artist's entire career. Smoothly translated from the French, the book weaves biographical detail and discussions of the art into a concise narrative. ("Olga became pregnant in the summer of 1920, and in Picasso's work forms blossomed and flesh took on the massive quality of stone.") The three authors are all experts--Léal and Bernadac are (respectively) present and former curators of the Musée Picasso in Paris, and Piot coauthored the catalogue raisonné of Picasso's sculpture. They clearly explain visual sources, duly acknowledge leading art historians' interpretations, and choose good quotes from contemporaries. Yet the text can be surprisingly skimpy. The 16-page section on Guernica, for example, has barely two pages of discussion about the painting and its genesis. The authors keep an extremely tight focus on their subject, with only as much mention of Picasso's contemporaries or the outside world as is absolutely necessary.

The major flaws, however, are the authors' hyperbolic view of their subject ("Picasso did not paint nature, but the suffering of the men and women of his time, creating from it beauty and truth") and the lack of any psychological insight about the repeated devastation Picasso wreaks on the female form. In this old-fashioned portrait of the male artist as genius, human failings do not exist, unless they belong to somebody else. --Cathy Curtis

From Booklist
Can we exhaust the visual pleasure we derive from looking at Picasso's work? Can another book on Picasso offer anything more about this twentieth-century artist that we have not learned from the others (see Geoffroy-Schneiter above)? In the preface, Jean Leymarie recalls Picasso boasting that "a book would have to be written on him every day to keep up with his rhythm and his surges of creativity." All we can conclude is that this book is the ultimate. It combines all the periods of his career and touts having "nearly" every significant work he ever created in its 1,235 illustrations. Leal writes the essays in the first section on the early years, 1881-1916. This leisurely paced section certainly teaches things about Picasso that many will find fresh and involving, and throughout the extensive illustration program makes it easier to trace the development of the painter's ideas. Discovering the change in 1906 that points the way to the Picasso we moderns know well is quite satisfying. Bonnie Smothers
Copyright © American Library Association. All rights reserved

About the Author
Brigitte Léal is a curator at the Musée Picasso in Paris. Christine Piot is the coauthor of the catalogue raisonné of Picasso's sculpture. Marie-Laure Bernadac is a curator at the Musée National d'Art Moderne, Paris. Previously she was a curator at the Musée Picasso, Paris.

Customer Reviews

Highly recommended for all Picasso enthusiasts!
Pablo Picasso's was one of the most innovative, experimental, prolific, influential, and controversial painters of the twentieth century. In The Ultimate Picasso, Brigitte Leal covers Picasso's formative years from 1881 through 1916 (including his invention of Cubism with Georges Braque). Christine Piot explores Picasso's productive period from 1917 through 1952. Marie-Laure Bernadac surveys the artistic vigor of Picasso's later years from 1953 until hi death in 1973. The Ultimate Picasso's informative, engaging text is profusely illustration with 1200 magnificent reproductions (720 in full color) document-ing Picasso's phenomenal range of artistic expression throughout his life. The Ultimate Picasso is an essential, core addition to any personal or academic art history collection, and is a very highly recommended "Memorial Fund" acquisition choice for community libraries.

The ultimate Picasso artwork reference.
I took this book out of our university library to have on hand while reading Françoise Gilot's "Living with Picasso", in order to see representations of the artwork to which she refers throughout the book. "The Ultimate Picasso" proved invaluable. Not only does it contain Picasso's complete major works, they are also presented in chronological order which made look-up easy despite Gilot's often describing an artwork and the process used to create it but not always giving its title (she always gives dates). I ordered "The Ultimate Picasso" before the library due date because I couldn't bear to not have the book in my house!
The photos of the artwork are brilliant and crisp, and the accompanying text is informative.
You will not be disappointed by this book.

the ultimate picasso book for art enthusiasts.
The greatest part of this huge and informative art book is the literally hundreds of pictures that it contains. A very colorful book, which is a must for anyone interested in this highly acclaimed artist, whose Cubist style signified a new era for the art world. Picasso is one of the best artists, in my opinion, and this book gives an in-depth account of his life and his extraordinary career on canvas.