Product Description

Winner of the 1964 Nobel Prize in Literature. Jean-Paul Sartre, philosopher, critic, novelist and dramatist, hold a position of singular eminence in the world of French letters. Among readers and critics familiar with the whole of Sartre's work, it is generally recognized that his earliest novel, Le Nausée (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the Twentieth Century and a landmark in Existentialist fiction.

Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation about the world and people around him. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spread at the bottom of the viscous puddle, at the bottom of our time—the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to come to terms with his life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize trhe tents of his Existentialist creed.

he introduction for this edition of Nausea by Hayden Carruth gives background on Sartre's life and major works, a summary of the principal themes of Existentialist philosophy, and a critical analysis of the novel itself.

Product Details

• Amazon Sales Rank: #44725 in Books
• Published on: 1969-06
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

Review
It is the most enjoyable book Sartre has ever written. -- A.J. Liebling, The New Yorker

The best-written and most interesting of Sartre's novels. -- Atlantic Monthly

With Nausea Sartre has succeeded magnificently—and horribly—in extending the realm of the novel to the outermost reaches of naked self-examination. -- Harvey Swados, New York Post

Language Notes
Text: English, French (translation)

About the Author
Philosopher, novelist, playwright and polemicist, Jean-Paul Sartre is thought to have been the central figure in post-war European culture and political thinking. His most well-known works, all of which are published by Penguin, include THE AGE OF REASON, NAUSEA and IRON IN THE SOUL.

Customer Reviews

Nausea
With his first novel, Sartre began to explore what would later come to be known as existentialism, or the philosophy that: 'Holds that there is no intrinsic meaning or purpose, therefore it is up to each individual to determine his own meaning and purpose and take responsibility for his actions'. While this line of philosophical thought does have its origins in Kierkegaard, it was in the writings of Simone de Beauvoir, Albert Camus and Sartre that these ideas were fully developed.

Antoine Roquentin is a solitary man, recently afflicted with a recurrent feeling, one that he terms 'the Nausea'. At times, he feels that life is repugnant, a vapid, shallow game between mindless people who have no real idea of their own purpose or consequence, himself included. At first he dismisses these feelings as the typical lonely thoughts of an ageing academic who is unable to complete the book he has been researching for years, but as the feeling continues and he is able to examine himself with greater and greater clarity, Roquentin begins to learn that maybe he has stumbled upon one of the great truths of our reality.

He discovers that there is no essence, no importance in motion or in the petty labels that people like to attach to themselves and others in a bid to catalogue the world and everything in it, and by cataloguing, to control. He reasons that we are essentially impossible to control, that each person exists because they exist, and for no other reason that that. The terms of our existence are unspecific, but clear. We do not exist to be pawns to a god, or to move the path of humanity forward. Instead, we exist simply to exist, we are an end unto ourselves, and the inherent absurdity in our lives means that a meaningful existence is impossible and even blasphemous. Through clear-eyed, coherent thinking, we are able to control our lives as we choose, and it is up to every man and woman to independently reject suicide. For those that do not, the meaningless quality of our lives makes no different when compared to those that do, thus there is no dishonour or achievement in either.

During the novel, there are a few side stories involving an ex-lover and a child-molesting friend, but these characters are used mostly as foils for Sartre's philosophy. In presenting arguments to Roquentin, Sartre is able to adequately satisfy the objections to his philosophy. There is a sense, however, that while the elements of existentialism presented in Nausea are powerful and compelling, the picture is not yet complete and no real answers are given. Later on in his career, Sartre was able to provide a large number of these answers, but even this early on, with his first novel, the depth of his thinking and the power of his message is quite simply amazing. Nausea is a stunning book, an intellectual delight, and is recommended to all.

Stunning
Nausea is one of the most powerful literary experiences one can find. The form of the novel enables us to enter into Sartre's brilliant (and warped)mind. There is a sort of inexplicable energy that keeps on pushing you to read further and further- it is impossible to put this book down. The work can be appreciated as a novel for the quality of the story, but can also be understood as a powerful argument for Sartre's existentialist philosophy. He takes the reader through different alternatives to realizing that one's knowledge of one's existence makes one sick or creates nausea. Common escapes such as glorifying the past, the hope of relentless self-improvement,placing faith in love, are all explored and dramatically proven by Sartre to be false delusions to the truth that human existence is sickening.

Expect to be challenged
Nausea is not an easy book to read, not because of length or complexity of writing but because it forces the reader to confront some of the most frightening questions about life. The plot is largely uneventful, and yet this is where the majority of the book's philosophical questions arise. It's amidst the mundane, the every-day, the common interactions in life wherein the main character Roquentin questions the foundations of reality: what is this world I live in? why am I here? what does my life mean?

The thing Roquentin encounters most dramatically is existence: dull, ever-present, unable to be explained, a hidden and dumb force that waits silently behind the meanings we ascribe to it. And it is this force, the force of existence, which is the ultimate source of humility, for in it all of our actions are rendered meaningless.

Why do we do what we do? What are our motivations, our ambitions, and why do we have them? Sartre explores questions like these in a variety of daily situations and presents a concept of reality that has no mercy for the squeamish mind. He approaches his reader with such intensity that one cannot look away, one is forced to follow his reasoning to its unconventional and disturbing conclusions. Still, as the introduction points out, "Coming for the first time to the works of Sartre, Japsers, or Camus is often like reading, on page after page, one's own intimate thoughts and feelings, expressed with new precision and concreteness."

This is an excellent novel, very thought-provoking, best approached with an open mind and the courage to listen patiently to that which may frighten one the most. Regardless of your reaction to it, Nausea will have you thinking for quite some time afterward.