Product Description

Finally, My Emily Dickinson, Susan Howe's singular and unforgettable 1985 creative study, is available as a New Directions paperbook.

With exacting rigor and wit, Howe pulls Dickinson free of all the sterile and stuffy belle-of-Amherst cotton wool and shows the poet in touch with elemental forces of nature, and as a prophet in all her radical zealotry and poetic glory. Her Emily Dickinson is a unique American genius, a demon lover of poetry—no neurasthenic spider artist. Howe draws into her discussion Browning, Wuthering Heights, the Civil War, "Master," the great Puritan preachers, captivity narratives, Shakespeare, and phantom lovers. As she chases away narrow and reductive feminist readings of the poet, Howe finds instead a radically powerful and true feminism at work in Dickinson, focusing the whole on that heart-stopping poem "My Life had stood—a Loaded Gun."

A remarkable and passionate poet-on-poet engagement, My Emily Dickinson frees a great poet from the fetters of being read as a special female neurotic, and sets her against a fiery open sky where "Perception of an object means loosing and losing it...only Mutability certain." My Emily Dickinson won The Before Columbus Foundation Book Award.

Product Details

• Amazon Sales Rank: #201839 in Books
• Published on: 2007-11-15
• Original language: English
• Number of items: 1
• Binding: Paperback
• 160 pages

Features

• ISBN13: 9780811216838
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
Starts off as a manifesto but becomes richer and more suggestive as it develops. (The New York Sun, Eric Ormsby)

Review
"Howe's ear almost becomes Dickinson's, hearing each musical phrase and its hesitancy as fierce intention and mindful resistance. Her reading is alarming, and thrilling, in its implications for academic scholarship. It will change our perceptions of Dickinson's language utterly."
-Kathleen Fraser, Editor, HOW(ever)

"My Emily Dickinson is one of our seminal works of creative scholarship. It bears much the same relationship to a consciousness of American language and speech as Williams' In the American Grain did in its own time. Howe's book can be viewed as a tracing of a spiritual impulse from Jonathan Edwards through Emily Dickinson to the present. It is at once a deeply insightful feminist document and a reaction against superficial feminist readings of Dickinson's work."
-Michael Palmer, author of First Figure

About the Author
Susan Howe was born in Boston, on June 10, 1937, and grew up in Cambridge, MA.

Customer Reviews

If you think you know Emily...
This is a serious and personal literary study of Dickinson's work by a scholar and fellow poet who appreciates both the art and the attitude of one of her American literary forebears.

Howe points out how Dickinson's poetry has been overlooked in light of her character and biography. It seems that in the 19th century, it was remarkable for a woman to be a poet at all, let alone write original, rebellious, and quite modern poetry. Hence, the work itself, though enjoyed by schoolchildren all over America, has been little understood.

Delving into Dickinson's reading lists, her notes and letters, and analyzing a few poems, Howe explores the workings of an intricate mind. She uncovers connections between Dickinson and the Brownings, the Brontes, and James Fenimore Cooper, and she shows how seemingly submissive, soft spoken poetic lines are actually rebellious and even at times angry. What Howe does not do is confuse the image of "The Belle of Amhearst" with the vital workings of the mind of this remarkable woman.

This book is an enjoyable read filled with Howe's admiration for her artistic predecessor and written in straightforward language, not literary jargon--a tribute from one poet to another. For anyone who enjoys Emily Dickinson's poetry, it is not to be missed.

Oddly composed, but with a few fine opals inside...
I have been pretty much obsessed with Emily Dickinson since 1980, and have enjoyed reading many treatments of her life and her poems, while enduring many other books about her. She is quite a mystery, and shall always remain so, becoming the kind of woman and poet that each generation seems to need. I did not like this author's prose style, which seemed to me to have many sentence fragments and many abrupt transitions which did not seem logical. However, it does contain one of the best meditations on Emily's literary and theological influences, including the preacher Jonathan Edwards, and the Brownings, and the Brontes, and Shakespeare. For that reason, it is worth reading if you care about the Belle of Amherst at all. I found myself drawn to her poetry from high school on, but over the decades, becoming much more fascinated with her life choices and experiences. We will never know for sure how many poems are autobiographical, how many actually describe her take on the experiences of her small but intense social circle, and how many are pure fiction. What an impact she has made on the literary world, by living the life of a fairly affluent New England spinster who did not get out much. That is endlessly fascinating to me. Unfortunately it is not the thrust of this volume. My recommendation is to start with Richard Sewell's huge biography of Emily from the 1970's. It covers the life AND the poetry in a reasonable and accessible manner. Some think Emily a secular nun, some think her a deeply closeted lesbian and/or incest victim, some feel she had many love affairs but was discrete about them. Some think her insane, some believe her to be the sanest of us all. Some find her an early feminist, and others see her as an oppressed woman. This book is one fellow female poet's appreciation of Emily's talents and circumstances. Wait another year and another scholar will present a different view. Emily left us 1,776 poems, give or take a few hidden in the text of letters, and someday there will be 1,776 books about her.

Very Interesting Take
This book does more than just explore Dickinson's life and poetics, although it does that expertly. It falls in line with a tradition of books of poets writing about poets who have intensely figured in their conception of poetry. This is more personal than a biography in that it is a writer's concern with Dickinson's place in history and what she was trying to do with her poetry. Howe does a wonderful job of trying to get into the poems through playing with language. It's a place to meet Dickinson at as she was a lover of games and words.