Product Description

Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.

The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.

The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

Product Details

• Amazon Sales Rank: #7306 in Books
• Published on: 2007-05-08
• Released on: 2007-05-08
• Original language: English
• Number of items: 1
• Binding: Paperback
• 336 pages

From School Library Journal
Grade 10 Up-Written by scholars or literary experts, these essays discuss Doctorow's use of illusion and mirrors, music as a metaphor, the American dream, the boy narrator, the book's autobiographical elements, Ragtime as a tale of race and property, its historical figures and fictional characters, women's roles, the use of foreshadowing, and many other topics. Authors of individual chapters pick apart Ragtime for underlying meanings and facts, and it is interesting to see how several critics view it from different perspectives. This is the type of novel that is open to interpretation and students will gain a better understanding from reading all of the discussion. Doctorow is quoted in several chapters. Students looking for criticism and analysis of literary works will find it easy to use this title rather than searching endlessly for the journals in which these articles may have originally appeared. A valuable resource for literature collections.
Pat Bender, The Shipley School, Bryn Mawr, PA
Copyright 2002 Cahners Business Information, Inc.

Review
"Students preparing research papers and students boning up for class will reach eagerly for these well-designed additions to accessible literary criticism for high school students."

From the Inside Flap
Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.
   The story opens in 1906 in New Rochelle, New York, at the home
of an affluent American family.
One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disap-
pears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sig- mund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford-
able hardbound editions of impor-
tant works of literature and thought. For the Modern Library's seventy-
fifth anniversary, Random House redesigned the series, restoring
as its emblem the running torch-
bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-
gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.


From the Hardcover edition.

Customer Reviews

A Riff on America at the Turn of the 20th Century
Even before the Broadway musical and the film, Ragtime was E.L. Doctorow's best known work, a celebrated novel that combines the syncopation of ragtime and the literary sensibilities of a writer intrigued by history as literary device. Set primarily in Westchester County's New Rochelle but also in New York City and, briefly, Massachusetts, the novel follows the stories of real and fictional characters as they move from innocence to disillusionment, from peace time to the beginnings of racial conflict and World War I.

Because the novel contains so many stories, some as short as a few pages (in the case of Freud) and some woven throughout the entire novel, describing the plot of the book is a challenge. The author primarily follows the lives of a New Rochelle family (Father, Mother, Younger Brother, and the Little Boy) as they navigate changing times. Father accompanies Peary on his exploration to the North Pole. Mother takes in a young black woman, Sarah, and her newborn, an impulsive act which leads to the introduction of ragtime pianist Coalhouse Walker and his simple demands which escalate into violence. Younger Brother becomes infatuated with the celebrated beauty Evelyn Nesbit, which in turn leads to his association with anarchist Emma Goldman. Harry Houdini's car breaks down in front of their house, and the novel enters his story as well. The family acts as a touchstone for the disparate stories of a generation. Meanwhile, the story of a counterpart family - Mameh, Tateh, and the Little Girl - unfolds in the ghetto, where the Jewish immigrant family struggles for survival. Unbeknownst to both families, their stories are linked by those of the others.

In syncopated prose that dissipates partway through the novel as the short age of ragtime gives way to jazz, Doctorow manages to infuse irony in short, seemingly unrelated sentences: "Everyone wore white in the summer. Tennis racquets were hefty and the racquet faces elliptical. There was a lot of sexual fainting. There were no Negroes." Since the novel is about the loss of the naiveté that gives birth to such generalizations, this kind of set-up allows for the numerous tales that shoot off in different directions.

The complicated novel is not demanding to read, although the huge cast of characters and the emphasis on history makes emotional identification with the characters difficult. If readers look at this novel as an Impressionistic look at life at the beginning of the 20th century, they will find more satisfaction than if they regard it as the story of Little Boy's family. The coherence of this novel comes from the brackets of an era and not from a tidy relation among the plots. I highly recommend this influential novel for serious readers and students of literature.

A Look at Factual History Through a Fictional Story
This book is very amusing, presenting an interesting story as well as portraying nonfictional characters (such as H. Ford, J.P. Morgan,Evelyn Nesbit,and Harry Houdini) in their true identity. One gets to experience the early century and pre-Great War era. Each chapter allows the reader to enter a life of character all intermingled with one plot.

As one reads, the reader experiences the times as an African American, an immigrant, and rich businessmen. What I enjoyed most was the immigrant (Tateh & Daughter) which reminded me of my Great Grandmother's trip into America for the first time.

After reading, I did background research on many characters. For what reason? to see if Doctrow was telling the truth about the nonfictional characters, such as J.P. Morgan. It turns out that Doctrow was on the dot with all characters, which shows the hidden secrets of people we thought we knew.

I find this book very entertaining. Although not recommended for anyone under the age of 16 for some sexual content and vivid descriptions, I think anyone of any age old enoguh, would enjoy the read. It is a very interesting and a page turning history lesson as well as drama.

After reading consider getting the CD for the musical, which very precisely follows the book.

America's Storyteller
E.L Doctorow's highly readable novels combine history, imagination, character development, a sense of time and place and beautifully controlled and paced writing. Doctorow's relatively early novel, "Ragtime" (1974) remains his best-known work. The book is a delight to read, moves with the feel of ragtime piano, and has a light happy surface. Yet the book combines many disparate threads and stories, a wealth of historical and fictional characters thrown together, and offers an unsettling vision of the United States at the turn of the century, c.1906. There is a complex, multi-layered vision at work here.

The story is told in the first person in the words of Young Boy, whose parents are Father, a successful manufacturer of fireworks and flags in New Rochelle, New York, and Mother, an increasingly frustrated houswife. Mother has a brother, referred to as "Mother's younger brother" who is infatuated with a notorious, (and historical) beauty and femme fatale of the day, Evelyn Nesbit, and who becomes an expert in the use of explosives in Father's fireworks business.

The story of this family slowly intertwines with that of a different American family -- Tateh, a Jewish immigrant from East Europe who at the beginning of the book is struggling as a silouette artist on Hester Street New York City, has young daughter, and Mameh, who through poverty and desparation has abandoned the family for a life of prostitution.

There is a third fictitious American intertwined in the story. Sarah is a young (18 years old) black woman who has a young child that come to live with Mother while Father is away exploring the North Pole with Peary. Mid-way in the novel, we meet the baby's father and Sarah's suitor, an older black man and a pianist named Coalhouse Walker. Coalhouse has studied ragtime with Scott Joplin. The book is redolent with Joplin's music including "Maple Leaf Rag" and "Wall Street Rag." Coalhouse, in his dignity and his violent rage, quickly becomes the chief protagonist of the book. Doctorow has resurrected the character of Coalhouse Walker; and as a much younger man he plays a prominent role in his most recent novel, "The March" (2005), a fictional retelling of Sherman's march through Georgia and the Carolinas in the Civil War.

But these characters and their interlocking stories are only a part of "Ragtime". Doctorow threads their stories in stunningly with stories of historical figures from early 20th Century America. The characters we meet include the escape artist, Harry Houdini, the anarchist Emma Goldman, J.P. Morgan, Henry Ford, Booker T. Washington, Sigmund Freud, Theodore Roosevelt, Scott Joplin, Evelyn Nesbit, her cuckolded husband, Harry Thaw, and her lover, the architect Stanford White, and several others. Some of these people have prominent roles in the stories while others have cameo parts. But their personalities in virtually every case shine through Doctorow's prose.

For all the elan, rambunctiousness, and lyricism of the story, "Ragtime" presents a picture of a United States plagued by racism, poverty, and violence. The story pivots on Coalhouse Walker's attempts to assert his dignity and manhood in the face of a racial slur in New Rochelle. These efforts lead inexorably to violence and to destruction. The excitement, flow and complexity of the stories carry the reader along but the dark undertow is never absent.

I think Doctorow is at his best in his portrayals of New York City in all its aspects. I was particularly impressed with his portraits of his life in the tenements with Tateh and his daughters, his scenes of the powerful in New York, (J.P Morgan and his meeting with Henry Ford), and the ubiquitous and lovingly-portrayed Emma Goldman. Doctorow's feel for New York City comes through in this book and in many of his later novels, including "Billy Bathgate" and "City of God".

In its musicality, lightness, and depth, "Ragtime" is the work of a great American storyteller. It, and its author, are destined to become American classics.

Robin Friedman