Product Description

A silent-film star. A woman who played children, wide-eyed and gamine, skipping about in frills and long curls. That's how most people remember Mary Pickford. In reality, Pickford was a towering figure in movie history, central to the evolution of film acting and the development of the Hollywood motion picture industry. Born in Toronto in 1892, Pickford began acting as a child. She switched from stage to film at seventeen, joining D.W. Griffith's Biograph Company, and became almost unimaginably popular. This allowed her to dictate the terms of her contracts--power she seized and consolidated. She developed her own production company at Adolph Zukor's Famous Players, and in 1919 she co-founded United Artists (along with Griffith, Charlie Chaplin, and her husband, Douglas Fairbanks), taking not only creative control but also direction of the marketing and distribution of her films.

Eight years in the making, this definitive biography brings Pickford to life as a complex knot of contradictions and establishes her as a groundbreaking genius, casting new light on one of the most influential and least understood artists in the history of popular culture. Eileen Whitfield recreates Pickford's life in meticulously researched detail, from her trying days in turn-of-the-century Toronto through her reign as mistress of Pickfair, the legendary Beverly Hills estate at which she and Fairbanks entertained the world's elite, to her sadly moving demise. Along the way, Whitfield explores the intricate psychology that tied Pickford to her mother throughout her life and analyzes Pickford's brilliant innovations in the art of film acting, her profound influence on the movie business, and her role in the history of fame: once the best known woman in the world, she was the object of a mass adoration that prefigured today's cult of celebrity.

Product Details

• Amazon Sales Rank: #69541 in Books
• Published on: 2007-08-31
• Original language: English
• Number of items: 1
• Binding: Paperback
• 488 pages

From Library Journal
Silent screen star Mary Pickford was "America's Sweetheart," capturing the imagination of the public as "Little Mary," the adolescent with spunk. She married swashbuckler Douglas Fairbanks, and with Charlie Chaplin and D.W. Griffith they formed United Artists, the first production company run by people who acted and directed. Pickford and Fairbanks were the closest thing to royalty that era had, but behind Pickford's success was personal unhappiness: she did not make the transition to adult roles or the "talkies," her marriage ended, and she died a reclusive alcoholic, almost forgotten. Though it does include delicious anecdotes from those who were there, this is not simply a typical celebrity biography but a "biography" of the times, that golden era when a star could dictate the tastes of the public and hide behind a glittering persona. Journalist and film reviewer Whitfield skillfully analyzes the social impact of Pickford and her films and delves behind the facade of fame. Though there have been other biographies of Pickford, this will stand as the definitive one. Highly recommended.?Rosellen Brewer, Monterey Bay Area Cooperative Lib. System, Cal.
Copyright 1997 Reed Business Information, Inc.

From The Washington Post
"This well-informed and passionate biography recaptures the essence of [Pickford's] films and pioneering artistry . . . a nuanced, three-dimensional portrait."

From Kirkus Reviews
A capable account of the life and times of one of the greats of the silent-movie era. Combining emotionally subtle, naturalistic acting with a sweet, wholesome demeanor, Pickford was one of the world's first film stars. For more than a decade she reigned as ``America's Sweetheart,'' starring in such silent classics as Rebecca of Sunnybrook Farm (1917) and Pollyanna (1920). As Whitfield relates, her marriage to Douglas Fairbanks in 1920 attracted the kind of attention and adulation normally reserved for royal weddings, and indeed, the two were often referred to as Hollywood's ``royal couple.'' Our age might be celebrity-obsessed, but the devotion paid to Pickford seem almost unintelligible today. This doggerel verse from the New York Dramatic Mirror, cited by Whitfield, was all too typical: ``Silent enchantress! Are any as blind to you/As not to feel the glad charm of your art?/Time spare the youth of you, fortune be kind to you,/Queen of the Movies and queen of my heart!'' Reluctant to break from the image that had made her so successful, Pickford continued to play adolescent girls--and sometimes boys--into her late 30s. Then sound was introduced, and though she'd been theater-trained, she just couldn't make the transition successfully. Her last years were straight out of Sunset Boulevard (for which she auditioned), as she took to drinking and reclusively shut herself away in her mansion. Whitfield, a film critic for Toronto Life, does a thorough but unexciting job of chronicling Pickford's career, from her desperately poor childhood in Canada (she went on the stage, originally, to help provide for her family) to her reluctant debut in films to her key role in founding United Artists. Sadly, many of Pickford's films have vanished. Any record of these losses, even an unremarkable one such as Whitfield's, thus ought to be valued by those who care about film. (60 b&w photos, not seen) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Fascinating Woman - Fascinating Book
This biography is comprehensive without being dry and "scholarly." It reads like a novel, and it is a surprisingly even-handed biography, illuminating Miss Pickford's genius while showing us her not-so-attractive side. Time is spent on the alcoholism that was a prominent part of the last half of her life, and on her fights with family, including her three husbands, her two adopted children and the friendships she made, cultivated or broken along the way.

A good deal of time is also spent on how United Artists worked in its inception, why the founders thought that such a company was necessary and on the politics inside the company throughout its history. There is a Notes section that tells us where the anecdotes and quotes come from, and a tantalizing bibliography that I will end up using in search of other books on Miss Pickford and on silent film in general.

Buddy Rogers and Douglas Fairbanks Jr. were still around when this book was being researched and written, and they, along with numerous others, seem to have shared insights that help us understand the lady, and Fairbanks sheds some light on her complex and lasting love with his father - they continued to be very close up until his death. This may be one of the last things that Fairbanks and Rogers contributed to, and if this is how they would be remembered, its not a bad thing.

If you are interested not only in her films (which run far afield of just the "Little Mary" whom we all have heard about and seen), and for an interesting, highly readable overview of silent film in general, this biography is a must read. I am personally glad I bought it for myself, rather than borrowing it from the library (as I do with many books), because as I learn more about the era and see more of her films, I'm sure I'm going to want to go back to it again (probably more than once).

Beyond the "Girl with the Curls"
I must recommend this biography by Whitfield, who exhaustively researched Pickford's life and "milestones" in breathtaking scope and clarity. Pickford, like others in her field of the silent era, endured poverty, the threat of separation from her mother and siblings... and worked on stage from the age of five. Pickford's mindboggling success,was the combination of angelic charm, savvy business sense, and being at the right place at the right time.
Pickford was a legend in her own time. A woman so popular she became the first and only celebrity to achieve the title of :America's Sweetheart. In Whitfeild's writing is both well researched and choc-a block full of privite anecdotes throughout; from her Father's accidental death, to working with Belasco and D.W Griffith (secretly marrying Owen Moore at 17), and Zukor, to selling war bonds with Chaplin and Fairbanks (husband #2), creating United Artists (1919) and moving on after the invasion of the "talkies". Also explored are her rivals in the industry (especially Gloria Swanson...Sunset Boulevard would have been all the more poignant had Mary starred in it), and her public loves (Owen Moore, Douglas Fairbanks, and later Buddy Rogers). Most fascinating is Pickford's steadfast devotion to her mother Charlotte, and her unsuccessful attempts to help her brother Jack and sister Lottie, who, like Mary became alcoholics. Through the strength of Whitfields data regarding Pickford, we begin to understand Mary's life from the dual -dilemma of her love of her fame and public, to the hold her career had on every decision she made, and how she at times, was paralyzed, as the "most recognized woman in the world."
Mary became typecast as "Little Mary" and she turned out some of the best movies of her generation with "Stella Maris(1919)
" Daddy Long Legs(1919)" "Little Annie Rooney(1925)" "Suds(1920)" "My best Girl(1927)"
She had great difficulty "growing up" in her roles, (which were met with opposition by devoted fans), and using more mature characters and subjects...this is evident in Kiki (1932) one of her attempts to break from her "girl with the curls" image.
(She eventually cut her curls in 1928 after charlotte died, mirroring a symbolic (umbilical cord) , cutting her past away.
Mary was unequaled at the pinnacle of her career, but her intense celebrity status that had became a source of great adoration, was followed abruptly with detachment and pain as old hollywood moved into "Talkies", and the Iconography of Mary was later constantly compared to Shirley Temple in the Thirties. Mary stopped making pictures alltogether by 1933. This wonderful book charts the ups and downs of her unimaginable career, personal life, with recorded insights from those who knew her best. She was an astonishing woman, and Whitfield, though respectful, brings humor, wit and insight into the biography of America's most mystifying "sweetheart". A +

fabulous
Since this is one of the very best biographies of a movie actor this longtime film buff has ever read, I have to say I don't understand other readers' quibbles with it. The book isn't just beautifully written and well-researched, it's full of insights, perceptions and thoughts -- which most biographies are terribly short of. Silent movies and silent-movie acting are difficult subjects to discuss in fresh and provocative ways, and here Whitfield also triumphs. Her book is a great introduction to the early days of film and of film stardom too. But beware: this isn't a pop or trashy biography, and it isn't fanzine stuff either. This is literate, intelligent work -- think Arlene Croce or Simon Callow. Could that be what some readers are annoyed by?