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Alla Prima: A Contemporary Guide to Traditional Direct Painting

Alla Prima: A Contemporary Guide to Traditional Direct Painting
By Al Gury

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Product Description

This comprehensive guide explores one of the great traditions of Western painting: alla prima, or direct, painting. Bold brushwork and a painterly surface are the hallmarks of this renowned technique, and one of the great masters of alla prima was Arthur DeCosta, the legendary Pennsylvania Academy of Fine Arts teacher. In Alla Prima, author Al Gury reveals the step-by-step lessons he learned in his years of study with DeCosta. From start to finish, with clear explanations of color mixing, palettes, drawing and layering, structure, brushwork, and more, Gury guides readers through the full alla prima process. Portraiture, still life, figure, and landscapes are explored, all illustrated with the work of the greats, from Rubens, Rembrandt, and Velazquez, through Degas, Manet, and Cezanne, to Sargent and Whistler. Today alla prima is the ideal choice for artists who want to return to skill-based training yet retain a contemporary style—and Alla Prima is the perfect guide to the technique.


Product Details

  • Amazon Sales Rank: #50326 in Books
  • Published on: 2009-01-06
  • Released on: 2009-01-06
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 160 pages

Features


Editorial Reviews

About the Author

Al Gury chairs the painting department at the Pennsylvania Academy of Fine Arts in Philadelphia. His work is exhibited at the F.A.N. Gallery in Philadelphia, where he lives.


Customer Reviews

The Student knows best5
I own and make use of over 900 books about art covering all the possible related topics in what is my field of business as a professional artist and part-time art teacher. Needless to say, I buy art books now only on their merits and not by reputation, even when they are written (as this one has been) by an esteemed teacher, Al Gury, Chair of the Painting Department at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pa. I have bought this one first of all for its clarity of presentation in explaining the direct painting method, and second, its generous use of close-up full color photo documentation of the actual painting process. There are many other reasons too such as the effective use as examples throughout the book of excellent historic and contemporary alla prima art works. Nothing about `Alla Prima' painting is left out or `jumped-over'. This is an important consideration. I find many art books on technique suffer from what I call `skip-over'. How many times have you been following an author/artist's text only to turn the page and see a photo of a nearly completely painted head or figure and the written command under it, "First, establish the form and correct colors." "Well, excuse me! If I knew how to do that would I be reading your "How-to" book?" Too many art books on technique are just excuses for beautiful reproductions or long-winded self-aggrandizements. Mr. Gury's book does have beautiful reproductions but every one of them is there to illustrate informatively, and they do it very well. As for `self-aggrandizement' it is obvious this book is a labor-of-love on behalf of Mr. Gury for his profession as an art teacher, and in grateful acknowledgement of his own teachers, such as Mr. Arthur DeCosta. Therefore, anyone purchusing this is not buying a book so much as they are receiving the keys to a long and worthy tradition in the visual arts. I have found that these keys really do unlock many a subborn door. Take, for example, the close-ups of his working palette in chapter four. Again, most books show the palette set up in the first chapter on `Materials', and then the you're lucky to catch a glimpse of it in the background, if at all, after that. Al Gury's palette is photographed repeatedly in use in each of the four genres demonstrated there. Do not be too quick to look away from these photographs of his working palette for Mr. Gury is providing you therein with a invaluable tool to master color mixing . Did you notice, for instance, that the "pools of color" on his palette, as he calls his spread- out paint mixtures, stay clean in their centers providing `a way back' to the original mixture, and by mixing on the edges of this `home base' rather than creating piles of single, separate hues, these latter colors are all related be they warm or cool, darker or lighter. This enforces a pleasing color harmony without hardly having to think about it!
I am fortunate to currently be a student of Mr. Gury's and have waited for the end of the academic semester to free my review of his book from any worries of favoritism by either of us. I am too serious a student and Mr. Gury too secure in his profession for any thing I say here, positive or negative to have the least consequence in our academic relationship. That observation alone is probably a better review of his worthy book than anything I have written above for you have the man, and his teaching, very much alive in this solidly useful book.

A Sensitive and Knowledgeable Book on Painting5
Al Gury is an artist's artist. When you're buying a book on how to approach painting, the author's experience and knowledge is tantamount. His work is admired by students and fellow artists alike, and as a teacher he is extremely sought after. If you can't take a painting class from this great instructor, this book is the next best thing. His approaches and explanations in the book are clearly reflected and practiced in his own work. As an artist and a landscape painting instructor myself, I can vouch that the simple approach is something that every artist keeps returning to, regardless of experience level or years painting. Indeed, many great and well-known artists continually sought to simplify their work and get back to those basic, all-important ideas. This book is a breath of fresh air in an overcrowded art book world.

Al Gury's approach to teaching is easy to understand and apply to one's own work, and most importantly, the information is coming directly from the source. Al Gury is an Associate Professor and Chair of the Painting Department at the Pennsylvania Academy of the Fine Arts, as well as an instructor at the Fleisher Art Memorial and the University of the Arts, all in Philadelphia.

Wonderful Book!5
Alla Prima is a book that artists, art students, art appreciators should have in their personal library. This is a beautiful book that touches on every aspect of Alla Prima painting, including demonstrations of portrait, landscape and still-life. Al Gury is knowledgeable of Art History, painting and an exceptional artist. This is a very organized book, with extremely useful information for all artists. As an artist and an art instructor I would highly recommend this book!