Product Description

Once described as "the most beautiful painter's drawings in existence," Georges Seurat's mysterious and luminous works on paper played a crucial role in his short, vibrant career. This comprehensive publication surveys the artist's entire oeuvre, from his academic training and the emergence of his unique methods to the studies made for his monumental canvases. Accompanying the first exhibition in almost 25 years to focus exclusively on Seurat's drawings, this volume presents approximately 130 works, primarily the artist's incomparable conte drawings along with a small selection of oil sketches and paintings. In an effort to bridge the seemingly opposite goals of description and evocation, Seurat masses dark and light tones to abstract figures, exploits medium and paper to amplify radiating light, and engages with the Parisian metropolis, revealing urban types, the industrial suburbs and nineteenth-century entertainment. Though Seurat is perhaps best known as the inventor of Pointillism, this volume demonstrates his tremendous achievement as a draftsman and his fundamental importance to the art of the twentieth century. It includes carefully selected details of the work, as well as reproductions from pages of Seurat's sketchbooks, which have never before been published. Texts by Jodi Hauptman, Karl Buchberg, Hubert Damisch, Bridget Riley, Richard Shiff and Richard Thomson address specific aspects of Seurat's techniques, materials, and subject matter. They are rounded out by a chronology, a selected bibliography and a detailed checklist.

Product Details

• Amazon Sales Rank: #71022 in Books
• Published on: 2007-11-01
• Released on: 2007-11-01
• Original language: English
• Number of items: 1
• Binding: Roughcut
• 272 pages

Customer Reviews

Reproductions of Drawings are not First Rate
I saw the show at MoMA on November 16, and could not wait to buy this book on Amazon. That was until I looked through the book at the musuem shop. Almost without exception, the reproductions of the drawings do not come close to capturing the wonderful drawings that I just saw. The same is true of the 15 or so painting in the show. Huge disappointment.

The book that does capture the greatness of the drawings and paintings is the catalogue from the 1991 exhibit at the Metropolitan Museum titled
GEORGE SEURAT 1859-1891 by Robert L. Herbert (available on this site).
Most of the drawings in the book under review were also in the huge Met
show.

Mesmerizing drawings by a Neo-impressionist French painter.
Parisian painter Georges Seurat (1859-1891) is perhaps best known as the founder of Neo-impressionism (Pointillism). His most famous painting, Sunday Afternoon on the Island of La Grande Jatte, altered the direction of modern art and is considered an icon of 19th century painting. For two years (1881-82) before working with colors, he devoted himself to mastering the art of black and white drawing in his small, Left Bank studio. I recently attended an exhibition of Seurat's conté drawings at the Museum of Modern Art in NYC. Published by MOMA, this volume of approximately 130 works is the result of that exhibition, and includes some of "the most beautiful painter's drawings in existence." Seurat's drawings of nineteenth-century Parisian subjects are mysterious and mesmerizing in their relationship between light and shadow.

G. Merritt

The unknown side of a master
This is a wonderful book, published to accompany the current exhibition at the MOMA in New York. High-quality illustrations with some close-ups of details (the texture of the paper even gives the reader the impression of holding an actual drawing because it resembles the grainy Michallet paper Seurat used) show how Seurat considered drawing an art form in its own right: some drawings are studies for paintings (The Bathers, The Models, The Grande Jatte...) and others are completely independent works of art. A sensible text helps the reader understand the artist's technique and style and an interesting chapter written by British contemporary artist Bridget Riley explains how her own art was influenced by Seurat's drawings. Highly recommended.