Product Description

"Mann's subjects are her small children (a boy, a girl, and a new baby), often shot when they're sick or hurt or just naked. Nosebleeds, cuts, hives, chicken pox, swollen eyes, vomiting--the usual trials of childhood--can be alarmingly beautiful, thrillingly sensual moments in Mann's portrait album. Her ambivalence about motherhood--her delight and despair--pushes Mann to delve deeper into the steaming mess of family life than most of us are willing to go. What she comes up with is astonishing." --Vince Aletti, The Village Voice "Immediate Family, which was published in 1990, must be counted as one of the great photograph books of our time. It is a singularly powerful evocation of childhood from within and without ..." --Luc Sante, The New Republic Afterword by Reynolds Price. Paperback, 11 x 9.5 in./88 pgs

Product Details

• Amazon Sales Rank: #38422 in Books
• Published on: 1994-04-01
• Released on: 2005-06-15
• Original language: English
• Number of items: 1
• Binding: Paperback
• 78 pages

Features

• ISBN13: 9780893815233
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Review
"[Mann's photographs] suggest that the camera is as adept at depicting the desires of the subconscious as it is in rendering the shapes of everyday life."--Andy Grundberg, The New York Times

"[Sally Mann] makes pictures of children-- luminously beautiful black-and-white images of mysteriously elfin children around [her] rural home in Lexington, Virginia. These are riveting, enigmatic narrative images...."--Ken Johnson, Art in America

"Sally Mann continues to probe the intimate life of her family and come up with startling, disquieting revelations. Mann's extraordinary picture of her nude daughter suspended like a shimmering white fish on a porch with unconcerned adults resonates in your mind like a dream."--Vince Aletti, The Village Voice

"The photographs are beautiful and strange, like a dream of childhood in the summer. They are not your usual pictures of the children to send to the grandparents; they are pictures to send to the Museum of Modern Art."--Janet Malcolm, The New York Review of Books

"Immediate Family, which was published in 1990, must be counted as one of the great photograph books of our time. It is a singularly powerful evocation of childhood from within and without, tender and vertiginous and scary, employing a large photographic vocabulary to render precise ambiguities. Mann [constructs] a style that is much more far-ranging than the average contemporary photographer would permit him or herself, and yet identifiable and cohesive."--Luc Sante, The New Republic
-- Review

Review

About the Author
Sally Mann has exhibited and taught nationally. Her work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Chrysler Museum, the Corcoran Gallery, the San Francisco Museum of Modern Art, and other major collections around the country. She has received grants from the NEA, the NEH, the Friends of Photography, and the John Simon Guggenheim Foundation. She lives in Lexington, Virginia, with her husband and three children, whom she continues to photograph as part of an ongoing project. All of the photographs in Immediate Family were taken with an 8-by-10-inch view camera.

Reynolds Price was born in Macon, North Carolina, in 1933. His 1962 novel A Long and Happy Life received the William Faulkner Award for a notable first novel, and has never been out of print. He has published numerous other books, including Kate Vaiden, for which he received the National Books Critics Circle Award. He has also published volumes of short stories, poems, plays, essays, a memoir, and he has written for the screen and for television. He is a member of the National Academy and Institute of Arts and Letters and is James B. Duke Professor of English at Duke University.

Customer Reviews

seminal work
This collection of works is undoubtedly a seminal work for contemporary fine art photography. Sally Mann's print work is without a doubt some of the most competant and breathtaking I have ever seen. Her scenes are rich with subtle tones and almost ethereal luminance that captivates the viewer. I would not be surprised if she is remembered as much for her printing as she is for the controversial subject matter.

The book deals with childhood in a very honest unashamed way. This is problematic for some viewers who think that pictures with children should only portray their happiest moments. This subject matter may not be suitable for the rigid-minded and certainly will be unpleasant for those who believe children, unlike the rest of humanity, can only be presented as cheerful little sprites. The book challanges the viewer and brings up issues of how our cultures representations of female sexuality are interpreted and acted out by young girls. Beyond that it refuses to entertain the idea that nudity in children is necesarily harmful and exploitative. These issues are broached in a beautiful, delicate way. The lives of her children are portrayed honestly and respectfully as she sees them through her lens.

Beautiful, nostalgic, startlingly honest
Sally Mann's "Immediate Family" is startling when you first open it. Not because the children who are so often her subjects are nude much of the time, but because the scenes immediately draw you in and hold you like a feather gripped by a dirty-faced wild child. I grew up in rural Tennessee, and though I didn't have the freedom of the Mann children in some ways,I feel an affinity with them unlike any other children I've seen in these kinds of collections and was instantly transported back to my early years. My favorite pictures are "Crossed Sticks", which perfectly depicts the energy and vitality of childhood, and "Virginia at 3", which inspires both curiosity and empathy in me whenever I see it. I'm glad someone like Sally Mann is out there to portray childhood honestly and fearlessly, and I will treasure this book.

Mann Captures Childhood's Natural Beauty
It's hard to see why there has been such a legal fuss over the photos contained herein, especially the luminous photos of older daughter Jessie, who was interviewed in the 1993 documentary "Blood Ties", which showed other photos not in the book [alas]. I only hope Mann has a chance to have published other photos of her children from this period, as well as some feom the 4 or 5 years immediately after [from about 1990 to 1995]. In the documentary, daughter Jessie was completely relaxed about all of the fuss, and seemed relaxed about being photographed without any clothes on in several photos. She wore nothing in several unpublished photos I've seen from the same period, like photos entitled "Venus After School", and "The Good Daughter". In an Aperture magazine retrospective on her from the early 2000's, she was very succinct in stating that she saw nothing wrong in any of this, and even more previously unpublished photos were published for the first time, proving that Jessie could be the subject of her own book. Here's hoping! This book is not to be missed! Don't let the controversy scare you away, before it's out of print for good!