Product Description

"I do not photograph nature, I photograph my fantasy," Man Ray proclaimed, and he found in the camera's eye and in light's magical chemistry the mechanisms for dreaming. Schooled as a painter and designer in New York, Man Ray turned to photography after discovering the 291 Gallery and its charismatic founder, Alfred Stieglitz. As a young expatriate in Paris during the twenties and thirties, Man Ray embraced surrealism and dadaism, creeds that emphasized chance effects, disjunction, and surprise. Tireless experimentation with technique led him to employ solarization, grain enlargement, mixed media, and cameraless prints (photograms)--which he called "Rayographs". These successful manipulations for which he was dubbed "the poet of the darkroom" by fellow surrealist Jean Cocteau, were a major contribution to twentieth-century photography. Man Ray presents forty-three of the greatest images from the artist's career. The essay by Jed Perl describes the influences on Man Ray's career and his enduring contribution to photography. Hardcover, 8 x 8 in./96 pgs

Product Details

• Amazon Sales Rank: #770090 in Books
• Published on: 1997-09-30
• Released on: 2005-06-15
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 96 pages

About the Author
Born in 1890 in Philadelphia, Man Ray began as a painter, not taking up photography until 1915, around the same time he had his first one-man show of paintings in New York. A surrealist living in Paris during the twenties and thirties, he hoped to change or "transform" photography into a new kind of art. In 1922, an album of his first cameraless photos, the "Rayographs," were introduced, and a year later his first avant-garde film using the same technique was shown. During the forties he moved to Hollywood, where-- even though he still photographed-- painting once again became his main focus. After returning to Paris in 1952, he was awarded the Gold Medal for Photography at the Biennale, Venice in 1962. His work was also shown in leading museums in Paris, Los Angeles, Rotterdam, and Denmark. He died in France in 1976, and in 1988 was given a major retrospective exhibition with the National Museum of American Art (Smithsonian Institution, Washington, D.C.).

Customer Reviews

A Good Portal Into the Work of Man Ray
Aperture's "Master of Photography" collections are economical, well put together samplers of some of this century's best known photographers, and are a good starting point for those relatively unfamiliar with an artist's work. The emphasis is on providing a representative image from all stages in the photographer's career (a long, diverse one in the case of Man Ray)so depth in the era the photographer did his most important work is sacrificed to chronological breadth.

The reproductions are good, but not exceptional. Some of the images lacked the glow - the sense of captured light - seen in higher-end reproductions of the images. This slight deadening of the images was most apparent in Man Ray's wonderful solarized photos - images with a which when reproduced well seem to be lit from within.

Art and photography books are perhaps the least suited for e-commerce as we know it today. Some of my favorite images were not in the Aperture books, and I would have been able to see this before buying by thumbing through the book at a traditional bookstore. Hopefully, as technology advances, Amazon will allow us to "thumb through" these books of images on-line, by being able to view all the images electronically before buying.

All in all, this Aperture series is a good, inexpensive place to get started for someone who would like to see representative images of an artist with whom he or she is unfamiliar. They are not by any means comprehensive works, nor do they have the most beautiful reproductions of some of the mostmemorable images of this century. These books are, however, much less expensive than museum catalogs, have intelligent introductory essays, and are printed passably - they serve a valuable purpose in making the work of these photographers more accessible, and encouraging further exploration into an artist's work.

kind of disappointing
I bought this book expecting it to be a basic guide on Man Ray's work. The problem is it happens to be a little too basic. You can't find Man Ray's most expressive work, except for "Tears" (only on the cover), "Le Violin d'Ingres", "Mask of Woman", "Le Priere" and a few Rayographs. It seems to be a biographic record instead of an art book, although it doesn't blur the genius of Man Ray's photographs.