Product Description

"We all tell stories which are versions of history—memorized, encapsulated, repeatable, and safe. Stories can be rewritten, memory can’t. If each picture is a story, then the accumulation of these pictures comes closer to the experience of memory, a story without end." —Nan Goldin

This book accompanies an exhibition of Nan Goldin’s photographs, drawn from the private collection of Gerry and David Pincus and jointly organized by the Palmer Museum of Art at The Pennsylvania State University and the Pennsylvania Academy of the Fine Arts. Over the last thirty years, Goldin has attained international fame as a photographer who, building on the tradition of Robert Frank and Diane Arbus, has documented the lives of outsiders. But in Goldin’s case, the outsiders are her bohemian friends, whom she depicts with poignant and sometimes brutal honesty.

Jonathan Weinberg’s essay for this catalogue considers a number of Goldin’s now-classic photographs as well as her more recent, almost Baroque forays into landscape. In contrast to most earlier writers on Goldin’s work, who have emphasized its documentary character, Weinberg addresses the ways in which Goldin’s photographs might be said to constitute "fantastic tales." Weinberg considers the narrative construction of Goldin’s work from a double perspective—personal as well as critical—that complicates even as it enriches his interpretations.

Product Details

• Amazon Sales Rank: #708838 in Books
• Published on: 2005-10-30
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 91 pages

Features

• ISBN13: 9780911209631
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Review
"We all tell stories which are versions of history - memorized, encapsulated, repeatable, and safe. Stories can be rewritten, memory can't. If each picture is a story, then the accumulation of these pictures comes closer to the experience of memory, a story without end." - Nan Goldin

About the Author
Jonathan Weinberg’s many publications include Speaking for Vice (1993); Ambition and Love in Modern American Art (2001); and Male Desire: The Homoerotic in American Art (2005). He is co-editor of The Social and the Real, forthcoming from Penn State Press. His paintings are in the Metropolitan Museum of Art and other important collections.

Joyce Henri Robinson is Curator at the Palmer Museum of Art and Affiliate Associate Professor in the History of Art Department, The Pennsylvania State University. Her numerous publications include An Endless Panorama of Beauty (2003), also distributed by Penn State Press.

Customer Reviews

love her
The photo of the book here on Amazon does not do it justice. It is bound beautifully and is very sturdy.
Some of her best and most important images are here-Christmas at the Other Side, Nan and Brian in bed, Gotscho kissing Guilles, among others-some I haven't seen anywhere else.
The essay is also very personal. It reveals Nan Goldin more intimately than other books, exploring her intention to preserve the present by photographing...although ultimately, as she puts it, the photographs have shown her how much she has lost. The essay combined with the amazing photographs (printed on quality paper) creates an intense emotional environment.