Product Description

A celebrated, popular, and influential figure in American art, Chuck Close has focused exclusively, and with great innovation, on the genre of portraiture. This exhibition, co-organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, explores the artist's work in self-portraiture over four decades and across a variety of media, including painting, drawing, photography, collage, and printmaking. The first comprehensive museum survey of Close's self-portraits, the exhibition and its accompanying publication offer a fascinating glimpse of an artist's self-examination and evolution over time and elucidate his unbounded, process-driven experimentation with media and techniques. Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink-jet prints; from the subtle tonalities of gray-scale paintings and drawings to the exuberance of an 111-color screenprint. When Close unleashes his imagination on his own visage, this familiar figure is at his most revealing. Essays by Siri Engberg, Madeleine Grynsztejn and Douglas R. Nickel. Foreword by Kathy Halbreich and Neal Benezra. Hardcover, 9 x 11.5 in./152 pgs / 100 color and 50 b&w.

Product Details

• Amazon Sales Rank: #528197 in Books
• Published on: 2005-08-15
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 152 pages

Customer Reviews

An Artist's Progress: Perception and Representation
Chuck Close is an artist's artist. During his long career he has created different ways for us to view reality, breaking up images into 'pixels' and then reconstructing those units to enhance the original image. Close works from a wheel chair and yet from that vantage he has created monumental works on paper and canvas that defy imagination.

In this fine book, a catalogue accompanying an exhibition co-organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, the subject matter is self portraiture and serves as a survey of the myriad, innovative ways Close has approached the image of his own face in various media. According to the book well written by Siri Engberg, Close as innovatively used 'collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink-jet prints; from the subtle tonalities of gray-scale paintings and drawings to the exuberance of an 111-color screenprint'.

But the words, though impressively describing technical aspects of Close's art, pale in comparison to the visual images his imaginative processes produce. The book is well illustrated and serves as a fine, scholarly investigation of just how successful Close has become. His stature in the art world, a world constantly changing and re-inventing itself, is secure as one of the greats an artist ever challenging his own perceptions and techniques of creativity. And this very fine book substantiates his standing. Highly recommended. Grady Harp, November 05