Product Description

This first volume of The Library of America's complete prose works of Herman Melville includes three romances of the South Seas. "Typee" and "Omoo," based on the young Melville's experiences on a whaling ship, are exuberant accounts of the idyllic life among the "cannibals" in Polynesia. They remained his most popular works well into the 20th century. "Mardi" ("the world" in Polynesian) is a mixture of love story, adventure, and political allegory, set on a mythical Pacific island, that looks forward to the complexities of "Moby-Dick." Together, these three romances give early evidence of the genius and daring that make Melville the master novelist of the sea and a precursor of modernist literature. Two companion volumes--"Herman Melville: Redburn, White-Jacket, Moby-Dick" and "Herman Melville: Pierre, Israel Potter, The Piazza Tales," "The Confidence Man, Uncollected Prose, and Billy Budd" complete this edition of Melville's prose.

Product Details

• Amazon Sales Rank: #170988 in Books
• Published on: 1982-05-06
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 1333 pages

About the Author
G. Thomas Tanselle, editor of this volume, is vice president of the John Simon Guggenheim Memorial Foundation. He has written on bibliography and publishing history and is an editor of the Northwestern-Newberry edition of The Writings of Herman Melville. OMOO: A Narrative of Adventures in the South Seas

Customer Reviews

The Growth of a Seeker
Among the early products of the wonderful Library of America Series were three volumes devoted to the novels of Herman Melville. This volume consists of Melville's first three novels, Typee(1846), Omoo(1847) and Mardi (1849)

Melville's novels are based, more or less loosely, on his life at sea. The first two novels describe voyages to the Marquesas and to Tahiti. They are filled with lush descriptions of scenery, and tales of adventure. Of the two, Typee is filled with encounters with cannibals and Polynesian maidens while Omoo presents a wider canvas of characters and scenes. Both books emphasize the sexual openness and relative simplicity of Polynesian life as compared to life in the United States and both books are critical as well of attempts to Christianize the islanders. These are not unusual themes today and probably were not as radical in the 1840s as one might suppose. The stories are well told and the descriptions alluring. These books made Mellville's reputation as a young writer.

Mardi, however, is the gem of this collection. Its relationship to the earlier novels can be analogized, say, to the relationship between the young Beethoven's first symphony on the one hand and the growth of language and thought in the second and third symphonies on the other hand. Melville prefaces the book with the note that his first two books were fact-based but were received with "incredulity" while Mardi was pure romance and "might be recieved for a verity." (Little likelihood of that)

The book as in a baroque, ornate, and bravado style that Melville would bring to completion in Moby Dick. It is an allegory involving the search for Yillah, a strange, mthical maiden, through the seas of Mardi -- Polynesian for "the world". The narrator is accompanied by King Media, by the philosopher Babbalanja, the singer Yoomi, and the historian Mohi. There are many wonderfully exasperating discussions. They wander far and wide in search of Yillah and in there wandering we here many religious allegories and many depictions of the Europe and United States of Melville's own time. There are shadowy maidens, villans, long scenes in the empty wide ocean, and pages of Melvillian thought and bluster.

The book is high American romanticism and presents a religious and personal quest by the narrator that resounds of similar quests by many in our own day. For example, there is a famous unfinished novel of the religious quest called Mount Analogue by a French writer, Duhamel, which fits quite compactly into just a few chapters of Mardi. Mardi is a long, maddenlingly difficult book but worth the effort.

Americans can learn about themselves by learning about their literature and this book is a fitting place to start (or continue). For those with the patience, it is worth reading these books in order (perhaps with other reading sandwiched in between) to discover the growth of a great and troubled American writer and chronicler of the inward life, as well as of sea journeys.

Praise and lament: unlucky compromise
I have said in a few other reviews that I like the LoA very much. The 3 volume Melville edition is no exception. And yet!
The normal size of the volumes is around 800 to 1000 pages. This first volume of Melville with Typee, Omoo, and Mardi, gets to nearly 1400. That is more than can be conveniently handled, and the main problem is, that space has been saved in the bio and notes sections. The LoA volumes usually include a useful summary of the writer's biography and a section of notes on the texts. The notes ideally explain text variants but also obscure names and references in the text. There are plenty of such names and references here, particulary in Mardi. The notes section of this volume is however unsatisfactory; I am sure this is due to space considerations. Would it have made sense to stretch the edition to 4 or 5 volumes and keep them handier? That would have left volume 1 with a sub-par size of less than 700 pages. Including a later shorter text would have disturbed the sequence, which would have been bad due to the contents relation of the 3 texts included now. In other words: what to do? All considered, I would vote for the shorter and handier volume, i.e. here just Typee and Omoo, with Mardi plus Redburn in volume 2, plus a much expanded note and bio section.
(I am still in the middle of Mardi, which is a marvel and a mystery, and will review it separately.)

Herman Melville,Typee,Omno,Mardi

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Per Sulland