Product Description

A master of naturalism, Theodore Dreiser brought the American novel into the twentieth century. Fascinated by the city street, its parade of fashion and its threat of poverty and degradation, his journalistic eye lets us see as they were first seen the now familiar realities of modern living. "Sister Carrie" traces the fate of a small-town girl drawn into the brutal metropolitan worlds of Chicago and New York, and Sinclair Lewis called it "the first fresh air since Mark Twain and Whitman." "Jennie Gerhardt"'s vital but naive heroine emerges superior to the succession of men who exploit her. With honest emotion and respect for unvarnished truth, "Twelve Men" muses on the exemplary lives of ordinary men in search of lasting values with which to face the new century. Together, these three works exemplify the energy, originality, and genius of one of the great modern American writers.

Product Details

• Amazon Sales Rank: #395946 in Books
• Published on: 1987-06-15
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 1168 pages

Features

• ISBN13: 9780940450417
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Review
"Jennie Gerhardt" is the best American novel I have ever read, with the lonesome but Himalayan exception of "Huckleberry Finn." -- H.L. Mencken

From the Publisher
The Library of America is an award-winning, nonprofit program dedicated to publishing America's best and most significant writing in handsome, enduring volumes, featuring authoritative texts. Hailed as "the most important book-publishing project is the nation's history" (Newsweek), this acclaimed series is restoring America's literary heritage in "the finest-looking, longest-lasting edition ever made" (New Republic).

About the Author
Richard Lehan, editor of this volume, is emeritus professor of English at the University of California, Los Angeles. He is the author of "Theodore Dreiser: His World and His Novels," and of studies of F. Scott Fitzgerald and Ernest Hemingway.

Customer Reviews

unclear
These novels of course represent the best in literature, but LOA has left it unclear whether their version of Sister Carrie and Jennie Gerhardt are the unexpurgated or heavily edited, tamed-dowm versions, the former recently released by Penguin Books. If not, this volume would be of little interest.

A highwayscribery "Book Report"
Theodore Dreiser's works hold up well as storytelling while offering the added advantage of being timepieces.

"Sister Carrie" and "Jennie Gerhardt" are similar tales of young girls whose youthful sexuality aid their flight from poverty.

Carrie and Jennie are sympathetic, nonetheless, because their climbs up the social latter are propelled, not by their own guile, but by that of the wealthy men who would deign to enjoy their youthful bounty.

Both attain fates that are only satisfactory and we will leave it at that so as not to spoil either novel's end point.

Dreiser wrote in a smooth style with more than a touch of density to it. He often erred on the side of expository writing, describing events and also telling you what they meant, rather than hitching them to action.

Nonetheless, the tales can hook you and make for engrossing reading because of the writer's thoroughness and the extreme polish he gave the prose.

The "Twelve Men" portion of the book is lengthy as either novel, without the advantage of narrative continuity, but still offers much. The characters are colorful, but unique mostly as products of a time that has passed and therefore impossible to duplicate or find in contemporary types.

Althought he lived well into the 1940s, these works are essentially post-Civil War works rendered by a younger man of German family reared in Indiana. His America is that of the Industrial Revolution. It is that bygone America where the beehive of industry is clustered along the shores of the Great Lakes.

Its gritty capitals are Chicago, Columbus and Cleveland. Their supporting casts are the smaller towns of his home state, Illinois, and Ohio. Railroads are king and the poor loiter around tracks looking for spare bits of coal that drop from hopper cars to warm their homes.

His New York is the New York of Broadway when Broadway was alone and uncontested by the film business for supremacy in the world of spectacle. It is the New York of the horse-drawn carriage and mule-driven dray, of the great Gilded Age fortunes.

This Library of America collection offers a view of these bygone eras and the people who strove in them through the skilled writing hand and practiced journalist's eye of an American literary stalwart.