Product Description

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.

Product Details

• Amazon Sales Rank: #7326 in Books
• Published on: 2004-06-08
• Released on: 2004-06-08
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

Features

• ISBN13: 9781400033423
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Morrison's earthy, poetic voice compliments perfectly the fantastical and mythical elements of Song Of Soloman. A world where fathers fly in clouds of rose petals, and women can cast spells. The text is perfectly suited for an audio rendition - as poetry, songs and the spoken word feature so heavily in the book.

Morrison narrates for three hours and lays out before us the complex lives and backgrounds of four generations of black family life in the south. Central is the character Milkman--an unfortunate nickname owed to his lengthy nursing period and delayed coming of age. Although a late starter, Milkman develops into a fundamentally strong person, who eventually learns to cherish his family and the importance of his roots.

The narrator breathes life into an intriguing and diverse set of characters--from violent criminals to devout parents. Through them Morrison explores complex social and racial issues using luscious lyrical language This text refers to the audiobook edition of this title.

Review
"When you know your name, you should hang on to it, for unless it is noted down and remembered, it will die when you die." And the scribbled no-name "Macon Dead," given to a newly freed black man by a drunken Union Army officer, has stained out a family's real name for three generations, and then we meet the third "Macon Dead," called "Milkman." Raised among the sour hatreds of the richest black family in a Michigan town, Milkman learns not to love or make commitments, learns to turn away from his father's hard, tight greed, his mother's unloved passivity, his sisters' sterile virginity. He stands apart from his outcast aunt Pilate (a figure reminiscent of Sula, living beyond all reason), a "raggedy bootlegger" who keeps her name in a box threaded to one ear. And he stands above the wild untidy adoration of his cousin Hagar, above the atrocities against blacks in the 1950s, even while his friend organizes a black execution squad. However, when Milkman's father opens the door to a family past of murder and flight, Milkman - in order to steal what he believes is gold - begins the cleansing Odyssean journey. His wanderings will take him through a wilderness of rich and wonderful landscapes murmuring with old tales, those real names becoming closer and more familiar. He beholds eerie appearances (an ancient Circe ringed with fight-eyed dogs) - and hears the electric singing of children, which holds within it the pulse of truth. Like other black Americans, Milkman's retrieval of identity from obliteration helps him to shake off the "Dead" no-name state of his forebears. And, like all people, his examination of the past gives him a perspective that liberates the capacity for love. Morrison's narration, accomplished with such patient delicacy, is both darkly tense and exuberant; fantastic events and symbolic embellishments simply extend and deepen the validity and grace of speech and character. The gut-soul of Roots, with which this will be recklessly, inevitably linked, and a handsome display of a major talent. (Kirkus Reviews)

Review
“A rich, full novel. . . . It lifts us up [and] impresses itself upon us like a love affair.” —The New York Times Book Review

“Exuberant. . . . An artistic vision that encompasses both a private and national heritage.”

“A rhapsodic work. . . . Intricate and inventive.” —The New Yorker

“Stunningly beautiful. . . . Full of magnificent people. . . . They are still haunting my house. I suspect they will be with me forever.” —Anne Tyler, The Washington Post

“If Ralph Ellison’s Invisible Man went underground, Toni Morrison’s Milkman flies.” —John Leonard, The New York Times Book Review

“It places Toni Morrison in the front rank of contemporary American writers. She has written a novel that will endure.” —The Washington Post

“Lovely. . . . A delight, full of lyrical variety and allusiveness. . . . [An] exceptionally diverse novel.” —The Atlantic Monthly

“Morrison is a terrific storyteller. . . . Her writing evokes the joyful richness of life.” —Newsday

“Morrison dazzles. . . . She creates a black community strangely unto itself yet never out of touch with the white world. . . . With an ear as sharp as glass she has listened to the music of black talk and uses it as a palette knife to create black lives and to provide some of the best fictional dialogue around today.” —The Nation

“A marvelous novel, the most moving I have read in ten years of reviewing.” —Cleveland Plain Dealer

“Toni Morrison has created a fanciful world here. . . . She has an impeccable sense of emotional detail. She’s the most sensible lyrical writer around today.” —The Philadelphia Inquirer

“A fine novel exuberantly constructed. . . . So rich in its use of common speech, so sophisticated in its use of literary traditions and language from the Bible to Faulkner . . . it is also extremely funny.” —The Hudson Review

“Toni Morrison is an extraordinarily good writer. Two pages into anything she writes one feels the power of her language and the emotional authority behind that language. . . . One closes the book warmed through by the richness of its sympathy, and by its breathtaking feel for the nature of sexual sorrow.” —The Village Voice

“Morrison moves easily in and out of the lives and thoughts of her characters, luxuriating in the diversity of circumstances and personality, and revelling in the sound of their voices and of her own, which echoes and elaborates theirs.” —The New Yorker

Customer Reviews

One of Toni Morrison's best novels
With passion and a voice that sings with beautiful detail and magic, Toni Morrison's third novel, published in 1977, is a powerful tale that follows the lives of a black family and their friends living in a Michigan city. In 1931, Macon Dead III, later nicknamed Milkman, is prematurely brought into the world, the first black child born in Mercy Hospital, just after his mother witnesses the brief flight of a man determined to fly from the cupola of the hospital. Although the novel revolves around Milkman, the stories spun out from him embrace a wide variety of characters and experiences. Morrison explores the lasting stamp of slavery through the name of Macon Dead; the intimate culture of women through Pilate, Reba, and Hagar; the hunger for property and respectability through Milkman's father; the idea of one's "people" through those in the South who have not forgotten connections; the violence of civil rights through Guitar; and many more issues facing blacks of the times and today. Despite the resonance of history, this novel is ultimately about its people and their eagerly lived lives. Morrison plunges her readers into their hearts with a humanity and skill too few novelists possess. The result is a remarkably emotional and intelligent story that will stay with you for a long time.

Readers should not be intimidated by Morrison's Nobel Prize Winner status, as this novel, like most of her others, is written in startling but accessible language. You don't need an advanced degree (or even a specific race or gender) to slip into her magical prose. Her characters are real and fully realized, and feel like friends, even when you might want to shake them to their senses. Although some readers will be puzzled by the end, wanting perhaps the next sentence that explains it all, Morrison has included by her omission the real meaning of her book. Visit with it for a few moments before closing the cover.

I highly recommend this book for a wide range of readers, from high school students to adults. Even though it was written in the 1970's, its themes and characters still have relevance today. Morrison is one of the world's literary gifts, and should not be missed. THE SONG OF SOLOMON is one of her best novels.

Tears, ebony tears, that turn to type and illuminate....
I've read SOS going on four or five times now, floored, awestruck, enraptured each time, every twist and turn a new surprise arrives. Milkman is a wonderful archetype for a Black man searching for what he can claim as his own. His mind, his body, his sex, money? What is his and not tainted by the past, by racism, by internal family feuding? This is what I call a "Patience Book", you have to sit with it the way you would sit with a child on a Sunday afternoon. Patience. You have to breathe in rhythm with this book. Morrison is one of those few writers that it's silly to ask all of your questions of even after you finish the book. Pick it right back up and breathe, savor each page, have patience. It is not an easy read for it is literature and you are reading, truly reading. Not surfing through pulp fiction knwoing that the hero lives, the heroine is saved and everybody sleeps well on the last page. Uh uh. Patience. What else but patience could you use to understand Magdalene, Pilate, Corinthians? My all time, all time, all time favorite literary scene that chills me, tears me up, knocks me around hard and then uplifts me: Pilate at the funeral. "That was my baby, That's my baby, AND SHE WAS LOVED!"

Honey, welcome to real African American literature, impossible to translate to film for this is patience reading. Patience, free at last, free at last!

Classic! A masterpiece!
"Song of Solomon" is the third book I've read of Toni Morrison. The prose is beautiful, subtle and unique. She is the winner of both the Pulitzer and the Nobel Prize. Read this novel, and you will understand why!

From the fantastic opening scene - when Robert Smith, the insurance collector, is about to "fly" from the top of a building, some forty, fifty people gathered on the ground to watch. One of them, a woman is standing there, singing, and another woman entering labor - to the ending, this book held my full attention. I just could not put this book down!

In telling this beautiful story, Morrison cleverly mix together elements of magic, myth, and folklore. The style of the book reminds me of the book "One hundred years of Solitude" by Gabriel García Márquez. Both novels share many similarities, and they are books which you have to "think" while reading them.

The characters in "Song of Solomon" are each very well developed. It is almost as if you know them all personally and one cannot help but to care deeply for them all. This is the only book I have read by Toni Morrison that features a male lead. I wouldn't know, but based on the opinion of other reviewers on Amazon.com Morrison masters the task of "being male" perfectly well.

"Song of Solomon" is considered to be Toni Morrison's masterpiece, and the novel is one of my all-time favorites. If you read only one novel by Toni Morrison, it should be this one!