Product Description

Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.

When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. 

Product Details

• Amazon Sales Rank: #13041 in Books
• Published on: 2004-09-14
• Released on: 2004-09-14
• Original language: English
• Number of items: 1
• Binding: Paperback
• 307 pages

Features

• ISBN13: 9781400076949
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Purple Hibiscus, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled "Omelora" (One Who Does For the Community), knows why Kambili¹s brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. --Regina Marler

From Publishers Weekly
By turns luminous and horrific, this debut ensnares the reader from the first page and lingers in the memory long after its tragic end. First-person narrator Kambili Achike is a 15-year-old Nigerian girl growing up in sheltered privilege in a country ravaged by political strife and personal struggle. She and her brother, Jaja, and their quiet mother, who speaks "the way a bird eats, in small amounts," live this life of luxury because Kambili's father is a wealthy man who owns factories, publishes a politically outspoken newspaper and outwardly leads the moral, humble life of a faithful Catholic. The many grateful citizens who have received his blessings and material assistance call him omelora, "The One Who Does for the Community." Yet Kambili, Jaja and their mother see a side to their provider no one else does: he is also a religious fanatic who regularly and viciously beats his family for the mildest infractions of his interpretation of an exemplary Christian life. The children know better than to discuss their home life with anyone else; "there was so much that we never told." But when they are unexpectedly allowed to visit their liberated and loving Aunty Ifeoma, a widowed university professor raising three children, family secrets and tensions bubble dangerously to the surface, setting in motion a chain of events that allow Kambili to slowly blossom as she begins to question the authority of the precepts and adults she once held sacred. In a soft, searing voice, Adichie examines the complexities of family, faith and country through the haunted but hopeful eyes of a young girl on the cusp of womanhood. Lush, cadenced and often disconcerting, this is an accomplished first effort.
Copyright 2003 Reed Business Information, Inc.

From School Library Journal
Adult/High School-Kambili, 15, and her older brother, Jaja, live under a brutal dictatorship in their native Nigeria and also in their home. Their father beats them and their mother for the slightest perceived offense. Papa is also a fanatic Christian who gives freely of his immense wealth and is admired by all. The children's world changes when they are allowed to visit their Aunty Ifeoma, who teaches in a university town nearby and lives a relaxed life on little money. Her children talk back, have messy rooms, and help cook wonderful food. And their beloved grandfather, Papa-Nnukwu, favors the old gods. Kambili meets Father Amadi, a liberal priest, and falls in love with him. Upon Nnukwu's death, Papa arrives to take them home, but Jaja now questions his authority, and when Papa finds Kambili with a picture of her heathen grandfather, he kicks and beats her so severely that she is hospitalized. Mama poisons Papa's food, but Jaja confesses to the murder and is imprisoned. The Nigerian government falls; Aunty Ifeoma loses her job and leaves with her children for America; and Father Amadi leaves for his next assignment. Yet there is hope that after three years in prison, Jaja will be released, and Mama finally smiles. Aunty Ifeoma and their cousins have brought joy and laughter to Kambili and Jaja, and that cannot be taken away. This is a harsh story, almost unbearable at first, but beautifully written.
Molly Connally, Chantilly Regional Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Customer Reviews

(4.5) A family torn by conscience and duty
In Purple Hibiscus, we listen to the plaintive voice of Kambili, whose skill at language does not extend to the spoken word, as those necessary words remain trapped in her throat, a girl who knows her place and keeps her silence. In Kambili's family, there are too many things "we never talk about". Growing up in the political upheaval of Nigeria, Kambili and her older brother, Jaja, are poster children for domestic violence, quiet, well-mannered, high achievers that their father points to with pride, "his" children: extensions of himself in the world. A generous man, beloved in their village, only Eugene Achike's nuclear family suffers his rages behind closed doors.

Jaja's emotions are closer to the surface, more accessible to his spirit of rebellion. But Kambili is her mother's daughter, cautious, constrained and eager to please. Her slow awakening is all the more significant because of the tremendous act of will necessary to break free of her conditioning. This experience is agonizing for Kambili, like the prickling of a limb that has fallen asleep. Her adolescent physical and emotional flowering enhanced by newly found self-expression and self-awareness, Kambili is a product of a world that leaves children unprotected, at the mercy of a merciless man. She is the observer, the reporter, emotionless as she describes the constant abuse. Like a sieve, Kambili filters every action, sorting, learning.

Eugene passes on the lessons he has learned in his own childhood, taught by brutal Catholic missionaries who used temporal punishment; the abused is the abuser. Rigid religious instruction, intolerant and unforgiving, is the tool with which this man terrorizes his wife and children. His wife is trapped by her husband's frequent beatings, but the children glean a different way of life in the home of their Aunty Ifeoma. A widow with three children, Aunty Ifeoma exists in borderline poverty, but teaches her children without dehumanizing them. Exposure to this loving family opens Kambili's heart, planting the seed of hope and the promise of a future that offers more than pain and self-discipline.

This powerful, yet subtle novel is striking on two levels: one is the subjection of society to the tyranny of the chaos that results from a political coup; the second is the role of family in the formation of children's lives, contrasting a monstrous discipline with the guidance of loving relatives. The political unrest and subsequent difficulties of daily survival are the canvas against which the author defines her young characters, especially significant because of the helplessness of a population ruled by intimidation.

In this exotic African setting, the author shares cultural differences, rituals and beliefs. She does so with great skill, describing luxury and poverty alike, the discrepancies of an unequal society. Adichie knows the language of the abused child and speaks simply, directly to her audience. Her native land is Nigeria, but this dialect is universal. She understands that to be heard, one must speak softly. Adichie garners an audience of survivors who respond to personal empowerment, wrapped in hope. Luan Gaines/2004.

An Extremely Engaging First Novel
Purple Hibiscus is a vivid, beautifully written novel about a 14 year-old girl named Kambili growing up in a stifling Catholic household in Nigeria. The story pairs the collapse of the family's strong patriarch who frequently physically abuses his family alongside with the deterioration of the Nigerian society's infrastructure as it undergoes a military coup. Kambili is a very sheltered child who is incredibly insecure because of the repressive regimen her father forces her to follow. Yet, she is looked down upon by her peers and initially scorned by her outspoken cousin because she is viewed as a privileged snob. When she visits her aunt and cousins she learns how to assert herself and become a more independent individual.

Adichie presents you with a portrait of domestic violence very much from the inside. We see the father through Kambili's eyes as a pillar of the community and someone she genuinely loves. Therefore the abuse he administers is seen only as a gesture of love for her own good. It's only when Kambili is pulled out of this horrific environment that she is able to see how wrong it is and understand that this abuse is not normal. While this novel really involves you in the struggles of its characters, it also shows you a lot about the complex political and religious struggles occurring in Nigeria. It's one of those wonderful stories that can broaden your perspective while being incredibly emotionally engaging. This is an amazing first novel from such a young writer and I hope she will continue to write many more books with as much heart and soul as Purple Hibiscus.

Electrifying read
Purple Hibiscus is a beautiful story. The plot is based on a 14 year-old who grew up under the stifling patronage of a stern father. Her domineering father frequently physically abused his family alongside her, creating terror at home and stunting the psychological growth of his children. Against the backdrop of the deterioration of the socio-economic and political life of Nigeria as it undergoes a military coup, the life Kambili knows is shattered and she has to seek for refuge in the home of her aunt. Kambili the sheltered but highly restricted child, who never thought of herself as lucky and who had earlier been absconded by her peers and cousin because of her supposedly privileges, learns to assert herself and becomes a beloved character, a character who easily understood the plight of those around her.. Kambili at first came to terms with her father as someone who regarded himself as a pillar of the community and someone she genuinely loved. Even the emotional and physical pains he inflicted are seen only as a gesture of love for her own good, but later she comes to consider his actions as abnormal. With its vivid portrayal of Nigerian life, and brilliant dissection of the characters , this novel moves at a pace which is electrifying.
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