Product Description

Monica Ali's gorgeous first novel is the deeply moving story of one woman, Nazneen, born in a Bangladeshi village and transported to London at age eighteen to enter into an arranged marriage. Already hailed by the London Observer as "one of the most significant British novelists of her generation," Ali has written a stunningly accomplished debut about one outsider's quest to find her voice.

What could not be changed must be borne. And since nothing could be changed, everything had to be borne. This principle ruled her life. It was mantra, fettle, and challenge.

Nazneen's inauspicious entry into the world, an apparent stillbirth on the hard mud floor of a village hut, imbues in her a sense of fatalism that she carries across continents when she is married off to Chanu, a man old enough to be her father. Nazneen moves to London and, for years, keeps house, cares for her husband, and bears children, just as a girl from the village is supposed to do. But gradually she is transformed by her experience, and begins to question whether fate controls her or whether she has a hand in her own destiny.

Motherhood is a catalyst -- Nazneen's daughters chafe against their father's traditions and pride -- and to her own amazement, Nazneen falls in love with a young man in the community. She discovers both the complexity that comes with free choice and the depth of her attachment to her husband, her daughters, and her new world.

While Nazneen journeys along her path of self-realization, her sister, Hasina, rushes headlong at her life, first making a "love marriage," then fleeing her violent husband. Woven through the novel, Hasina's letters from Dhaka recount a world of overwhelming adversity. Shaped, yet not bound, by their landscapes and memories, both sisters struggle to dream -- and live -- beyond the rules prescribed for them.

Vivid, profoundly humane, and beautifully rendered, Brick Lane captures a world at once unimaginable and achingly familiar. And it establishes Monica Ali as a thrilling new voice in fiction. As Kirkus Reviews said, "She is one of those dangerous writers who see everything."

Product Details

• Amazon Sales Rank: #64934 in Books
• Published on: 2008-03-11
• Original language: English
• Number of items: 1
• Binding: Paperback
• 428 pages

Features

• ISBN13: 9781416584070
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
Wildly embraced by critics, readers, and contest judges (who put it on the short-list for the 2003 Man Booker Prize), Brick Lane is indeed a rare find: a book that lives up to its hype. Monica Ali's debut novel chronicles the life of Nazneen, a Bangladeshi girl so sickly at birth that the midwife at first declares her stillborn. At 18 her parents arrange a marriage to Chanu, a Bengali immigrant living in England. Although Chanu--who's twice Nazneen's age--turns out to be a foolish blowhard who "had a face like a frog," Nazneen accepts her fate, which seems to be the main life lesson taught by the women in her family. "If God wanted us to ask questions," her mother tells her, "he would have made us men." Over the next decade-and-a-half Nazneen grows into a strong, confident woman who doesn't defy fate so much as bend it to her will. The great delight to be had in Brick Lane lies with Ali's characters, from Chanu the kindly fool to Mrs. Islam the elderly loan shark to Karim the political rabblerouser, all living in a hothouse of Bengali immigrants. Brick Lane combines the wide scope of a social novel about the struggles of Islamic immigrants in pre- and post-9/11 England with the intimate story of Nazneen, one of the more memorable heroines to come along in a long time. If Dickens or Trollope were loosed upon contemporary London, this is exactly the sort of novel they would cook up. --Claire Dederer

From Publishers Weekly
The immigrant world Ali chronicles in this penetrating, unsentimental debut has much in common with Zadie Smith's scrappy, multicultural London, though its sheltered protagonist rarely leaves her rundown East End apartment block where she is surrounded by fellow Bangladeshis. After a brief opening section set in East Pakistan-Nazneen's younger sister, the beautiful Hasina, elopes in a love marriage, and the quiet, plain Nazneen is married off to an older man-Ali begins a meticulous exploration of Nazneen's life in London, where her husband has taken her to live. Chanu fancies himself a frustrated intellectual and continually expounds upon the "tragedy of immigration" to his young wife (and anyone else who will listen), while letters from downtrodden Hasina provide a contrast to his idealized memories of Bangladesh. Nazneen, for her part, leads a relatively circumscribed life as a housewife and mother, and her experience of London in the 1980s and '90s is mostly indirect, through her children (rebellious Shahana and meek Bibi) and her variously assimilated neighbors. The realistic complexity of the characters is quietly stunning: Nazneen shrugs off her passivity at just the right moment, and the supporting cast-Chanu, the ineffectual patriarch; Nazneen's defiant and struggling neighbor, Razia (proud wearer of a Union Jack sweatshirt); and Karim, the foolish young Muslim radical with whom Nazneen eventually has an affair-are all richly drawn. By keeping the focus on their perceptions, Ali comments on larger issues of identity and assimilation without drawing undue attention to the fact, even gracefully working in September 11. Carefully observed and assured, the novel is free of pyrotechnics, its power residing in Ali's unsparing scrutiny of its hapless, hopeful protagonists.
Copyright 2003 Reed Business Information, Inc.

From The New Yorker
Ali's sharp-witted tale explores the immigrant's dilemma of belonging. Nazneen, a young Bangladeshi woman, moves to London's Bangla Town (around the street of the title) in the mid-nineteen-eighties after an arranged marriage with an older man. Seen through Nazneen's eyes, England is at first utterly baffling, but over the seventeen years of the narrative (which takes us into the post-September 11th era), she gradually finds her way, bringing up two daughters and eventually starting an all-female tailoring business. Meanwhile, the more outwardly assertive characters—her comically pompous husband, her rebellious sister back in Bangladesh, and a young Muslim activist with whom Nazneen has an affair—lose their bearings in their various attempts to embrace or reject their heritage. In Ali's subtle narration, Nazneen's mixture of traditionalism and adaptability, of acceptance and restlessness, emerges as a quiet strength.
Copyright © 2005 The New Yorker

Customer Reviews

Well written debut
Monica Ali's "Brick Lane" is an excellent debut novel that captures the struggles, the cultural clash, and the frustrations of a family caught between two worlds.

From the day of her birth, Nazneen is reminded how she is a puppet of fate. She dutifully leaves her small Bangladeshi village and goes to live in Brick Lane, the Bengali enclave of London, after her arranged marriage to Chanu, an educated but pompous and ineffectual man twice her age. She acts as a traditional, dutiful, and useful wife. After accepting whatever cards fate deals her, however, she casts a critical eye at the actions of her friends, her sister and her mother. She questions whether she can actually control her life. She starts to break free, first with small subtle acts of rebellion and then an affair. Finally, with the interests of her children in mind, she takes a giant step toward becoming her own woman. Interspersed throughout the story line are letters to Nazneen from her sister Hasina, who strikes out on her own in Bangladesh and, through good times and bad, forges a life of her own.

The writing style is colorful and descriptive. The reader can smell the spices wafting through the hallways, view the multicultural clutter of a shabby and overcrowded apartment, and share the confusion and outrage that simmer in Brick Lane due to cultural, religious, and racial prejudice. Each character is carefully crafted and brought to life. Ali peels back the surface layers of Chanu to reveal his inner doubts and disallusionment. The secondary characters such as the starchy Dr. Azad, the crafty hypochondriac Mrs. Islam, and the Britishized Razia, are depicted with a deft touch. There are only two points in the novel that could be improved upon. First, although the absent Hasina's letters add another dimension to the story by developing her personality and experiences, at one point they lead the reader off on a several year tangent that leaves a gap in Nazneen's time-line. Second, there are many ethnic words for food and clothing that are not explained, and these might cause the reader some confusion. Overall, however, this book is a seamless blend of the Old Country and the New, and it brings new insights to the immigrant experience.

"If you mix with all these people�you give up your culture."
Nazneen, a young bride married at sixteen to a 40-year-old man, is wrenched from the only life she has ever known in the countryside of Bangladesh and conveyed to England, where her new husband, Chanu, has a job. Taught from the day of her birth that "fighting against one's Fate can weaken the blood," or even be fatal, she accepts the miserably lonely existence that fate has bestowed on her in a London council flat. Nazneen's only contact with home is the letters she exchanges with her sister Hasina, whose own fate back home in Dhaka changes throughout the fifteen years that this novel takes place. Through these letters, author Ali shows the similarities and contrasts in the lives of Nazneen and Hasina, both subservient to their husbands, and, like other Bengali wives, powerless to control their fates in the culture in which they live.

With warmth and sensitivity, author Ali draws us into Nazneen's world, showing it in all its earthy details. The reader sees her increasingly cluttered apartment, hears the constant excuses and boasts from Chanu, gets lost with her on a walk in the city, and feels Nazneen's confusion and frustration with the isolation of her life, as she continues to act the dutiful wife, cutting Chanu's corns and trimming his nose hair while planning mini-rebellions. Her sister, eventually alone in Dhaka, struggles to support herself, doing whatever she has to do to stay alive in a culture in which her life has no value. But, as their mother once said, "If God wanted us to ask questions, he would have made us men."

Speaking directly to the reader in unpretentious but vividly descriptive prose, Ali recreates the minutiae of Nazneen's life, showing how the seemingly unimportant decisions she begins to make acquire new meanings in her life. Through striking details, the reader watches her gradual acceptance of a new culture (which some would call "growth"), while her husband Chanu remains anchored in the traditions of the past. Her slow evolution is neither simple nor without conflict, and no member of the family escapes her transformation. Brick Lane reveals the emotional conflicts and the subtle changes that occur when an immigrant sees the possibilities inherent in a new culture, radically different from the culture of the past, and begins to embrace it.. Step by inevitable step, Ali shows just how this process evolves, creating a vibrant portrait of a family in transition and of a woman coming into her own. Mary Whipple

Sweeping the past from the Yellow brick Road
I am a devoted fan of Indian novelists, those particularly observant writers who miss no detail while creating intensely personal landscapes of time and place. In Brick Lane, author Ali examines the life of Nazneen, a young Bangladeshi wife. The young woman settles in a London enclave filled with other Bengali tenants, all seeking assimilation while maintaining their cultural identity. Surrounded by familiar objects and customs, the immigrant community is constantly assailed by the inevitability of Westernization.

Following custom, Nazneen dutifully accepts marriage to the much older Chanu. Nazneen is an obedient wife, settled now in her London flat, her homesickness brightened by letters from Hasina, Nazneen's sister, who flaunts tradition by marrying for love. Over the years, the differences in their worlds are apparent, as the letters they exchange reflect their diverse paths. Through their letters, Nazneen examines her days as mother and wife, governed by minutiae, while Hasina is often at the mercy of changing circumstances.

Bengali lives are governed by strict traditions. While eyes watch and tongues wag with gossip, most of the women shun Westernization. Still, there is a profound cultural disturbance beneath the surface of the Bengali's world. It is nearly impossible to make a decent living; most are forced to work demeaning jobs to support their households, regardless of education and among the young people, there is a growing unrest. Some embrace the new lifestyle, while others are outraged by the implicit denial of Islamic tradition.

Nazneen is patient, wedded to her fate, but the couple's two daughters are a constant irritation to Chanu, especially the oldest, who exhibits the usual teenage angst. Accepting employment as a taxi driver, working nights, he finally acknowledges the sad truth of his diminished job prospects. Borrowing from a moneylender, Chanu purchases a sewing machine for Nazneen so she can do piecework for a local manufacturer, contributing to the family income.

While doing this piecework, Nazneen meets a young man with revolutionary dreams who yearns to direct the local Muslim population away from secularization and back to strict religious traditions. Karim picks up Nazneen's sewing daily and befriending her, he gradually challenges Nazneen to redefine her priorities and unquestioning acceptance of Fate's directives. For the first time, through his eyes, Nazneen views herself as a woman.

This is a small story on a large canvas, the universal struggle of people searching for personal definition and quality of life. Like pieces of a quilt, Ali stitches her eccentric characters together with subtle precision, from kind-hearted, plain-faced friends to hawkish moneylenders bleeding customers dry and pedantic old men longing for their birth country. While they trudge through daily difficulties, dreaming of home, most Bengali's accept their gradual acculturation, if unwittingly. In her way, Nazneen struggles to find her voice as a mother and wife, a woman of two worlds. Luan Gaines/2003.