Product Description

Winner of the 2008 Pulitzer Prize for Drama

"A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people."-Time Out New York

"Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original."-New York magazine

One of the most bracing and critically acclaimed plays in recent Broadway history, August: Osage County is a portrait of the dysfunctional American family at its finest-and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed. After its sold-out Chicago premiere, the play has electrified audiences in New York since its opening in November 2007.

Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.

Product Details

• Amazon Sales Rank: #7061 in Books
• Published on: 2008-02-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 152 pages

Features

• ISBN13: 9781559363303
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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About the Author
Tracy Letts is the author of Killer Joe, Bug and Man From Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. He is a member of the Steppenwolf Theatre Company, where "August: Osage County" premiered.

Customer Reviews

Summer and Smoke (and Pills)
When The Stern Librarian saw this show in New York recently she heard lot of debate at intermission (both of them!) about whether Tracy Letts has a written a classic to stand with the best of Eugene O'Neill and Tennessee Williams, or whether the play is a Carol Burnett spoof of those masters. Anyone who thinks this play is nothing but a bawdy of exchange of insults and swears (and catfights about catfish) should read the published play. On the page it is abundantly clear that the poetry quoted in the lovely opening scene by the doomed husband finds its messy, human correlative in the scenes that follow, with language so memorable it deserves to be printed on t-shirts and sold in the lobby. This is a masterpiece from beginning to end, from August to tragic December. The Stern Librarian (I get a lot of reading done in the TKTS booth).

The Most Exciting Play This Year
August: Osage County is literally the most exciting play of the year. I saw the play in early January, and instantly fell in love with it. Which is an odd thing to say considering the plays heavy subject matter. It deals with everything from drug abuse, molestation, suicide and other topics that just by letting you know what they are would be spoilers.

And while it may seem over loaded with serious subjects, it is a play about a family coming together after the loss of a family member and is filled with so much humor, it's hard to believe that it's a drama. Of course most of the laughter comes out of awkwardness of the situation.

This family has their share of problems and they all rise to the surface when shoved together for the funeral. There are dishes broken, marragies ruined and lots of yelling and cursing. If it sounds a little melodramatic, it is. BUT it's written in such a clear, precise way, it transends simple melodrama and becomes something else all together.

My only reservation is that the play is very long. It is three full acts. (Running time was over 3 and a half hours on Broadway) BUT it is so worth it. It is able to cover so much ground because it's thorough and no plot of subject is dropped.

This is going to be a play that will be around for a while. A true ensemble piece, what we've come to expect from Steppenwolf Theatre. It is a Modern American Classic.

A must-read for literature and theatre lovers alike...
By far one of the best plays I've read in a long time, maybe even since my love affair with 'Angels in America.' Bitingly funny and horribly tragic, I've yet to find one disappointed fellow reader of Letts' masterpiece.