Product Description

A debut collection of short fiction includes the title story, the award-winning "Bounty" and "The 400-Pound CEO," "The Wavemaker Falters," and others. Reprint. NYT.

Product Details

• Amazon Sales Rank: #31977 in Books
• Published on: 1997-02-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

Features

• ISBN13: 9781573225793
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
George Saunders, a geophysicist, maps out magical realism with this short story collection. He puts an American spin on that sensibility in the sensationally good title tale, where things in a "Westworld"-like amusement park go extraordinarily wrong, but in ways in that make perfect sense to any denizen--or reader--in the modern world. CivilWarLand is hilarious, yet ultimately sad and moving--and isn't that life in a nutshell? And how can you resist any writer who cooks up titles as good as "Downtrodden Mary's Failed Campaign of Terror"?

From Publishers Weekly
In this debut collection of seven dystopian fantasies, some of which have appeared in the New Yorker and Harper's, America in the near future is a toxic wasteland overrun by vicious thugs and venal opportunists who prey on the weak and misshapen. Saunders's feverish imagination conjures up images as horrific as any from a Hieronymus Bosch painting: a field full of braying mules toppled over from bone marrow disease; a tourist attraction featuring pickled stillborn babies; and cows with Plexiglas windows in their sides. The black humor and vision of American enterprise and evangelism gone haywire are reminiscent of Kurt Vonnegut's early works. In the novella "Bounty," for example, the clawed-foot narrator, who flees slavery under the "Normals" to find his sister, sees a McDonald's that is the headquarters of the Church of Appropriate Humility, aka "the Guilters." "In Guilter epistemology," he observes, "the arches represent the twin human frailties of arrogance and mediocrity." Despite the richness of the vision and the occasionally heart-melting prose, however, there is little difference in voice to distinguish one story from another. Read in one sitting, they blur into a bleak and unsettling vision of the world to come.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
This group of stories focuses on characters who work in a theme park called CivilWarLand in the future United States. Environmental pollution and genetic mutation have taken their toll, dividing the population into Normals and Flaweds. America's farmland lies fallow. All scramble to feed themselves and their families. Cars are hauled by horses, barges are hauled by humans, and technology continues its amazing feats, such as "off-loading" human memories, which are then sold as virtual-reality experiences. People continue to struggle for recognition, for wealth, and for the American Dream in the face of grinding poverty and limited opportunities. Saunders's surreal depiction of a bleak future for the country is both startling and believable. Here's hoping he is not a prophet. The author is a teacher and consultant for Raytheon. This is his first work of fiction. Recommended for public libraries.
Joanna M. Burkhardt, Univ. of Rhode Island Continuing Education Lib.
Copyright 1996 Reed Business Information, Inc.

Customer Reviews

AmericanFictionLand In Bad Decline
If I could communicate, as clearly as possible, the embodiment of a 'glowing review,' I would do it here. These days it seems almost anyone can write a decent sentence. There are so many MFA programs out there now, that it seems like more people write short stories than read them. Yet, to come across a talent as huge as George Saunders (by education an Engineer, by pure gift of God, a writer) is still something to behold. With so many good writers writing good stories made of good sentences, its kind of tough to stand out and write with true excellence and originality. But George Saunders does this. Oh, does he do this. You don't know the meaning of the word pathetic until you step into the heads of some of these characters. Granted, you will get the sneaking feeling that the same protagonist is being transported from place to place and story to story, with few changes, but Saunder's heroes (if we can call them that) are so pathetic, so pitiable, so 'downtrodden,' that you can read of their ridiculous plights repeatedly and still be surprised at how good it makes you feel to do so. The main reason for this is Saunder's killer prose; it's almost an invented dialect of the post-modern mind. The very phrasing makes you feel like you're being tickled. And there's the voyeuristic aspect concomitant with today's TV culture. It's just great fun to watch bad things happen to normal people. And even if the main characters are very similar, the supporting cast is always a riot, complete with beautifully idiotic dialogue and deadpan narration. But perhaps the most remarkable aspect of these ironic, self-mocking tales, is their undercurrent of sympathy and sensitivity. At the end of nearly every story, Saunders manages to change the tone faster than Jeff Gordon can go through the gearbox, and suddenly you find yourself disarmed by the recognition of your own cynicism and what it might prevent you from knowing.

One-trick Pony... but it's a good trick.
George Saunders seems able to write only about near-future corporate hell and decaying theme parks. And, he writes the same types of characters into each story. The main characters cannot act out their desires, because their desires place them outside the system. This makes them somewhat pitiful. The ones who can act out their desires within the system are objectionable because they are tailoring their desire to the system itself. Saunders has staked out for himself this part of the torture of modern life.

In the hands of a less talented writer, this narrow focus of setting and character would be a drawback. The decayed settings and amoral characters of Donald Antrim's writings are similar, for example, but after a few Antrim stories, you see that there is no more depth than the surface chaos.

Saunders seems able to find new depth in the souls of his characters every time he looks into them. In his work, each main character finds his own way out of the rat race. Oh, it also doesn't hurt that Saunders' writing is hilarious and highly readable.

Dancing on the edge.
After hearing George Saunders' name mentioned alonside those of Denis Johnson, Tim O'Brien and Donald Barthelme, modern masters of the short story, I was suprised to find that he only had one small collection in print. After reading that one collection I was shocked to discover that George Saunders has more inborn talent than perhaps any other writer in America today. That he chooses to use that talent in the way he does, crafting edgy, disturbing tales of cultural corruption and alienation, bodes very well for the future of American letters.

The collection draws its title from the first story in the book, probably the best story written by any American author in the last half of the 20th century. Describing the story with any brevity is an almost impossible task. Suffice it to say that it concerns a civil war style theme park director haunted by civil war era ghosts who hires a psychotic Vietnam veteran to rid the park of the gangs who keep invading the place and terrorizing the workers and visitors. This ludicrous story line is sharpened by Suanders' remarkable wit and spirals to a shocking and disturbing conclusion.

Unfortunately, none of the remaining stories in the book equal the brilliance of the first, but none of them really disappoint the reader either. "Isabelle" is strangely moving and "The 400 Pound CEO" is a tragicomedy whose ending is so innevitable that it is almost painful to read. George Saunders from whom there is much to expect and he has the undeniable talent to back up those expectations.